VaffanBrodo

il buco con la vita intorno

[vaffanbrodo]

iceland, the cookie inspector is here http://ift.tt/1u6uQUR

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http://ift.tt/1qo35Kb

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you guys there's a shirtless guy at rewe http://ift.tt/1mqJVuR

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and this is my bathroom http://ift.tt/1r9VNc1

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construction workers implementing revolutionary interior design ideas! http://ift.tt/1myrOms

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"mord ist ihr hobby" next to the box of big catastrophes. let's pretend this isn't morbid at all http://ift.tt/1uY3O1u

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no no and no. http://ift.tt/1p6PTZu

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nothing says "have a wunderschönen tag" like a lock of hair on your way to work http://ift.tt/1pfN6uy

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a flag longer than sonnenallee in case you didn't know germany is playing! http://ift.tt/1p9LW1S

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http://ift.tt/1oYTDK5

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wall in front of the new office http://ift.tt/1otsYTE

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i managed to see some Pictoplasma today http://ift.tt/1jdHwSy

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poor tori http://ift.tt/1uNTpbr

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Ai Weiwei's cell was way bigger than my flat! http://ift.tt/1monI71

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finally!! http://ift.tt/1livmwJ

[fettesans]

Fette Sans, La Reprise, 2013.

This exercise began on April 21 of this year. This film has now built itself to twenty minutes. This is an ongoing exercise, and I can feel the threat of duration more and more agitated. This is isn’t over yet. If you want to spend these next twenty minutes with me, watch it.

—

When you’re in the middle of a story, it isn’t a story at all, but only a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind, or else a boat crushed by the icebergs, or swept over the rapids, and all aboard are powerless to stop it. It’s only afterwards that it becomes anything like a story at all, when you’re telling it to yourself or to someone else.

Margaret Atwood, excerpt from Alias Grace, 1996. Via.

[vaffanbrodo]

they're totally giving free booze at tori amos release party. and the waiter said he was sorry coz the glass is too full. http://ift.tt/1iqIHyh