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Ausstellung | Douglas Huebler. November 1968 / 2018
Ausstellung | Douglas Huebler. November 1968 / 2018
Im Frühling 1966 gab der erst 25-jährige Galerist Seth Siegelaub seine Galerie in New York City auf. Mit der Begründung: „You don’t need walls to show ideas”[1] verstand und realisierte er Printmedien als geeignetes Mittel zur Kommunikation und Verbreitung von konzeptueller Kunst und zugleich als neutralste Möglichkeit, um diese zu präsentieren. Siegelaub begriff den Katalog als signifikante…
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Fundraising edition NYABF Claudia de la Torre
Fundraising edition NYABF Claudia de la Torre
I’ am very happy to tell you that Claudia de la Torre have been invited for the first time to show the work she’s been publishing since 2011 at the Printed Matter NYABF which will take place from September 20-23 at MoMa PS1. On top of that, she’s been granted the Shannon Michael Cane Award (in memory of Curator of Fairs Shannon Cane), which is granted to four emerging artists who are first-time…
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Miss Read: The Berlin Art Book Fair, 4-6 May 2018 i totally forgot to post this awesome event. today I had my talk about the catalogue-as-exhibition: Douglas Huebler. November 1968. until tomorrow you have the chance to get really nice books at Miss Read - this years' focus is on Japanese publishers.
FLAT – Torino Art Book FairNovember 3 - 5, Turin, Palazzo Cisterna
FLAT – Torino Art Book FairNovember 3 – 5, Turin, Palazzo Cisterna
FLAT – Torino Art Book Fair November 3 – 5, 2017 Turin, Palazzo Cisterna The new international event dedicated to art publications: 3 days of exhibitions, book launches and meetings with professionals and headliners from the art publishing scene. Don’t miss this talk: 14.30 / 16.00 TALK: Artists, Books and Book Fairs Max Schumann (Executive Director of Printed Matter Inc., New York) in…
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I bought some books at the NYABF for the mumok library. This is one of them:
Max Neuhaus’ Program Notes records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the “small area music [had] been concentrating on for the past several hundred years,” Neuhaus consciously relocated his work in the late ‘60s to what he deemed “the realm of space” as opposed to that of time—choosing to present his music in public and communal settings, decidedly outside of the “proscenium situation.” This short pamphlet was initially published in 1974 by York University Press. (Source: Primary Information)
Any genuinely new idea is, by its nature, insane. (Program Notes/Max Neuhaus)
Max Neuhaus. Program Notes
2015 Primary Information, NYC (Reprint), 1974 York University Press
Reprint | Edition of 500
Paperback | 5.4 x 8.4 inches, 32 pages
ISBN | 978-0-9906896-5-2, Primary Information, 8$
Künstlerbuch | Artists’ book: Max Neuhaus. Program Notes (1974/2015 Primary Information, NYC) I bought some books at the NYABF for the mumok library. This is one of them:
printed matter. das kunstbuch since 2012
um ehrlich zu sein hätte ich mir im traum nie gedacht was in diesen vier jahren alles auf mich zukommt. (und ja , ich schreibe alles klein. ein hallo an dieser stelle an david kühne). das studium kunstgeschichte. “aha. und was kann man mit so einem kuge studium so alles machen? ” “hab gehört da sind die schönsten studentinnen am start (stimmt !).” gut. ich hatte das glück im zweiten semester…
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Ein wunderschöner Katalog
Jeroen Geel. Mors Fractus
Ausstellung, Kunstmuseum Luzern
Vexer Verlag 2015
Texte | Lena Friedli und Claudia Kübler
Hardcover, zahlr. Ill.
ISBN | 978-3-909090-72-3
Auflage | 600 Ex.
mehr dazu + hier +
Ausstellungskatalog | Jeroen Geel. Mors Fractus (Kunstmuseum Luzern, Vexer Verlag 2015) Ein wunderschöner Katalog Jeroen Geel. Mors Fractus Ausstellung, Kunstmuseum Luzern Vexer Verlag 2015 Texte | Lena Friedli und Claudia Kübler Hardcover, zahlr. Ill. ISBN | 978-3-909090-72-3 Auflage | 600 Ex. mehr dazu + hier +