
#extradirty
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸

JVL
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Game of Thrones Daily

Kaledo Art
Three Goblin Art

titsay

JBB: An Artblog!
Jules of Nature

ellievsbear
Today's Document

if i look back, i am lost

shark vs the universe
Misplaced Lens Cap

tannertan36

Kiana Khansmith
No title available
styofa doing anything
seen from Indonesia

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seen from Türkiye
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@pendingforgreatness
"Ship With Butterfly Sails" by Salvador Dali, 1937 🦋⚓
Toma Vagner - Insomnia, 2021
ᶦⁿˢᵗᵃᵍʳᵃᵐ
I know I’ve seen one of these pictures before, but I hadn’t known there were THIS MANY pictures of this adorable cat, with rubber duckies!
Cliff Walk at Pourville, Claude Monet, 1882, Art Institute of Chicago: European Painting and Sculpture
In February 1882, Claude Monet went to Normandy to paint, one of many such expeditions that he made in the 1880s. This was also a retreat from personal and professional pressures. His wife, Camille, had died three years earlier, and Monet had entered into a domestic arrangement with Alice Hoschedé (whom he would marry in 1892, after her husband’s death). France was in the midst of a lengthy economic recession that affected Monet’s sales. In addition, the artist was unenthusiastic about the upcoming seventh Impressionist exhibition—divisions within the group had become pronounced by this time—and he delegated the responsibility for his contribution to his dealer, Paul Durand-Ruel.Disappointed in the area around the harbor city of Dieppe, which he found too urban, Monet settled in Pourville and remained in this fishing village until mid-April. He became increasingly enamored of his surroundings, writing to Hoschedé and her children: “How beautiful the countryside is becoming, and what joy it would be for me to show you all its delightful nooks and crannies!” He was able to do so in June, when they joined him in Pourville.The two young women strolling in Cliff Walk at Pourville are probably Marthe and Blanche, the eldest Hoschedé daughters. In this work, Monet addressed the problem of inserting figures into a landscape without disrupting the unity of its painterly surface. He integrated these elements with one another through texture and color. The grass—composed of short, brisk, curved brushstrokes—appears to quiver in the breeze, and subtly modified versions of the same strokes and hues suggest the women’s wind-whipped dresses and shawls and the undulation of the sea. X-radiographs show that Monet reduced the rocky outcropping at the far right to balance the proportions of sea and sky. Mr. and Mrs. Lewis Larned Coburn Memorial Collection Size: 66.5 × 82.3 cm (26 1/8 × 32 7/16 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/14620/
BINGUS NO
Et Tu, Bingus?
My mom sent this to me and i’m howling
NOT ANTHOROPOLOGY AND WHOLE FOODS 😂🤣😂🤣
💀💀💀 a mood
Scott Radke - Hands
“The beauty of volatility, throughout all of its respective stages of metamorphosis, expressing both a longing for harmony and love, as well as the fleetingness of those moments.”
- Paul Cupido
Georg Emil Libert