"I don't need anyone else. I have Uroboros."
i have moved wesker here!
I'd rather be in outer space ๐ธ
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ

ellievsbear

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Not today Justin
Three Goblin Art
Cosmic Funnies

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titsay

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โ

Kiana Khansmith

oozey mess

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Jules of Nature

Janaina Medeiros
๐ชผ
seen from United States

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@virulentmastermind-moved
"I don't need anyone else. I have Uroboros."
i have moved wesker here!
@virulentmastermind
@valour-bound sent:
โYou knowโฆ you kind of remind me of one of those secret agent guys from those old spy movies.โ Itโs an absentminded thought, one that spills out carelessly as he picks at his greasy lunch. Technically, they werenโt on the clock right now, so the sharpshooter figures even if the โobservationโ is unwarranted or out of line to offer, he can get away with it here. With a slight upturn of his lips, he finishes off the fries held between his fingertips, peering curiously back at his ever mysterious captain.
๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐. The silver glints in the light as he places the utensils onto a paper towel he took from the break room's vast quantity of paper products.
Wesker finally fishes out a plastic container and a glass one - he'd prepared some London broil and a nice, varied salad to bring with him for lunch. The broil is pink in the middle, absolutely dripping with the meat's viscous, red juices, and on the outside, it is a perfect brown that is dull but rich to the eyes. Seasoned so it emphasizes the earthy flavor of the meat. It would help with iron intake, eating the meat like this, and it satisfies some deep-seated urge within him to eat something so messy with such care. Practiced and well-mannered in how his wrists draw together with the silver tools, he carves into his broil like an experienced hunter guts a deer carcass, careful to not spoil the meat. Smooth, efficient, making sure that his movements are methodical.
The salad sits to his right, lovingly tossed with some homemade Thousand Island dressing. The lettuce and romaine are swatches of green and purple against the tan, speckled sauce. A light sprinkle of Colby Jack cheese and bacon bits tops it all off.
Being a spy for all of his time within the Army, Wesker had taken to preparing his food all on his own, not trusting others to do so, and he'd settled into a routine of providing the best for himself. He'd done well for himself, despite being an orphan.
His glasses rest to the right of his napkin, folded in on themselves. Almost an admission of removing the carefully crafted facade to actually sit down and just spend this lunch being less reserved.
Oceans of icy blue suddenly settle when Chris speaks, and one blond brow lifts at the comment. It is not often that he spends time eating with others, typically preferring to eat in the comfort of his office, alone, but Chris, lately, had been drawing him out of his shell. And it is even less often that Redfield speaks so... candidly.
For once, a glimmer of his Army Days pops in, when he'd been struggling after finding that William had replaced him with another, a romantic other, to make matters worse, and Albert had decided to enlist as an engineering officer. And when he'd been able to train as a sniper, he did so. He had been so cocky back then, always ready to quip and rub it in that he was God's gift to the world - that it must be so strange, now, for Chris to see him so different.
"Wesker, Albert Wesker," he quips, smirk curling his lips up, and then he cuts a piece off his steak for the other to try. The mastermind takes out an extra crimson napkin and puts it on the table in front of Chris, then places the London broil piece down for the sharpshooter to take.
"Taste," he orders, sharing the pleasure of his cooking like Chris so freely offers his company, "I made it." The other's comment doesn't raise doubts in his mind - though he reveals a more true self to Chris, his motivations remain obscure. Jill, on the other hand...
The sniper tilts his head, sliding over his salad so the other could take a bite, too.
"What evidence do you have for that?"
JUST A SCRATCH
*;; INBOX CLEARING. ๐จ ย ย โค ย @virulentmastermind ( โฆ ) [ RESCUE ] for one muse to intervene upon seeing a third party making the other one uncomfortable. [STARS era]
๐๐๐ ๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐ ๐๐'๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐. Likely wouldn't be the last โ he knows it. There were some pros of working at the R.P.D. โ with S.T.A.R.S., but with all that good there was obviously the usual bad to balance it out too.
. . . That of course came in the form of a very bitchy, very unhinged rant more or less screamed to his face from a very . . . very irate Irons. Chris does what he can to keep his expression tightly schooled into something blank โ impassive, but with every word spat disgustingly in his direction, the vitriol he can only say is a whole-heartedly returned dripping from his voice, his own lips threaten to curl into a sharpened, defensive snarl. He's never been the kind of man to accept unjust criticisms, ones that were so fucking far off from his true character, the one he wore so honestly on his sleeves daily, that he hoped he made it clear just what kind of a soldier he was.
He didn't plan on this being his life career, on clinging to it so firmly once he'd been able to fully support Claire, but now that he's been in it as long as he has been, something clicked into place & hasn't budged since then. He wants to do this damn job, he likes being there to help, to save people from dying or facing a fate worse than death. But people like Irons made that a fucking impossible task to achieve when they didn't prioritize the lives they were meant to serve & protect over the main goals they'd been assigned.
He didn't see what the big issue was. Their latest mission should've been something to be celebrated with the near flawless accomplishment they'd won out. Taking out the looming threat while also saving those that would've otherwise been ignored if he'd only focused on the mission. His expression twitches, the startings of a scoff just barely caught between the cage of his teeth as he grits them tighter. His jaw strains, his expression darkens to a thundering glower, but thankfully, nothing more is expressed, nothing more seemingly caught on by the still hissing asshole scolding him out just mere paces ahead.
Before that last bit of composure he tries to valiantly keep intact shatters, he feels a presence at his back, just off to the side. Chris goes stiff, feeling the iron-like clasp of a gloved hand on his upper arm as a cold, icy calmed voice puts a stop to Irons' berating with a single lash of a word. It brings a sudden wash of relief over his features then, something smug coiling up like a taut spring ready to launch, the whiplash of his own emotions being carefully cradled between interlaced fingers as he stands that bit taller, huffing through his nose as the conversation is promptly pried from his hands by his Captain.
It's almost amusing how quickly Irons backs down, all that scathing anger nearly quelled down to a pathetic simmer in mere moments as Wesker sternly states how Marini & he would be the ones to judge their men based off their performance during missions. If they'd failed, only then would Irons have the power & justification to step in.
Fair enough, Chris thinks bitterly, nose wrinkling in clear disdain as he stubbornly flicks his eyes back over to meet the Chief's own, something defiantly arrogant shining bright in their gun-metal dark depths. Like a challenge & a promise all wrapped in one that he'd make sure they didn't fail to give him that chance, he breaks the glare when he's guided off & away back in the direction of S.T.A.R.S. office.
Things are still tense, but significantly less than they were minutes earlier. Chris musters up a breathy laugh, tension bleeding from his frame lazily as he turns to cast a look in Wesker's direction. Almost hesitantly, but curiously done, his voice is sheepish, apologetic as he thanks the other for the quick rescue with a light-hearted laugh.
๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐: ๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐, ๐๐ ๐๐ ๐๐๐๐๐'๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ "๐๐๐๐๐๐๐๐." Brian's audacious nature and proclivity for the finer things never ceased to make Wesker disgusted. So easily paid off like all humans in Umbrella's back pocket - human greed knew no bounds - the police chief represented the vile aspects of human nature: a greedy pig that took his explosive anger out on his own men and the S.T.A.R.S. teams. This made a sort of fury well up in Albert's stomach, and constantly, the Team Leader dealt with his own anger, a low hum that could explode like a powder keg. That anger only grew into an acidic rage when Wesker caught sight of the Chief's current target: Chris Redfield. Redfield is the only one on S.T.A.R.S. that Wesker actually trusts and likes. Everyone else could be damned for all he cared, even Jill Valentine, whom he had a slight affection for.
Albert had tried not to let his own reservations or bias show, but moving against Chris, his Best Man - it was no secret that Wesker favored the sharpshooter, despite Albert's attempts to hide his favor - was a declaration of war. Almost immediately as he sees and hears that red-faced animal verbally attack Chris, something ugly and unnamed lurches in his stomach, and he crosses the space in but a few steps to rest gingerly at Chris's side. His glasses are off, blue eyes icy and unnaturally bright, simmering with restraint.
He moves to touch his subordinate to let him know he is there. The grasp is protective, the gloved fingers curling around his arm, thumb hidden in the crook of his inner arm. It swipes soothingly back and forth, not able to be seen by the Chief from his vantage point. It is a very rare gesture of comfort from the captain, and yet, in some manner, too, the grip is also a blatant claim upon Chris - hurt him in any way, and I will retaliate - that borders possessive behavior. When Irons appraises him and sees his grip on Chris, the fleeting panic and fear that replaces the wrongly-placed rage makes a cruel smirk flit onto Wesker's features. It truly is little more than a quirk of the right side of his mouth, but for the man who barely reacted to things, who was a paragon of restraint and stoicicm, it is as telling as a blood stain.
Wesker was known for giving fitting punishments, for defending his team when he needed to, but more than that, he was known for his verbal lashings. Weaponizing guilt and calling out upon the other's moral failing was an easy way to make another individual feel like an animal falling to their innate urges, and Albert had perfected this art under his time in the orphanage in which he was raised.
"Enough," he says, smirk moving to a more neutral expression that still bares a lot of teeth as he starts going into his own tight-lipped tirade of the police chief overstepping. Already, in his mind, he's filing forms to submit to Umbrella so the ridiculous buffoon could get a pay cut for impeding with his work, and he's also going to put laxatives in his lunch for this. No one harms Chris. No one.
Irons, like the frightened animal he is, loses all fight when he's not cornering someone who is compelled to listen to him due to rank. A coward, through and through, just like that cannon fodder Brad Vickers, whose own cowardice makes Wesker roll his eyes and think he should fire him one day. Or leave him to die somewhere.
When the police chief fires him a sour look, it fails to do anything but make Albert stare. Did Irons truly think he had any power in this situation? The man was so pathethic.
Wesker places his other hand on Chris's shoulder and guides him away, walking silently back to the S.T.A.R.S. office. Safety, at least for now.
His grip doesn't yield, like Albert is fighting to let go of him. He is already so close to him, the other's cologne and rugged scent quelling the still-simmering anger that bubbles and pops in his skin. But then Chris looks at him, and Wesker swallows thickly. That unnamed thing is present again, rearing itself like a horse wanting to run.
"No need to thank me. Irons had no right to berate you. S.T.A.R.S. is my and Marini's jurisdiction," he says cooly, and it's only now that he is aware he is still curling around Chris, and he gently pries his fingers from the man. After a moment of silence, blue eyes soften, and Albert nods in the direction of his office.
"He was out of line. Sit with me, and gather your nerve. Have you eaten yet?"
The things I do for love~โค๏ธ๐ชโจ๏ธ
Albert
S.T.A.R.S.!!!!!!
There's just something about S.T.A.R.S Wesker...
I was busy with some stuff and couldn't draw for a month. Wesker just HAD to be the first thing I draw.
Oh noo someone handcuffed the stars captain
fun fact
It's sorta semi canon that Wesker doesn't care about gender when it comes to sex
In an interview with Richard Waugh he said that "I think for Wesker sex and violence are the same thing so he isn't gender specific or even person specific..."
I see it as semi canon as Capcom themselves have never confirmed this but i still can't wrap my mind around him being 100% straight
(I mean have you seen him????)
Chris brought something back with him
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After-Action Patch-Up starters
"Hold still, [name], this might sting a bit." "You're lucky it's just a few scratches. You need to be more careful!" "Don't be such a baby. It's just a flesh wound." "I can't believe you jumped into that fray without thinking! What were you trying to prove?" "Here, let me help. I've had my fair share of battle wounds." "Ouch! Warn me before you start cleaning those cuts." "You're a mess. How did you even get into this situation?" "I never thought I'd see you so vulnerable. It's strange." "Let's patch you up before anyone else sees you like this." "You really need to work on your combat skills. I can't keep playing nursemaid." "I've got the first aid kit. Sit down, and let me take care of those injuries." "You did well out there, but you're not invincible. Let me help." "I told you not to charge in without a plan. Now look at you." "It's nothing serious, just a few cuts and bruises. You'll be fine." "I can't believe you're complaining about a little pain. You should see what I've been through." "Hold on, I'll get the antiseptic. This might sting a bit." "You're surprisingly fragile for someone who fights so fiercely." "You really know how to ruin a perfectly good day, don't you?" "I never expected to see you in need of my care. Life is full of surprises." "I suppose I should thank you for saving me, even if it means playing nurse now."
[CLEANS] The sender takes a cotton swab and gently cleans the dirt and blood from the receiver's wounds. [BANDAGES] The sender carefully wraps a bandage around the receiver's forearm, securing it to protect the cuts. [SCOLDS] The sender scolds the receiver, shaking their head as they tend to the injuries. [REACTS] The receiver winces as the sender applies antiseptic to a particularly nasty cut on their cheek. [COMFORTS] The sender reassures the receiver, offering comfort while tending to the injuries. [DISINFECTS] The sender pours antiseptic on a wound, causing the receiver to inhale sharply at the stinging sensation. [INSPECTS] The sender inspects the wounds, noting any deeper cuts that might need more attention. [LECTURES] The sender lectures the receiver, advising them to think before acting to avoid future injuries. [SMILES] Despite scolding, the sender smiles reassuringly, trying to ease the tension in the room. [COMPLAINS] The receiver complains about the pain, prompting the sender to roll their eyes and continue their work. [WORRIES] The sender expresses worry, sharing their concern for the receiver's well-being. [TREATS] The sender skillfully treats each injury, showcasing their competence in basic first aid. [ADMONISHES] The sender admonishes the receiver, emphasizing the potential severity of the situation. [ASSESSES] The sender assesses the overall damage, silently noting the toll the fight took on the receiver. [DISAPPROVES] The sender expresses disapproval, stating that putting oneself in danger is not acceptable. [ASSURES] The sender assures the receiver, claiming that despite appearances, the injuries will heal quickly. [HESITATES] The receiver hesitates as the sender reaches for a needle and thread to stitch up a deeper cut. [SYMPATHIZES] The sender sympathizes with the receiver, acknowledging the pain while praising their efforts. [SCANS] The sender scans the receiver's body for any hidden injuries, ensuring nothing was overlooked. [GRATEFUL] The receiver expresses gratitude to the sender for taking care of them amid the discomfort.
HOLD ON...
Long day at the S.T.A.R.S. office.
SKETCHY WESKY