Dovima in Balenciaga by Richard Avedon, 1951
styofa doing anything
Acquired Stardust
Jules of Nature

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Cosmic Funnies

祝日 / Permanent Vacation

roma★
Misplaced Lens Cap
cherry valley forever

if i look back, i am lost

❣ Chile in a Photography ❣

shark vs the universe
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titsay

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@arethosedustyjumpwings
Dovima in Balenciaga by Richard Avedon, 1951
One day I’ll send you out for a routine enquiry, and it’ll turn out to be just that. But I won’t hold my breath. You’d find something suspicious in a saint’s sock drawer.
Oxford. | instagram
Orazio Gentileschi, The Lute Player (detail), c. 1612–1615. Oil on canvas, 100 × 74 cm. National Gallery of Art, Washington, D.C
LILY GLADSTONE for New York Magazine (2023)
Men my age dictate this war. Why should we be allowed to send our children to fight it?
A sergeant pilot of 610 Squadron, sitting in the cockpit of his Spitfire wearing his oxygen mask, RAF Hawkinge, 29 July 1940 — IWM HU 54419
I was so upset by this roll of film when I first saw it last August, but now it makes my heart flutter.
next year's met gala theme should be The Terror s1e06 A Mercy
textures @ marchesa ss2020
A little moon during sunset // Instagram / Website
THE THIRD MAN 1949, dir. Carol Reed
The Garden Girl by Amélie Helga Lundahl, 1885 (detail)
cold and calm
Turning toward home, I bend to collect a wrinkled postcard at the curb: an advertisement for the Monet exhibit. How I loved those paintings when I was younger, all of them nearly the same: haystack, haystack, haystack. The only difference the season and time of day, which is to say they are like this grief these months later: all the same but for the light.
— Amanda Moore, from “Everything Is a Sign Today,” Requeening
Fashion model on edge of boat, man rowing, Montego Bay, Jamaica. 1946
Photo by Toni Frissell