that bird and fish built a home by and by together like the artists who crafted them built a romantic structure to withstand all powers that be
Fiddler on the Roof (1971) / Ever After (1998)

seen from India
seen from United States
seen from Malaysia
seen from China

seen from United States

seen from Belarus
seen from Russia
seen from Canada
seen from China
seen from China
seen from Kazakhstan
seen from China

seen from Yemen
seen from Netherlands
seen from Indonesia

seen from United Kingdom
seen from India

seen from United Kingdom
seen from United Kingdom
seen from Brazil
that bird and fish built a home by and by together like the artists who crafted them built a romantic structure to withstand all powers that be
Fiddler on the Roof (1971) / Ever After (1998)
Dean loves a dorky little guy | 9.22, 2.02, 2.05, 4.02, 5.07, 14.04, 11.15
9.22 Stairway to Heaven
9.22 confrontation between sam and dean after dean lies and brings the first blade vs 10.09 revered recollection about john finding underage dean drinking
s09e22 -- "Stairway to Heaven"
DEAN WINCHESTER in one random episode per day ‣ 150/327 9.22 STAIRWAY TO HEAVEN
always worth a laugh when the show tries to emphasize some part of MOC!Dean’s behavior as frightening and dangerous, but then finds itself utterly unable to keep up that tone because the DNA of the show still fundamentally valorizes and condones those behaviors. How can Dean as dictator be wrong when Dean is right, etc.
this feels thematically connected in a backwards sort of way to the uncanny feeling watching Dean’s Michael-mindscape in 14.10: Dean as the underdog hero of an Americana limbo; allies and enemies alike glaringly one-dimensional; no agency but Dean’s, no fight but the Good Fight. This is on the one hand obviously a Wrong world, a fantasy that Dean must defeat and reject, but it’s so clearly also the right world—a world whose values are obviously lionized.