Linn Underhill (deceased)
Gender: Female
Sexuality: Lesbian
DOB: 8 August 1936
RIP: 3 May 2019
Ethnicity: White - American
Occupation: Photographer, professor
seen from United Kingdom

seen from Maldives
seen from China

seen from United States
seen from South Africa

seen from United States

seen from United States
seen from China

seen from Malaysia
seen from China
seen from Netherlands

seen from Russia
seen from China

seen from China

seen from United States
seen from Singapore
seen from Türkiye

seen from Malaysia
seen from Malaysia
seen from United Kingdom
Linn Underhill (deceased)
Gender: Female
Sexuality: Lesbian
DOB: 8 August 1936
RIP: 3 May 2019
Ethnicity: White - American
Occupation: Photographer, professor
Linn Underhill, Claiming the Gaze, 1991-1993
Claiming the Gaze was the first deliberate “gender piece” from the early ’90s. I tried to subvert the ways in which women are photographed in advertising and public media. The strategy I countered with was to photograph women straight on, full figure, life-sized, and unsmiling. These are not really portraits; they are about assuming the unfamiliar and unaccommodating pose of female command.
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Artists’ Book Display for the week of August 19th, 2019
1 walked out of 2 and forgot it by Toby Maclennan- Barton : Something Else Press, 1972
Thirty five years by Linn Underhill- Rochester, NY: Visual Studies WkSp, 1981
Gar-baj by Chris Enos- Rochester, NY : Visual Studies Wksp, 1982
Image for sale by Christof Kohlhofer- New York: Appearances Press, 1986
12 Tin toys by Emma Parker- London: Bless the artist, 1994
Linn Underhill
Linn Underhill, Forever, 1986
Fresh out of grad school, newly divorced and armed with theories about appropriation, I took on my mother’s archive of wedding photographs to comment on the imperfect institution of marriage.
The smiles are from the faces of brides and grooms, enlarged to 30″ square; the texts alternate between the lyrics of romantic love songs and lists of the banal parts of marriage that sometimes spoil the fun.
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Linn Underhill, The Creation of Madam, from the Cosmic Dominatrix Series, 2000-2001
Linn Underhill, Discarded Uterus, from After All, 2002-2003
After All signals the moment when various parts of my body began to give me grief and my doctors produced amazing images from the interior. I modeled organs and joints in clay, cast them in a translucent resin, and arranged them to reflect my appreciation and/or annoyance of those essential and troublesome traveling companions.
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