Text taken from Wikipedia: https://en.wikipedia.org/wiki/Steven_F._Arnold
Steven F. Arnold (1943-1994), trendsetting American artist and protégé of Salvador Dali, was a visionary filmmaker, photographer, painter, illustrator, set and costume designer, and assemblage artist.
At four or five years old, he found a chest of theatrical costumes and make-up belonging to his uncle in the attic of his parent’s house, and from then on devoted himself to the art of transformation, constantly dressing up to amuse himself, his fashion model sister, and his babysitter. His parents encouraged his fantasies, and allowed him to build sets and puppets to put on shows for the neighborhood children, to whom, he said, he never related.
In the fall of 1958 Arnold entered Oakland Technical High School, where he met his lifelong friend, muse, and collaborator, Pandora. The pair became inseparable, and would spend hours in Steven’s bedroom drinking champagne and Romilar cough syrup, smoking opium, marijuana, and cigarettes, dressing up, and playing with make-up.
After graduating from high school in the spring of 1961, Arnold won a full scholarship to the San Francisco Art Institute. In the spring of 1964, after earning perfect grades for two years at the Institute, Arnold took a break to study abroad in Paris and enrolled at Ecole Des Beaux Arts. Feeling confined by the stiff, traditional curriculum at Ecole Des Beaux Arts, Arnold and a group of American classmates rented villas on the small island of Formentera off the coast of Spain. For the next several months the group lived communally, taking LSD every day, experimenting with paints and costumes, taking up residence in caves, and exploring the small island. Arnold recalls: “This new drug was so euphoric and visionary, so positive and mind expanding… I ascended to another dimension, one so beautiful and spiritual that I was never the same.” Arnold also began keeping sketchbooks around this time, a practice he maintained throughout his life.
Returning to San Francisco in the spring of 1965, Arnold resumed his studies at the San Francisco Art Institute, turning his eye on film-making. He wrote, directed, and designed three short films over the next two years. By late 1967 Arnold was about to receive his BFA, and his final student film, Messages, Messages, was drawing critical attention. Due to the critical success of their film, Arnold and collaborator Michael Wiese decided that Messages, Messages was worthy of a more elaborate hometown premiere than the San Francisco Art Institute could provide. So in February 1968, shortly before their graduation, the pair rented the Palace Theatre in San Francisco’s North Beach for the occasion. In addition to Messages, Messages, Arnold also curated “a rare collection of early surrealist films by Man Ray, Melies, and old French animations.” The evening was such a success that the theater owner offered to allow Arnold to continue holding screenings. This led to the March 1968 inauguration of Arnold’s Nocturnal Dreamshows, the first of the weekly midnight movie showcases that became nationally popular in the 1970s. The Nocturnal Dreamshows also launched The Cockettes, a psychedelic San Francisco drag troupe, into underground fame.
In 1969, while working on his MFA at San Francisco Art Institute, Arnold began filming Luminous Procuress, which went on to win him the 1972 New Director’s award at the San Francisco International Film Festival, an extended exhibition at the Whitney Museum of American Art, and a second invite to Cannes’ Director’s Fortnight. Salvador Dalí was so impressed with the film that he arranged a private screening at the St. Regis Hotel, to which he invited New York’s elite, including Andy Warhol, who also praised the film’s genius. Arnold became a favorite of Dalí’s, and in 1974 he went to study with Dali in Spain, helping Dali to embellish and inaugurate his Teatro-Museo Dalí. Dalí dubbed Arnold the 'prince' of his Court of Miracles, which included other counter-culture icons such as Donyale Luna, Andy Warhol superstar Ultra Violet, Amanda Lear, Marianne Faithfull, David Bowie and Mick Jagger.
After returning to California, and failing to make any progress on other film projects, Arnold was driven to find new modes of expression. So he established his Los Angeles photography studio and west coast salon, Zanzibar. From 1982-89, Arnold found his niche, designing and shooting tableau-vivants for four books; he left thousands of living tableau photographs and negatives unpublished. He nurtured close friendships with kindred spirits such as actress Ellen Burstyn and Simon Doonan of Barneys New York. Arnold adored the vast cross-section of society represented at his nightly Salons, but also culled inspiration from his dreams, world religions, sexuality, fine art masterpieces, Jungian archetypes, social attitudes, excess, and artifice, working all night, and waking each afternoon to sketch dreams and visions into his growing collection of sketchbooks. In addition to his photography, Arnold also translated these his drawings into a large body of paintings and assemblage sculpture between 1990 and his death in 1994.
Arnold was diagnosed with AIDS in 1988 at the height of his popularity and died in 1994.
“Dreams of Transformation” by Steven F. Arnold
https://stevenarnoldarchive.com
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