Good Luck Everybody

[onemonthintheatlantic]

SAM REID CALLING OMEGAVERSE "VERY URSULA LE GUIN"

[onemonthintheatlantic]

[standandwatchshitburn]

why so silent good messieurs

[nsfwitchy2]

I’m SEVERELY disappointed this post didn’t include the eye witness statement of the mirror crash incident in question

[amvs]

[amvs]

[amvs]

[amvs]

[juh-was-deactivated19691231-dea]

[amvs]

yeah

[paper-mario-wiki]

in case you're wondering what the greatest AMV of all time is, it's this one from 2008.

[paper-mario-wiki]

[en-tailsgaythings]

y'all need to watch this this pride month

[angelfoodcakewith7minutefrosting]

The art of the crack ship lives on.

[valtsv]

i'm like a fujoshi but for dead people

[valtsv]

if you could see the thread i'm hanging on by you would not say these things to me

[thesquishyfish]

the view from the friiway

[shittysawtraps]

finally getting home from a saw trap and checking your phone to find a venmo request for $50 from @j_gsaw labeled “trap costs”

[dependell]

I am always thinking about every line of dialogue in the first 50 seconds of Garth Marenghi's Darkplace.

[shining-supernova]

HELLO?

[biggerchallenge]

Darkplace is a key example of how in order to truly master making art that is "deliberately bad" you need to have a thorough understanding of what the medium considers the rules for "good form" so that you can than break every single rule.

[pencilium]

[puppygirllaika]

this show is the prime example of "on a true or false test, 100% and 0% both require you to know all the answers"

[beardedmrbean]

this sounds like a party to me

[grand-theft-carbohydrates]

[darlingofdots]

been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter

[bill-blake-fans-anonymous]

Tags via @deadpanwalking, editor and ass-kicker extraordinaire

[gingisnap]

Please keep making art. Please make it for yourself. Please don’t let everything become even more of the same flat general appeal nonsense that doesn’t seem to have anything to say

[destiel-news-network]

(Source)

All Spirit flights have been canceled. It is unclear whether customers who have already booked tickets will be able to seek refunds.

[vodka-aunt-m]

[tiktoks-i-enjoyed]

[rainbowgaez]

ok guys but imagine how hard it's gonna hit if something good ever happens again

[parkayquarts]

[bish0ps]

[souliex]

The other perspective makes it funnier

[apolladay]

Which notorious English class short story fucked you up the most?

* I Have No Mouth and I Must Scream

*The King in Yellow

* The Lottery

* The Masque of the Red Death

* The Monkey’s Paw

* The Most Dangerous Game

* The Nameless City

* The Ones Who Walk Away from Omelas

* There Will Come Soft Rains

*The Yellow Wallpaper

* The Veldt

* “you think those were fucked up? What about [X]!”

Which notorious English class short story fucked you up the most?

I Have No Mouth and I Must Scream

The King in Yellow

The Lottery

The Masque of the Red Death

The Monkey’s Paw

The Most Dangerous Game

The Nameless City

The Ones Who Walk Away from Omelas

There Will Come Soft Rains

The Yellow Wallpaper

The Veldt

“you think those were fucked up? What about [X]!”

Voting ended onApr 30

[it-grrl]

Okay I have things I should be seeing to but I couldn't help myself. In case you, like me, have not read all of these stories and would like to be amongst the lucky 10,000 today:

I Have No Mouth and I Must Scream by Harlan Ellison

The King in Yellow by Robert W Chambers*

The Lottery by Shirley Jackson**

The Masque of the Red Death by Edgar Allan Poe

The Monkey's Paw by W.W. Jacobs

The Most Dangerous Game by Richard O'Connell

The Nameless City by HP Lovecraft

The Ones Who Walk Away From Omelas by Ursula K LeGuin

There Will Come Soft Rains by Ray Bradbury

The Yellow Wallpaper by Charlotte Perkins Gilman

The Veldt by Ray Bradbury

Honorable Mention from the comments/reblogs:

All Summer in a Day by Ray Bradbury

*note: this is actually a collection of short stories and clocks in at about 72k words

**Originally published in the New Yorker in 1948; interestingly, the New Yorker still has this story archived on their website BEHIND A PAYWALL. CAN YOU IMAGINE.