Angry bees and shagging squirrels and soot and more soot and wells gone dry.
Playfully, she wakes up her partner to ask a seemingly frivolous question. What follows is a series of intense, funny, intermittent conversations; conversations we all know so well. With Corin Redgrave and Jane Birkin. Director Annie Castledine.
ISBN13: 9780873897396
Angry bees and shagging squirrels and soot and more soot and wells gone dry. Lucas is having a really bad day, and can't decide if playing Damsel to Alex's White Knight is a relief or just making everything worse. But when even the house is out to get you, maybe it's time to embrace the pointy hat.
One more thing about “Nocturne.” The ♭VI-♭VII progression—a favorite of Kondo’s—is used twice in a row here, one a half step higher than the other. This is a technique that an old professor of mine called “planing,” and is a common move in jazz; see, for example, Charlie Parker’s “Blues for Alice,” which has four consecutive ii–V progressions that descend chromatically. Its usage here is a good example of how broad Kondo’s influences are.
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This is the Popmatic Printcast for Wednesday, November 4, 2015. Today we bring you the long-awaited Best of… list from our favorite imaginary listener*, Gary from Perth. Unfortunately, due to the time difference between here and there, Gary couldn’t be with us live today, but he still wanted to send his best and also thank Mike’s dad for the neat clock (which was a great Boxing Day gift).