this is the money dog, repost in the next 24 hours and money will come your way!!
Claire Keane

@theartofmadeline
DEAR READER
RMH
Xuebing Du
Jules of Nature
Today's Document
Monterey Bay Aquarium
No title available

Janaina Medeiros
hello vonnie
ojovivo
Lint Roller? I Barely Know Her
Alisa U Zemlji Chuda
almost home

Product Placement
let's talk about Bridgerton tea, my ask is open
No title available

Kiana Khansmith
i don't do bad sauce passes
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@ikembagetsreal
this is the money dog, repost in the next 24 hours and money will come your way!!
OAN: Kendrick Lamar, All The Stars video analysis / drawn meanings
It begins with his journey across the watery graveyard, the Atlantic Ocean, into which millions of ‘cargo’, enslaved Africans, were tossed into. They’re still there. They help him across.
He has arrived (Africa, although probably more in spirit). He approaches his ancestors, the person at the top is known as Agbala or Agbara in Igbo, the collective spirit of natural forces and the ancestors.
They are expecting him. (Ancestors are children waiting to be reborn.) (Also, more than 20% of enslaved Africans taken to the Americas were under 15.)
Their hats: unity (in ancestral judgement), ritual, heritage; the hats represent Agbala, they are reinitiating K (maybe it’s not all that, but just follow along anyway) back as a member of the lineage, as an eligible ancestor. He walks a path cleared by them.
They know him well, he is just now recognising them (Africa). He wears a do-rag though, a symbol of black American and diaspora culture, but look, it looks just like the other hats, but changed. They all see that. He has something to share.
The rest is mostly just cool shots.
'Oh, wow, look at all the neat stuff in Africa they didn’t tell me about’, ancestral gallery, and all that.
Frozen in time, the glorious past, also not a shanty.
Photo finish.
Just to really seriously draw meaning, these are the four primordial forces, the four divisions of the universe, in Igbo: Eke, Orie, Afo, Nkwo (all traditionally female), they are guarding potential, the gate, the future.
Oh, and she’s his chi (or The Chi).
#IGBOKWENU
Kendrick Lamar, SZA x All The Stars
The Origin of Red Bones
‘Red Bone’, referring to an ethnic group in Louisiana and a black American term for people with fair skin, has strong ties to peoples in what is now eastern Nigeria. Originating from 18th century chattel slavery in the West Indies, the term ‘red bone’ takes from the creole term ‘red Ibo’ referring to fairer skinned black people. The term derived from observations of fair skin among some members of the Igbo ethnic group (and some other peoples lumped in from eastern Nigeria) whose numbers in slavery ratcheted up in the 18th century due to internal conflict in Igboland. European slavers and plantation owners often made observations and generalisations about various ethnic groups since different Africans were targeted for their knowledge, education and skills; a hefty amount of stereotyping and dehumanising was subsequently placed on various ethnic groups found in large numbers in slavery. One recurrent observation was the relatively higher prevalence of fair skinned people from the Igbo area, known then in the Atlantic as the ‘Eboe Country’. The fairer skin was demonised by planters as ‘sickly’ and the Igbo were characterised as weak because of this. This also meant their ‘price’ dropped and poorer planters in places like Virginia took many Igbo leading to a saturation of Igbo people there. The disdain, however, may have been fuelled somewhat by the fact that enslaved Igbo people weren’t unknown for their defiance of slavery, immortalised in the folktale of Ebo landing; they were also involved in a number of slave revolts all over the Caribbean, including in Haiti.
Ultimately, this characteristic was taken in as a negative one and the term ‘red’ was combined with ‘Ibo’ (Igbo) as a pejorative used by black people in the British West Indies for people who were black but with fair skin as opposed to mixed people who were just ‘red’ or ‘brown’ thus suggesting a hierarchy of phenotypes and hair types. Some creole linguists trace the term to Louisiana where it was heard as ‘reddy bone’, leading to the understanding of the term as ‘red bone’ with a less negative connotation as it is still used in AAVE today.
The term red bone is interesting as it seems to be a word that’s linked to a particular experience of an ethnic group in slavery. The word itself carries a lot of historical weight in terms of what it meant for one group of Africans in that era. (Kniffen, Gregory and Stokes 1987; Don C. Marler 1997, 2000; Winer (2009). Dictionary of the English/Creole of Trinidad & Tobago. pg. 754.; [Louisiana, Where Music is King, PBS.])
Apparently she wanted to throw money in the crowd and they wouldn’t let her
~Ụsụ ma ka ọ jọrọ wee jiri uchichi aga~ “The bat recognizes that it is ugly, hence it chooses to be nocturnal.” The wise choose to operate within their limits.
Igbo Proverb (Nigeria)
We do a much greater disservice to girls, because we raise them to cater to the fragile egos of men. We teach girls to shrink themselves, to make themselves smaller. We say to girls: ‘You can have ambition, but not too much. You should aim to be successful, but not too successful, otherwise you will threaten the man. If you are the breadwinner in your relationship with a man, you have to pretend that you’re not, especially in public otherwise you will ‘emasculate’ him.’ But what if we questioned the premise itself— why should a woman’s success be a threat to a man? What if we decide to simply dispose of that word? And I don’t think there’s an English word I despise more than ‘emasculation.’
Chimamanda Ngozi Adichie, TedxEuston (x)
All of the truth. She’s incredible!
(via owning-my-truth)
the drool <3 oh baby!
I see my future
Little girl dancing
ig roney_arewa
Nigeria
See my future daughter though!!! Baddo
EKE’S HOUSE, WITH HIS MEETING HOUSE (BARELY VISIBLE ON LEFT) IN THE TOWN OF UMUONA, AWKA DIVISION. THESE HOUSES AND THE COMPOUND WALLS ARE ERECTED BY MEMBERS OF THE COMMUNITY UNDER THE DIRECTION OF EKE’S PRIEST.
Herbert M. Cole, Art as a Verb in Igboland, 1969.
Fanzy feat. Flavour - Paulina Nice upbeat song from Fanzy featuring Flavour
http://instagram.com/frankspiritx
http://instagram.com/joespiritxx
The Severe Brothers
"The Untold Renaissance": Ikire Jones Spring/Summer 2014 Lookbook.
It’s all dapper hommes, suave strides and bold prints and patterns in Nigerian designer Wale Oyejide’s Spring/Summer 2014 lookbook for his brand Ikire Jones.
“This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art. Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context. Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered.”
Contemporary Art Week!
I absolutely love the concept behind this. Especially: “reverse lens to the past”.
official website
Super rare footage of Chief Stephen Osita Osadebe and his Nigerian Sound Makers performing the now-classic “Osondi Owendi” on Osadebe’s early-1980s television programme.
It’s extremely rare to encounter live performance footage of Chief Stephen Osita Osadebe because like many musicians of his generation he guarded his music and his image jealously. He turned down most invitations to play on television and demanded exorbitant sums for the rights to film him in performance. However, in the early 1980s NTA 10 Lagos finally convinced the Doctor of Hypertension to do a weekly television half-hour show. The program took the format of a live-in-studio Osadebe concert—no skits, no guest stars, no interviews, no chit-chat, no frills. Osadebe and the band would just perform two or three songs straight. The only variation would be when Chief would step off stage to let one of the other band members lead while he danced in the wings.
PHOTO: Olamide & Phyno Show off their NEA Awards in Newyork
Rapper Olamide won three awards as “Best Indigenous Artist”, “Best Album” and “Best Collaboration”…
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