#the ultimate seduction technique THE LAST OF US 2.04 - Day One | 1.03 - Long, Long Time
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#the ultimate seduction technique THE LAST OF US 2.04 - Day One | 1.03 - Long, Long Time
Summary: Being raised by a survivalist father meant learning two things: endure at all costs, and trust no one. And you lived by those rules, even after he was gone, surviving alone in a world that never gave second chances. But enduring becomes far more complicated when a familiar face returns, burdened with a fierce young girl and a mission that was never meant to include you. When you're forced from the only home you’ve ever known, survival is no longer just about the next meal or the next breath—it’s about who you become when there’s no way back. You’ve spent years believing your father’s lessons—that needing people is a sign of weakness. But as the miles stretch on, as survival becomes more than just a fight for the next day, one truth becomes harder to ignore—you can’t live by your father’s rule of trusting no one anymore.
And one man makes following that rule damn near impossible.
Themes: Joel miller x reader slow burn romance, post-outbreak, grief, healing, angst & longing.
Warnings: canon-type violence, death, depictions of grief and trauma, age gap romance, suicide (referenced, not graphic), intimacy and eventual smut. 18+ only MDNI, but I can't control what you do so discretion is advised.
Other: reader is afab, long hair (enough to grab, put up in a ponytail) may be mentioned. no other physical characteristics. graphics do not reflect character description, only used for vibes. Follows Season 1 of The Last of Us. Blend of show and game canon. Picture Joel as you prefer, but I will be mentioning Pedro Pascal's brown eyes. No use of Y/N. In the beginning of the story, time hops are not canon.
mood boards: Bill's Daughter | The Road So Far | You & Joel | A Lonely Day | Her Peace | Teaser Trailer
“Not you too…”
MOTM X TLOU AU, for those that don’t know, the only reason Oswald is even staying in his town is because all 420 of his children have been infected by the blot and are all in the town, so due to this Oswald can’t leave them and prefers to stay in the town whilst keeping himself protected.
the absolute soul crushing angst that comes with the fact that
Tess died. Joel had no fucking clue what to do, he was scrambling, he had a kid that was making him see his dead daughter around every corner, and he was alone. So he brought her to Bill and Frank. He sought out the two people in the world he might still call friends now that Tess was gone. He was looking for people he thought would help him, people he thought could tell him that he could do this. People who reminded him of Tess. And instead, he was met with a confirmation of what he and Bill had always believed—that the world broke people like Tess and Frank, and life wasn’t worth living without him.
but Joel couldn’t even think about that, becuase there was a little girl holding that note, watching his every move, and if he’d allowed himself to cry, he would’ve had to see the fear on her face, because the one person her life depended on was breaking apart
I would watch 3 seasons of "filler" episodes about them and their cottage core life
Oh to be two older queer men eating strawberries in our garden at the end of the world
Is it midnight and should I be sleeping? Yes.
Is it funnier if I post this now? Also yes.
other text posts: (part twenty) (part nineteen) (part eighteen) (part seventeen) (part sixteen) (part fifteen) (part fourteen) (part thirteen) (part twelve) (part eleven) (part ten) (part nine) (part eight) (part seven) (part six and a half) (part six) (part five) (part four) (part three) (part two) (part one)
What is your favorite Ellie Williams ship?
Jerry Anderson
David the Cannibal
Tommy Miller
Joel Miller
Winston Asher
Seth
Bill
Frank