he’s such a silly goose and then he locks in and I’m reminded of his title
seen from United States

seen from Germany

seen from Germany

seen from United States
seen from United States

seen from Malaysia
seen from Türkiye

seen from Algeria

seen from France
seen from Türkiye
seen from China

seen from Canada
seen from Guinea
seen from Malaysia

seen from United States
seen from China

seen from United States
seen from China
seen from United States
seen from Germany
he’s such a silly goose and then he locks in and I’m reminded of his title
forehead katsuki 🫶🏼🫶🏼🫶🏼
Bonus: Catsuki
The infinite world of BLAME! - lost in the megastructure
You’re dropped into a world that seems allergic to explanation. No names, no maps, no exposition panels. Just page after page of impossibly vast corridors and monstrous machines. It’s sci-fi stripped down to its steel bones.
And so you get The Megastructure, a city so vast it’s measured in light years. Architecturally, it’s part brutalist nightmare, part alien cathedral. Think endless concrete caverns, cables thick as highways, staircases that lead nowhere, and walls that look like they’ve been melted and reformed by something not quite natural.
oh my goodness someone hold me back from grabbing this man. imma kiss him tonight.
i wanna hold his waist—mwahmwah!!!
thinking about kaworu lending shinji his pillow in the manga ౨ৎ
The idea of a "Near but literally a baby" is something that feels baffling to me with how entirely absent that behavior is from Death Note.
Thing is, Near's never been childish despite having a special interest in toys — presenting Near as someone acting like a child thus is nothing but an ableist assumption. This inescapable infantilization brings along a particular softening of personality, mellowing down of all complex emotion into one incomprehensible "basically, sweet and cute" that I personally cannot stand.
Near is an asshole. A lying, cheating, difficult, often rude one at that. It's funny to me how frequently it's ignored.