Adrian Piper at Portikus, Frankfurt December 27, 2024
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Adrian Piper at Portikus, Frankfurt December 27, 2024
I decided, since I had so much fun before drawing The Angel of Salvation’s cover art, I decided to draw one for the first fic, Up Past Midnight. Being the first fic in the series, it’s the one that, honestly, should’ve been drawn first, but I didn’t have this idea until I finished The Angel of Salvation’s. It’s also the first proper story in the AU, even though technically speaking I had written the original first chapter years ago.
This time, the cover vaguely depicts when Marylin and Adrian (the OC protagonists) sneak out and follow their mother’s (metaphorical) footsteps, heading towards the factory in search for her. I describe it as vague because it’s obvious the Playtime Co. building wouldn’t be that close to where they are, but I found the image a bit more interesting so I drew it like that.
I also forgot to draw their bags, but covers don’t have to be accurate to the story, I guess. :P
Word and Will
Adrian Piper, American, b. 1948
1992
Lithograph on paper
Everything #2.8, Adrian Piper
Adrian Piper
“Everything #4”
Adrian Piper
Mirror with gold-leaf engraved text in mahogany frame, edition 7/8
Abstraction:
"Abstraction is flying. Abstracting is ascending to higher and higher levels of conceptual generalization; soaring back and forth, reflectively circling around above the specificity and immediacy of things and events in space and time, from a perspective that embeds them in a conceptual framework of increasing breadth and depth, a framework without horizon, ceil-ing, or basement; a framework composed of increasingly comprehensive concepts that generalize over increasingly comprehensive classes of things, organize them relative to one another, unify them into a coherent tapestry, a dizzying object of contemplation the details of which stun one into panic by their connectedness, significance, and vividness.
Abstraction is also flight. It is freedom from the immediate spatiotemporal constraints of the moment; freedom to plan the future, recall the past, comprehend the present from a reflective perspective that incorporates all three; freedom from the immediate boundaries of concrete subjectivity, freedom to imagine the possible and transport oneself into it; freedom to survey the real as a resource for embodying the possible; freedom to detach the realized object from oneself more and more fully as a self-contained entity, fully determined by its contextual properties and relations, and consider it from afar, as new grist for the mill of the possible. Abstraction is freedom from the socially prescribed and consensually accepted; freedom to violate in imagination the constraints of public practice, to play with conventions, or to indulge them. Abstraction is a solitary journey through the conceptual uni-verse, with no anchors, no cues, no signposts, no maps, no foundations to cling to. Abstraction makes one love material objects all the more."
--Adrian Piper
From Adrian Piper: Reflections 1967-1987, Alternative Museum, New York City April 18-May 30, 1987.
“Everything #4”
Adrian Piper
Mirror with gold-leaf engraved text in mahogany frame