turn and turn again

it's not Eden but it's no sham

[stlamb]

ibis_hospital

[milksockets]

'constrictor' arm form by boris bally, 1990 in one of a kind: american art jewelry today - susan grant lewin (1994)

[femmepathy]

Carta Monir via Bluesky

"Announcing my new website, blood.video

My most intense work, all free, updated as often as I'm able to."

[femmepathy]

"Nothing on this website is illegal. Nothing on this website is unethical. Despite the fact that these videos and photos were created enthusiastically and consensually, I can't process transactions or make money from any media on this website using any standard online payment processing. The only way I can get other people's eyes on my work is to give it away for free. That's the state of the internet and credit card companies right now.

I take my art seriously. I take my collaborators seriously. We deserve a platform for our work. This is an imperfect attempt at filling that gap. It's better than nothing." x

[cyberglittter]

abény nhial by arnaud lajeunie for pop magazine — makeup by vassilis theotokis, hair by tomohiro ohashi, styling by ursina gysi & nails by anais cordevant

[389]

Teresa Fernández-Pello - The Heart of the Hurt, 2023

[vizuart]

Pablo Picasso - Dying Minotaur (1933)

[idiotequism]

growing pains by michaela stark @ dirty looks: desire & decay in fashion, oct 2025

[spaceleech]

Fairy Maker, sculpted by Kenji Ando.

Hobby Japan EX, Autumn 1994.

[cannibalcaprine]

hrt is wonderful but i need more control biochemically. i should be allowed to fuck with my keratin or bone structure or whatever. i should be art

[zegalba]

Marina Abramovic: Rest Energy (1980)

[surrealnarcosis]

tattoo department at a forensic lab

[blue-voids]

Gary Hill - Inasmuch As It Is Always Already Taking Place, 1990 - video installation

[thenewloverofbeauty]

[scoliosed]

sarah sudhoff, exploratory surgery, from the series repository

[kudeita]

surveillance prosthetic, pt. 2

[gucciballs-deactivated20200720]

Bart Huges, Self-Trepanation, 1965

[milksockets]

'extirpation of evil by incision,' 1994 in adriana varejão: histórias às margens [at the margins] - museu de arte moderna de são paulo (2013)