@jasonisaacs out there doing God’s fucking work. Thank you.
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@jasonisaacs out there doing God’s fucking work. Thank you.
getting bit part in moth play #Moth
Buster Keaton played a frontier train conductor in 1956 movie, ‘Around the World in 80 Days’ - “I must have been on the screen a minute and a half, and I was three weeks in Colorado on location to do it.” I’m sure it was no hardship, playing with trains again!
The Asphalt Jungle by John Huston (1950)
Viral Twitter tales are often bullshit, but being made-up isn’t the worst thing about them.
What is truth is an oft asked question, especially online. This is a cool article digging into the plethora of made up stuff on Twitter, you should check it out :)
In his 1999 statement of principles known as the “Minnesota Declaration,” Werner Herzog gave an explanation of his theory of “ecstatic truth”. Cinema Verité, Herzog tells us, deals only with “superficial truth, the truth of accountants.” “One well-known representative of Cinema Verité declared publicly that truth can be easily found by taking a camera and trying to be honest. He resembles the night watchman at the Supreme Court who resents the amount of written law and legal procedures. ‘For me,’ he says, ‘there should be only one single law: the bad guys should go to jail.’”
In this, Herzog says, such realism “confounds facts and truth”: “Facts create norms, and truth illumination.” But luckily, against the realists, “There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.” In his work (most notably, his documentaries), Herzog seeks this “ecstatic truth”: to reflect reality not how it is on the surface, but how it is on a deep level, beyond the façade of what we merely perceive.
Of course this is difficult, and can go wrong — it can stray into a sort of dishonesty that it is impossible to even contest by means of verification. But when it works, it can tell us something we are unable to reach by means of engagement with surface reality alone — the essential truth, for instance, of engaging with British politics being like a posh teenager disinterestedly daring you to drink a big bucket of vomit and piss.
“Life in the oceans must be sheer hell,” Herzog concludes. “A vast, merciless hell of permanent and immediate danger. So much of a hell that during evolution some species — including man — crawled, fled onto some small continents of solid land, where the Lessons of Darkness continue.”
This what bothers me about those fake viral Twitter stories. They lack anything like ecstatic truth; they don't reflect or reveal any reality deeper than what they describe. In this, they have only facts — and of course, as it turns out, they don’t even have that. If the stories had never posed as true, they would not have gone viral in the slightest. Like A Million Little Pieces or the hoax misery memoirs of JT Leroy, these stories need — regardless of any other formal accomplishments — to pose as true in order to make an impact on their audience. (Once you realize it’s not true, the Morris thread is literally just a guy saying: “Oh, and then this happened! And then hero (who I've made up) outwitted the drug dealers — wow! And he got away with it! Juh? How cool!”). Likewise, the Didn't Happen lads seem determined to reduce all truth to mere facts, completely blind to the possibility that there could be more to the world than that — they don't care about ecstatic truth at all.
The internet is causing more and more fake things to leak into our consciousness every day. But this is only really a problem if the fakes don't contribute anything to our understanding of the world. We need to stop asking: is this true? We must instead ask: supposing this is true... what is its truth worth?
Digital Human: Series 17, Ep 4 - Cameo
I forgot my mantra.
Jeff Goldblum in ‘Annie Hall’ (1977)
The Asphalt Jungle by John Huston (1950)
The lemonheads 💛