RUNS AND LEAPS INTO HIS ARMS NO THERE ARENT TEARS IN HER EYES YOU SAW WRONG
" maelle, I have coffee — ! "
crash. splash. coffee gone. given a cruel death between the cracks in wooden floors as arms catch the girl, foot digging into the floor for balance. well ... he could complain about coffee later. voice softens, " are you alright ?"
presumably the writers have a similar rule about writing people into their worlds? or does the ordeal of biographies and creative liberties make that null and void?
(thank you to @asaara-writes and @liulyam for helping with the translations!)
Renoir was already a painter before meeting Aline and had a habit of staying in canvases for too long due to his creative passion, described explicitly as a tendency towards self-destruction.
Aline came from a more noble family than Renoir.
Alicia was the main victim of the writer's plot and Verso died in the fire while trying to rescue her.
Aline is consumed by guilt for failing to protect her children and Alicia's state after the fire haunts her mind for her inability to help her youngest.
Before the fire, Aline is described as dreamy, charming, passionate, and a little stubborn. She exudes a natural aura of leadership and confidence, interspersed with deep sadness and a cold determination.
Aline painted Verso first, and then Renoir. Lumière was created to give the Painted family a sense of normality and to give Verso a "beautiful and healthy living environment."
There is a cardinal rule for Painters in the real world where creating a copy of a real person, especially without their knowledge or consent, is considered an ethical violation.
The Fracture caused massive earthquakes and hurricanes which tore the world apart. Part of the city was swept up by the storm before being thrown into the middle of the ocean.
Search and Rescue Expeditions were quickly formed in order to bring back survivors left in Old Lumiere but none returned besides the Painted family.
Sophie and Gustave were engaged before they broke up because of their differing views on raising children in Lumière.
Lune is sometimes plagued with imposter syndrome which makes her seem cold and distant despite the depth of her passions.
Gustave is explicitly stated to suffer from PTSD after the ambush.
The Ancient Sanctuary is a cemetery where Gestrals are placed to rest while they wait to be reborn in the Sacred River.
Verso painted the Sacred River because he felt that Immortality was too boring and death was too permanent, and so the reincarnation process of Gestrals leaves only most of their memories intact so that they may still feel excited for new beginnings.
The Painting Workshops (Clea's Atelier as it's known in the game files) were created after the fracture by Clea when she came back to create the nevrons.
The Stone Faced Cliffs was originally populated before the Fracture. The Paintress cult plotline we see is because a few survivors saw her as a deity and worshipped her with carved alters. "Their molten wax bodies now mingle with the candles lit in her name."
The battles of Forgotten Battlefield were fought between humans and nevrons. The marble fortresses, trenches, catapults, and cannons we see were made by the scholars, engineer, and defense forces of the large expeditions participating in the battle. The Nevrons ultimately overcame the courage of the Expeditioners and lead to colossal losses.
Aline created the train network of Lumiere because she was inspired by young Verso's love of trains.
"no more than any of us already have." settled on the log that served as their bench, hands in his lap, gustave leans over, gently nudges his shoulder into sciel's own. "want to talk about it?"
discoholicmusic
tangentwithtanner
prguitarman
annaxmalina
areudirty
jacobvanloon
kaledo-art
titsay
jbbartram-illu
