#ghost fighter

[sunghimwoo]

[ane-hedonia-again]

Times are tough, but here's Puu cheering for you.

(In Brazil, he's named Piu)

[jumpbiennysaur]

Hiei from Yu Yu Hakusho

[therandomwind]

Part 9: "Why do the best romance plots always end up in non-romance anime?"

A Disney worthy romantic love story.

[theforswornelite]

In regards to the Live Action Yu Yu Hakusho

[youranemicvampire]

Best movies and series i've watched in 2024

I know i'm late, but here ya go!

Yu Yu Hakusho (2023)

This is how you do a live action! Perfect combination of realism and playfulness. It remained authentic to the anime that's why it was so fun to watch. The CGI was good without being "too much". ▶️ Netflix

Reboot (2022)

One of the most creative sitcoms in the past 5 years and they only gave it one season. It's also funny and ironic that the whole concept of it was doing reboots and shows getting canceled and they literally canceled it. Again, one season, but give it a try. It's entertaining. ▶️ Hulu

Schmigadoon (2021-2023)

I can't believe only few people talk about this. I mean a series about being trapped in a musical world is not interesting enough? Witty, superb production and on point casting! Jane Krakowski, you are perfect! ▶️ Apple TV

Harley Quinn (2019-)

I rarely watch animation, but there's something about DC that keeps me hooked. Also, how could i miss Harley Quinn x Poison Ivy story. And DC loves slowburns huh??? They did that with Batwoman and i'm not complaining at all. I love wlw slowburn. ▶️ HBO Max

The Color Purple (2023)

This is so underrated when it should be one of the best musical movies of all time. Perfect casting, storyline and soundtrack. People hate remakes, but i'm here for it. New gen deserves to see it. More musicals for Halle Bailey pls! ▶️ Prime video

Lisa Frankenstein (2024)

As a fan of Frankenstein franchise, i would place it on the top 3. So creative and entertaining. I thought it would just be like another try-hard pop or chic flick classic, but they get it! Idk how to explain it, but they got the formula! ▶️ Apple TV

This child is evil (2022)

Subtle but creepy. They said J-Horror is dead, but i think people should deep dive more. I hope Japan won't give up in making horror because they make it like no other. They just have to explore more stories and unique ideas. ▶️ Kissasian

Hausu (1977)

Now i know why it's one of the most respected horror movies in the world. Unique and ahead of its time. Best thing about it is that it was a written from a child's perspective. This is how you play with art. ▶️ Torrent

Godzilla: Minus one (2023)

VFX on another level. I always say i hate superhero movies and sci-fi, but i think it's the bad or over the top special effect is what i hate. This movie did it simple, but solid. I actually felt like i was part of the movie. I wish i have seen it in the theater. ▶️ Netflix

Priscilla (2023) - Jacob Elordi's Elvis >>>>>>>> He can't sing or dance as good as the other actors, but he was able to capture his backstage version. I also wanna see Cailee Spaeny in more projects. She's amazing! And as an Elvis hater, finally a movie that doesn't romanticize him. ▶️ HBO Max

Silent Parade (2022) - Feels like home watching japanese mystery. I hope they make it more available outside of Japan through streaming coz a lot of them can only be accessed through pirating. ▶️ Apple TV

They Cloned Tyrone (2023) - Entertaining, crazy and unique storytelling. Too bad, it was released on the Barbeinheimer year. You still have a chance watching this tho. ▶️ Netflix

[save-the-data]

Yu Yu Hakusho | S01E02

Japanese Drama - 2023, 5 episodes

Episodes | Netflix | Viki | YouTube | iQIYI | WeTV | Tencent | Disney+

[mei-mei01]

Hello.

DISCLAIMER: I DO NOT OWN YU YU HAKUSHO Part 1. It’s a regular day at IAC Corp. Kurama is seated at his desk, meticulously reviewing financial projections. His assistant is across the glass wall, sorting through resumes for a new financial advisor position. Kurama’s focus is absolute—until he hears a soft knock and his assistant's voice drifting through the slightly open door.

Assistant: “Mr. Minamino, the next applicant is here. I’ll handle the preliminary interview.”

Kurama: “Understood.”

He doesn’t look up, his eyes still scanning the report. But as the applicant walks into his assistant’s office, something compels him to glance up instinctively. His pen freezes mid-stroke, his breath catching in his throat.

Through the glass wall, he sees her. The woman entering the room. Her face, her voice as she greets his assistant—it’s unmistakable. His mate.

For a moment, the air in the room feels heavier, as though the universe itself has shifted. Kurama’s usually stoic face falters, his emerald eyes widening in shock. He sits back in his chair, his heart pounding.

Kurama (to himself, in a low whisper): “It’s…her. How…?”

He watches her intently as she smiles, her expression warm and kind. She shakes hands with his assistant and sits down, exuding a mix of professionalism and genuine cheer. Every small movement she makes sends a jolt through him, pulling him deeper into the torrent of emotions he’d buried for centuries.

Kurama (internal monologue): “Same face. Same smile. Same voice. But she’s…human now. And she doesn’t know. She doesn’t remember.”

He leans forward, resting his elbows on his desk, his hands folded near his mouth as he continues to observe her. His assistant laughs at something she says, and Kurama notices the way her laughter fills the space—it’s vibrant and familiar, tugging at memories he’d long tried to suppress.

Images flash in his mind: her laughter echoing through ancient forests, the warmth of her presence in his arms, the night he’d marked her as his mate under a blood-red moon.

But then the memories shift to pain—her tears when he fell, the way her love turned into despair, and the whispers he’d heard in the afterlife of her tragic end.

Kurama’s jaw tightens, his hands clenching slightly.

Kurama (to himself): “This can’t be real. She…she took her life. I felt it, even then. And yet, here she is. Alive. Reborn.”

The sound of her voice brings him back to the present. She’s answering a question, her tone light and confident, though her human naivety is apparent. His assistant jots something down, clearly impressed. Kurama watches her, his gaze softening despite the storm raging inside him.

Kurama (to himself): “She doesn’t remember. She doesn’t know who she truly is. Who we were.”

He exhales deeply, trying to steady his emotions, but the longing is undeniable. For the first time in decades, his carefully maintained composure feels fragile.

Assistant (over the intercom): “Mr. Minamino, would you like to meet the applicant before I proceed with the second round?”

Kurama hesitates, his eyes flickering to her once more. His voice, when it comes, is calm, betraying none of his turmoil.

Kurama: “No, that won’t be necessary. Proceed as planned.”

Assistant: “Understood.”

As the intercom clicks off, Kurama leans back in his chair, his gaze lingering on her through the glass wall. He knows he should look away, refocus on his work, but he can’t. Not when fate has brought her back into his life, even in this unfamiliar form.

Kurama (to himself): “Fate has never been kind to us. Why now? Why like this?”