The Art in the Heart* - Chapter 1
As a professional artist, you've made a career out of bringing works of art to life. The colors of Zaun are no exception, and your current commission is literally larger-than-life: a mural in the Undercity. But then you meet a young revolutionary named Silco who shows you a side of the underground that you've never seen before...
Happy Ending AU | Silco x Reader | Young!Silco | F!Reader | No [Y/N] | Slow Burn | Romance | Eventual Smut | Fluff | Angst | Hurt/Comfort | Fix-It || SFW | WC: 3k
beta readers: @silcoitus @deny-the-issue
ao3 || Masterlist
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There’s color everywhere in the Undercity. It’s not that hard to find, but most people don’t care to go looking for it. But you’ve always been able to appreciate it in all its forms: dandelions straining through cracks in the concrete, eclectic graffiti in hard-to-reach places, pale weak lighting streaming through broken glass and ironwork…
Anywhere you look, there’s always a feast for the eyes.
There are plenty of artists from the Undercity, and you proudly count yourself among their number. But not many of them manage to cultivate a steady clientele; fewer still manage to attract the attention of wealthy Topsiders. They’ve sustained you for years now, since the beginning of your professional career. Making the transition from tagging crumbling stone walls with graffiti to painting on smooth, delicate canvas was a huge learning curve, but you make great money from commissions. And there’s a seemingly never-ending supply of wealthy Piltover families who want family portraits, individual portraits, pet portraits, portraits of long dead ancestors, portraits of them participating in historical events that they weren’t present at…
Whatever opinions you have of your clients, you keep them to yourself. They probably have their own issues with you since you were born and raised in the Undercity. But you wouldn’t give up your upbringing for anything. Certainly not the hallowed halls of Piltover’s art schools, learning to paint only in the styles of long-dead “masters” who romanticize poverty as an abstract concept, something to be studied and observed at a distance.
Today, your work brings you to the periphery of the Undercity, where Piltover’s largest bridge ends at the aboveground levels of Zaun. You’re working on your biggest commission yet, literally: a mural high on the side of a whitewashed gray brick building in the Promenade, the emergent layer of the Undercity’s glass and iron jungle. Still close enough to the surface to be touched by the sun, illuminated in the early hours on days with good weather. Your artwork is going to encompass at least two-thirds of the wall, over a hundred times larger than most other wall art in this area of Zaun.
The location has you nostalgic for those bygone days of your childhood, but the fresh air and warm sun are miles above where you used to run around in the lowly gutters, competing with your friends for the best real estate and vandalizing each other’s work, showing off who can paint the fastest and most elaborate pieces before Enforcers come stomping around. That’s when you’d all scatter like rats, only to do it all over again the next day.
The mural you’re working on is large enough to warrant the use of a scissor lift, which you’re standing on right now. Its highest extension brings you standing higher than the wall, level with the roof’s ledge. When you lean back and stretch as far as you can, a cool breeze trails through your fingers. You can’t help but savor the beautiful day for a little while longer before getting started.
Just as you lean over a yellow paint can to open it, the sound of running footsteps makes you pause. You lean over the scissor lift’s railing to look down at the alleyway below. It’s narrow due to the close proximity of other buildings, pipes and glass tubes rising above rooftops and wrapping around windows like fungi. You squint hard, trying to make out the source of the noise.
It moves so fast you almost miss it. A blur runs over the irregular stonework on the ground, coalescing into a shadowy figure that dodges and jumps around the landscape with ease, darting and almost flying on a deliberate path. Maybe it’s an avian Vastayan?
This area doesn’t see a lot of foot traffic around this time of day; you deliberately chose your working hours so you wouldn’t be disturbed. Still, it’s not unusual to see or hear people nearby. But what really gets your attention is when the thing ducks around your scissor lift and peeks out, using your machine as cover to look back where it came from.
You don’t know why you’re watching, but something compels you to. Compels you to defy the first law of survival in the Undercity: mind your own damn business. Or else.
For a moment, it doesn’t move.
Then, it looks up. Catching you staring at it.
No, not “it”—a man. Human, dark-haired with brilliant blue eyes, staring back at you in defiance and uncertainty.
He turns and goes down to his knees, crawling to a nearby manhole cover and lifting it, then jumping in. His movements are swift and graceful, no doubt thoroughly practiced at using this specific escape route.
Footsteps fill the air again. You turn away to look down the other end of the alleyway where the man came from. These footfalls are slower and louder; whoever they belong to, they’re wearing heavy boots and don’t seem to care about being subtle.
A pair of Enforcers turn the corner, navigating the debris and unsteady ground much more clumsily than the stranger.
“He can’t have gone far! Damn gutter rat…” one of them swears angrily.
They’re about to pass right next to your scissor lift.
You hold your breath as you grab two of your paint cans at random and pry their lids off as quickly as you can…
Perch them carefully on the railing…
Take aim…
And then—
SPLAT!!!
Your aim is perfect: the cans drop like bombs, crashing into the Enforcers’ shoulders and clanking onto the ground, spinning wild arcs of paint all over their boots. They’re both drenched in paint from head to toe, prim and proper gold and blue outfits stained in long drips of light pink and pure white, bright enough to be seen even from the great height you’re standing at. Just as you hoped, they stop their pursuit to shake themselves like mangy dogs, trying to swipe the paint off of their sleeves. One of them takes off their hat and whips it frantically up and down, splattering the nearby walls and your scissor lift.
You school your face from a triumphant grin into a serious, mournful expression as you lower the lift to the ground. The loud hum of the machinery drowns out their furious cursing.
“I’m soooooo sorry officers, I didn’t see you there!” you apologize profusely as you climb down to approach them.
“Dammit, woman!” one of them shouts, brandishing a paint-splattered baton at you. “What the hell—”
“If you want to be reimbursed for your uniforms, just let Councilor Salo know and he’ll cover the costs,” you smoothly interrupt the Enforcer, unbothered by his outburst.
The namedrop makes them pause. You pull your business card and a golden engraved crest out of your pocket. One of the officers takes them both, not bothering to look at your card. Instead, he carefully examines the crest, a pure gold and tacky letter “S” in calligraphic script, set in a delicate filigree of a leafy bush laden with berries. The crest is given by the Councilor to his contractors to give them free entry to restricted areas in Piltover. You’ve only ever used it so far to gain access to his gated mansion, but right now it’s coming in handy too: having Salo as a patron basically tells people that they shouldn’t mess with you unless they want to piss off a councilor.
“It’s genuine,” the Enforcer mutters to his partner and hands the crest back to you. He clears his throat and addresses you in a calmer, more formal manner. “And it’s not a problem, ma’am. We won’t bother the Councilor with something so trivial. Have you seen a—”
You gasp melodramatically, exaggeratedly widening your eyes. “Your uniforms! You need to wash them right away! Or else they’ll stain permanently!”
They glance at each other impatiently. “It’s fine. We’re looking for a—”
“And your skin! Did you get any on you?? It’ll stain you too!!”
That gets their attention. One of them tucks his hat under his arm, rubbing a gloved hand furiously at his pink-and-white cheek. You shove the other Enforcer with all your might, pushing him away.
“Scrub your bodies with tomato juice and then soak in onion peels! That’ll get it all out! But hurry!!”
They finally break out into a run, out of Zaun and towards Piltover where they belong. You snicker to yourself and toss the crest in the air. It flips over and over, casting bright reflections that spin dizzily on the walls as it catches the light. Those Enforcers won’t actually have to do all that to get the paint out of their clothing, but it feels like a small victory against the cruel arm of law enforcement who cause even worse trouble whenever they visit the Undercity.
You catch a glimpse of something twinkling on the ground. It’s the eyes of the man, still watching you from underground.
As you suppress the instinct to wave hello at him, he pulls the manhole cover back into place, disappearing into the sewers.
The next day starts off like any other, and you’re looking forward to getting more work done. But as you climb your scissor lift, a jolt of fear zaps up your spine. Prickles on the back of your neck crawl upwards to settle at the top of your head. It’s an Undercity instinct, a warning that someone you can’t see is watching you.
And they’re looking down at you like a bird of prey.
You dart into the shadows, crouching low against the wall. You take deep breaths to settle your nerves. The high ground gives them an advantage against you. If they have a gun, it’s just a matter of them pointing and shooting—
But then, just barely, you’re able to catch a whiff of smoke. It smells of cheap nicotine, and you look up to see a ring of cigarette smoke uncurling lazily against the backdrop of a cloudless sky.
The cigarette smoke is as good as a signal fire. If they wanted to hurt you, they wouldn’t make themselves known like that. Still, whoever it is, they know where you work and were waiting for you. That makes you wary enough to grab your sharpest palette knife and hide it in your pocket. It’s not a conventional weapon, but there’s no way you’re going to confront a stranger unarmed when you ask them to leave you alone. Your grip around the knife’s handle is tight as you punch the button to extend the lift to its fullest height. It brings you level with the roof and the person waiting for you.
It’s the same man from yesterday, now close enough for you to notice that his narrowed, suspicious eyes aren’t blue but turquoise, clear as the ocean and just as deep. He’s pointy and whip-thin, leaning against the roof’s ledge with crossed arms, a cigarette squeezed between the clenched fingers of a tight fist.
“What kind of person works for a councilor but won’t turn in a wanted man?” he asks, curious. His voice is low and smoky, a smooth baritone intonation rolling over gravel. It’s a beautiful voice, tempting you into lowering your guard. If you closed your eyes, you could be fooled into believing that his voice belonged to a Topside radio host or a curator giving tours in a museum.
“Just wanted to help a fellow ‘gutter rat’,” you reply, shrugging.
“And why would you do that?” His fashion is typical for an average Zaunite: his dark shirt is made of rough and well-worn fabric, long sleeves rolled up to his elbows to reveal wiry but muscled forearms. On his left shoulder is a leather pad, studded with brass buttons and stitched with metal wires, all highly polished and shining brightly in the sun, reflections dancing off them like flares. His left wrist is wrapped in bandages while a leather bracelet threaded with silver coins adorns his right wrist.
“Why not?” you ask. “Isn’t life hard enough already? We should help each other out whenever we can.”
He doesn’t acknowledge your statement with a reply, but instead raises an incredulous eyebrow. You let the silence continue as the two of you mutually size each other up. His high cheekbones and long, narrow and shapely nose are framed by straight hair, black as coal. It looks so soft, parting in the exact middle of his forehead to end in drapes around his chin. His skin is pale with an ashy undertone, a symptom of living long-term in the deepest guts of the Undercity where its denizens rarely get to enjoy any sunshine at all. His lips are thin, the irregular cupid’s bow longer on his right side than the left.
This man’s face would be an interesting challenge to paint.
“Now that’s not an attitude you encounter every day in the Undercity,” he muses. His eyes are especially striking. They gaze at you with such intensity, it makes you self-conscious of your paint-stained attire, a loose workman’s jumpsuit that prioritizes utility and comfort over style. He doesn’t seem to pay any mind to your painting materials, which you’re suddenly realizing are lying out in the open… He could get a good price for them if he stole them from you. Yesterday’s prank was a spur-of-the-moment decision; losing some easily replaceable supplies was worth inconveniencing the officers, but you suddenly regret painting a target on your back.
That’s why you have to keep to yourself in the Undercity. If you help a stranger, they could stab you in the back instead of thanking you.
But the man seems more interested in staring through you, scrutinizing you with such focus that it could put yesterday’s Enforcers to shame.
“Well, it’s fun to mess with Enforcers, too,” you chuckle at the memory. Staring back with casual indifference, you quietly readjust your grip on your knife. Another rule of survival in the Undercity is to never break eye contact with someone trying to intimidate you unless you want to be seen as weak. If he wants to start a fight, you’ll be ready to finish it.
“That, I understand all too well.” The stiff line of his lips quirks upward in appreciation before settling again into wary neutrality. He finally breaks eye contact, turning away to take a pull on his cigarette. You let out a low breath you didn’t even know you were holding. Your eyes are drawn to the elegant, lazy movement of his hand as he puts out his cigarette, grinding it against the ledge. The wind carries away small brown flecks of ash in a sudden breeze.
His demeanor is stony, but not hostile. It’s impossible to tell what he’s thinking just from looking at his face. But he went out of his way to come here and find you, and that says a lot about his determination overriding his sense of caution. You didn’t get a good enough look at him yesterday to track him down, either to turn him in or demand a reward. He could have just as easily carried on with his own life on a path that never crossed yours again.
He must be really curious about you.
You don’t know why, but the feeling is mutual.
“You’re welcome for yesterday, by the way,” you smile at him, relaxing your hold on your knife. “Those Enforcers would’ve caught you if it weren’t for me. Although you’re so skinny you could literally slip through their fingers.”
His impressive façade cracks as he bares his chipped teeth, bristling and ready to attack. “I did not need your help. I was perfectly capable of escaping on my own.”
You thoughtfully stroke your chin. “Guess we’ll never know.”
He stands tall to his fullest height, towering over you, a dangerous challenge in his voice sharpening its edges into a threat. “What makes you think it would be a good idea to antagonize someone wanted by Enforcers?”
“Ooooh, the Enforcers want to lock up little ol’ you. You’re such a big baddie,” you tease. “If they had it their way, they’d have every single one of us locked up. You’re not special.”
He leans forward again, curling his hands over the ledge of the roof. “Perhaps I’ve done something especially terrible to warrant particular attention from Topside.”
“Let me guess,” you purse your lips as you examine him. “You pickpocketed some rich guy?”
He smiles slyly. “Worse than that.”
“Running an illegal Poro-fighting ring?”
“No.”
“Impersonating a councilor?”
“Not quite.”
You shake your head in bemusement. “What was it?”
“Seducing a Piltie noblewoman,” a mischievous twinkle shines in his eyes. “I all but rescued her from a cold and loveless marriage. Unfortunately, her husband didn’t seem to feel the same way.”
“Really?” you laugh again, more out of surprise than humor this time.
“No,” he winks. “I guess you’ll never know.”
“If I bump into those Enforcers again I’ll just ask them— not that I’d tell them where you are,” you add hastily. It was meant as a joke, but from the way he glares at you with humorless alarm it was clearly the wrong thing to say. “Besides, if you did seduce a Piltie lady, you’d be doing her a favor.”
He raises an inquisitive eyebrow. “And what do you mean by that?”
You blush. It was something you thought when you first laid eyes on him properly, but it just slipped out while you were babbling— he’s handsome. “You’re probably better looking than her husband.”
“Thank you. That’s very kind of you,” his smile this time is accompanied by a soft exhale of amusement. He leans forward again, this time a slight slouch in his shoulders as he allows himself to relax. “I also owe you my gratitude for coming to my rescue. Thank you, madam.”
You wince at the word. He doesn’t look that much older than you, so there’s no need for him to address you so formally. “Please don’t call me that.”
“May I have your name then?” he asks politely.
You give it to him. He repeats it slowly, as if appreciating the shape of it. Something about the way he says it makes you want to step forward. The opportunity presents itself when he reaches his hand out for you to shake.
“It’s a pleasure to make your acquaintance. My name is Silco.”
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Chapter 2
