Ming Smith
seen from United Kingdom
seen from China
seen from United States
seen from China
seen from United Kingdom
seen from Malaysia
seen from South Korea
seen from United States
seen from United Kingdom

seen from United Kingdom

seen from United States
seen from China

seen from France

seen from Singapore

seen from Australia

seen from Singapore

seen from Malaysia
seen from Germany
seen from Malaysia

seen from Brazil
Ming Smith
Acid Rain (“Mercy Mercy Me,” #MarvinGaye), ca. 1977 #MingSmith https://www.instagram.com/p/CeDfwgGtV_f/?igshid=NGJjMDIxMWI=
"During an era in which black artists were routinely excluded from the mainstream art world, Kamoinge—from one generation to next—exemplified the principle that black artists could not afford to dismiss, or be blind to, important realities within their communities." – LeRonn P. Brooks
In the 1960s, a group of African American photographers formed a collective to promote their work. For Ming Smith, the experience was transformative. Read more from Vision & Justice online.
Image: Ming Smith, Brown Skinned Model and Steeple, New York, 1971. Courtesy the artist