Ali Farka Toure - The River

if i look back, i am lost
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Ali Farka Toure - The River
Yr So Wet 3.0 - Ultrademon + Dj Kiff - "Bubbles" SPLASH008
glenn astro & imyrmind - kdim (max graef remix)
some warm electronica sounds for the sunday morning dancefloors
KILLER!
Hot Wire My Heart.
Egoexpress - Aranda
Koehler is a bastard, a bloody bearded bastard, scouring the streets of St Paul in search of half empty beer cans and cigarette butts. In between stuffing the holes in his shoes with a newspaper and harassing his parole officer for yet another advance on his food stamps Koehler makes broken beats. A reflection of his Broken Brain perhaps? We will never know as his tongue was cut out by a Yardie after a drug deal gone south. It's probably better this way, cause now we're just left with his music, which is like a reverse coming of age story, chronicling the descent of a man once whole into a state of utter decay with a bastardian panache thats compressed like carbon into a diamond razor along which the snails of his mind meander like the slithering snotballs on his bastard cardigan. Breathe through your mouth as you soak this one in!
Four Tet + Terror Danjah - Killer
Kieran Hebden teams up with grime master Terror Danjah for the amazing ‘Killer’. This primal dancefloor track is a percussive storm, which gives it a hard edge against the suave synth line that enters in the second half. Forthcoming on the Killer/Nasty 12” for Four Tet’s out Text imprint.
raveraveraveraveraveraveraveraverave raveraveraveraveraveraveraveraverave raveraveraveraveraveraveraveraverave raveraveraveraveraveraveraveraverave
lush deephouse jams... music for ur soul! includes super long manifesto quoted below - making a good point - but really the music is what it is about!
“Deep House” is probably the most misused & misconstrued phrase in the dance music vernacular. It has been exhausted, distorted & erroneously applied to virtually every form of electronic music that has a 4-to-the-floor beat and a few key synthpads, a term that implies a sophistication, esoterism & general “deepness” that lends itself to the wholesale rape and pillage of just about every dance music apologist & skilled musical revisionist seeking to legitimize their specimens with a quick-fire labeling and associative justification. Practically every commercial knock-off of established underground trends gets spruced up with wild proclamations of deepness, attempts to paint over the glossy polish of wealth & hallow insincerity with a legitimate claim to the “underground.” But beyond all the assertions of a “deep house revival,” there was a time when the term referred to an real community disseminated across much of the Western world, a vibrant musical trend sprung from the flourishing possibilities of the 1990’s house music scene—one whose effect is still being felt to this day. Concentrating on the instrumental abstraction of early electronic tracks, Prescription Records literally shook the very foundation of house music and opened an entirely new path to a new generation of producers who had never lived through the heyday of the Garage, Muzic Box or Zanzibar, a group of dance music enthusiasts who were determined to forge an entirely new aesthetic out of the ashes of disco and garage. Arguably more than any other label, Chicago’s Guidance Recordings symbolized this new obsession with conceptual instrumental expression, championing a slew of early forays into the domain cryptically ordained “deep house.” With releases from stalwarts suck as Larry Heard, Dana Kelly a.k.a. Callisto, Abacus and many, many more, the D.I.Y. styled, free-formed label focused on an anti-dogmatic approach to the art of A&R’ing, releasing a slew of new and unestablished talent as well as immortal legends, all in search of an identifiably new underground aesthetic centered around this new expressionism. Whether inspired by the classic deep instrumental styling of early NY and Chicago house or the otherworldly explorations of Detroit’s avant-garde, Guidance Recordings—especially during its critical early years—stood at the fore of the legitimately deep, melodically driven tracks of the latter 1990’s. Eventually falling prey to the vapid promises of mass success and lounge-rooted mediocrity, Guidance Recordings fell by the waste side in the early 2000’s, leaving behind a plentiful and often-times contradictory catalog spanning close to a decade. Lately the great historical revisionists of electronic music tend to either entirely ignore its impact as a label, or conversely praise it categorically without in-depth knowledge of its legacy. Veteran deep house fanatics and dance music devotees Francis Englehardt & Paul Nickerson, a.k.a. slow to speak, have set out to justly chronicle this fabled label, determined to unravel the myth and translate the catalog into a tangible musical dissertation of quality deep house music—setting the record straight once and for all on this widely misunderstood and misrepresented label. Many of these tracks have been lost in the ceaselessly morphing trends of electronic fad and fancy, lost in the chasms of sealed-up closets, dusty storage spaces and damp basements. Resurrected, put to the test of time and delivered with the sincere underground enthusiasm of slow to speak’s sagely mastery in the art of dance music programming, let the distortions, confusions and misrepresentations cease once and for all with the concrete chronicling of this vital label: the definitive Guidance Mix.
Francis Inferno Orchestra - Take No Time
released on Big Doint.
lovely distorted banging house music!
Experimental/Electronic
Warli Paintings – Ragunath Seth Da Consumarsi Con Grazia – F:A.R. Please Don't Keep Me Waiting – Madalyn Merkey The Aqueducts of Channel Island – Monopoly Child Star Searchers Space Face – Eric Vann El Suplicio – Benedetto Ghiglia Khandhar – Bhaskar Chandavarkar Meanwhile Back At The Tulip Boat, Stinky And Gus Make Warplanes/Your Living Constitution (Dies) – Le Forte Four IV 18:54 – Rene Hell Robert Nelson’s Bleu Shut – Blue Crumb Truck Aladdin’s Magic Lamp – Father Sound Pai Khlong - phunsi charoenphong & the saman kanchanaphalin band I Passion You A Leap Of Love-Flame – Iasos Kosmiskt intermezzo – Bjorn Vikhoff Locomotion – Don Fraser & Steeleye Span Anmari Fukasugite – Melting Glass Box Equinox: A Journey into the Supernatural Music of the Spheres – Steve Birchall Gran Bolita (film leader) River Movement – J.D. Emmanuel Shulie (end titles) – Le Deuce Fossilized Whispers – Spiderwebs Derelictdolhouse - Sleep ∞ Over http://futurecrayon.blogspot.co.uk/2013/09/trishs-toys-techniques-birthday-tape.html
Ondo Fudd – Coup d'Etat
soon out on trilogy tapes. raw machine funk.
Destinys Child - Bills (Harmonimix)
Free .wav. Finally in hig quality!
Ray Tracing - The Internal Exterior
Dont mind the stupid video...
James Christian - Global House Culture Vol 1
1996 house mix, uplifting sutff, via Unknown To The Unknowns Facebook. Enjoy!
01 Voltek "D503" (Net Lab) 02 Burial "Stolen Dog" (Hyperdub) 03 Clark "Untitled Beat" 04 Black Dog Productions "Olivine" (Warp) 05 Neon Jung "Delirium Tremens (Nathan Fake Remix)" (Magic Wire) 06 Ancient Methods "Untitled" (Ancient Methods) 07 Clark "Amp Loop" 08 Clark "Untitled" 09 Joe "Maximum Busy Muscle" (Hessle Audio) 10 Clark "Untitled Riff" 11 Cristian Vogel "Xpute the Woop Woop" (Tresor) 12 Nathan Fake "Unreleased Error222" 13 Clark "Untitled" 14 Special Request "Broken Dreams" (Houndstooth) 15 Clark "Shuttle Track" 16 Clark "Unreleased Modular Jam" 17 Traxman "Electric Funk" (Lit City Trax) 18 Mark Pritchard "Natty" (Warp)
clark <3
lil wayne - a milli (harmonimix)
still so good.