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he wasn't even looking at me and he found me
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Love Begins

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if i look back, i am lost
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@amielnitrate
art blog
got an ad on instagram for a group of beatles impersonators that hire out for events and all the comments were asking if they hired them would the paul and john kiss
everybody follow me down the old woman yuri rabbithole
nobody followed me do i gotta do everything myself around here.
rpf thesis
i love you semicolon. no one look at my 80 word sentence
Every once in a while I think maybe it’s time to scale back my invasive interest in Paul McCartney’s private life. Thankfully Paul McCartney himself just said it’s okay and that in fact I should be trying harder
On a more serious note I do genuinely believe he’s asking to both be taken at his word and for his work to be considered holistically without the baggage of secondhand interpretation (i.e. Beatles biographers and historians).
I also think he’s implicitly asking for his work to be read for innuendo about gay sex. Still being dead serious btw.
the idea of ringo alone in his dressing room in the late 80s listening to early beatles music to hype himself up for thomas the tank engine
(from ringo: with a little help by michael seth starr)
We usually see eye to eye on so many things, and since we don't when it comes to As You Lie There, I felt compelled to put pen to paper :)
I think Paul is inviting us to crack the secret code on this new album, and he's left us loads and loads of hints.
So let's take a closer look at the opening track. I find it hard to believe that, after all these years, Jasmine would still move Paul so deeply. I don't think anyone but John could have inspired a song of such emotional intensity (together forever, that would mean the world to me).
As You Lie There speaks to us from two different points in time. One is when Paul was around fourteen, before the village fête where they officially met. Paul had seen John a few times on the bus and met him once at the local chip shop. I believe Paul was already obsessed with him and secretly hoping that John was thinking about him, too. Early songs such as Just Fun and In Spite of All the Danger suggest that Paul knew from the very beginning that his feelings for John were romantic, and that he already grasped the significance of that love. This theme first appeared in From a Window, suggesting that the memory has always been important to him and has stayed with him throughout his life. It also nods to The Word (say the word love).
The other timeline is John's death — the period immediately after the shooting, when he is suspended between life and death, beyond the blind. This is the part where Paul’s voice fills with pain and desperation. It's such a devastating image that it has never stopped haunting him and has surfaced repeatedly in Paul's work. It appears in Give My Regards To Broad Street (1:24:24) and in Liverpool Oratorio (also in the Ghosts of the Past documentary 28.25), where Paul asks, "Do you know who you are as you lie there sleeping?" Now, in this song, he's asking: Are you still conscious? Are you thinking of me? Am I there inside your head in your last moments on Earth?
To me, the song connects the very beginning and the very end of their relationship: the first moment when John might have been thinking about Paul, and the last.
I know it’s a bold interpretation, but it’s the one that makes sense to me. What do you think?
This is a really beautiful interpretation, and I especially like the idea of the song connecting the very beginning and the very end of the relationship. I also think that the “beyond the blind” imagery and the repeated “Am I there inside your head?” lines can take on a much heavier emotional meaning once you read the song through the lens of John’s death. That said, I still personally lean much more toward the Jasmine explanation as the song’s primary inspiration. What convinces me most is not even Paul’s explanation itself (because we all know Paul can be quite inconsistent about song inspirations) but the actual lyrics and the historical detail that there really was a Jasmine living near him at the time (and the name being extremely rare at the time makes it hard to dismiss this as a coincidence). The imagery in the song feels very literal and grounded to me: you have a crush on someone who lives very close to you, walking past that someone’s house every night, looking up at their window often, seeing the silhouette on the blind, barely having met the person once, fantasizing from afar, wondering if you ever cross their mind. It feels exactly like the inner world of a shy teenage crush, one involving somebody nearby who barely knows you exist. The line “Although we only met one time” especially makes it difficult for me to fully map the song onto John. While I do think Paul had a crush on John early on before the fete, at that stage he mostly only saw him on the bus or around local shops, without really knowing where he lived (and John lived almost half an hour away). Once they properly got to know each other, Paul and John became inseparable very quickly. Paul was constantly visiting John’s house and spending huge amounts of time with him. What the lyrics of As You Lie There portray doesn’t really sound like that dynamic to me. It sounds much more like quietly crushing on someone who lives nearby, someone you have almost no contact with and mostly observe from a distance while still being able to pass by their house quite often. I also have to admit that I personally don’t really hear John very strongly in From a Window either. I understand why some people connect it to him in retrospect, but lyrically the song feels fairly generic to me, more like a standard early love song than something specifically tied to John. There isn’t really anything in the lyrics that clearly points toward him in a way that could only apply to him. Yes, both songs talk about seeing someone from a window, but that's a very common trope in love songs.
I also think that interpreting the As You Lie There as being solely about John requires reading the lyrics in a very metaphorical way rather than taking them more literally at face value. I agree that the emotional intensity of the lyrics sounds too heavy for a childhood crush that didn't go anywhere, so I completely understand why so many people read the song and immediately think: this has to be about John. But I think it’s important to remember that songwriters often take a real memory or emotion and then amplify it artistically into something much larger, more dramatic, and more universal than the original experience actually was. A song is not necessarily a literal autobiography. Paul could very well have taken the memory of an old crush and transformed it into a full, emotionally intense love song because that simply makes for stronger songwriting. That doesn’t necessarily mean he literally felt that exact level of longing for Jasmine herself. Sometimes artists use creative license to elevate a small memory into something emotionally grander and more cinematic. I do think Paul often blends emotional associations in his writing, though. So I don’t completely dismiss the possibility that thoughts of John, loss, memory, or longing could have bled into some parts of the song subconsciously. But personally, I still think the core scenario of the song fits the Jasmine story much more naturally. Still, I very much enjoyed reading your interpretation. I really like seeing other points of view ❤️
drawing is all sbout becoming good at illustrating one character at 3/4 angle and nothing else no backgrounds no props no furniture no money no job no future
was watching the mess that is house md again today and at the exact moment "i love you" was said, john's polaroid keeled over
such an intimate moment
I can't believe I haven't seen either of these parts of the lyrics for Mountain Top mentioned yet
"I love you so much more Thank you will ever know"
That's not in the song, is it?
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"check on" was originally "find out"
No one ever needs to find out What we do
julian: she wanted him, he wanted me — pride month
the strokes @ the metro, chicago, usa, 2022 / cr. eric sander (x)
sad feeling to try to mutualbait when the mutual you wanted to bait already finished their tumblr shift for the day
The Boys of Dungeon Lane is *such* a win for Paul/bus shippers:
Lost Horizon: “Well, I remember that sound/The braking of a bus driver coming to a stop…”
Mountain Top: “We can take the second bus"
Down South: “The morning bus was where we two would meet / I sat beside you on an empty seat”
Guardian today (from Beatles reddit]
Cant get over that this is how Jasmine Howe found out that Paul McCartney of Beatles fame had a crush on her enough to write a stalker song.