@moonshinebindery aka @mightymightygnomepriest bound A Muscle the Size of Your Fist, and I can’t stop staring at it.
It’s been on my dining table since it arrived Monday and every time I see it I smile. It’s so perfect.
The endpapers even look like layers of old concert flyers??
She included my “mix tapes” for each chapter…
I used my real name on the cover (and took out the spicy bits) in case I ever want to share it with real-life friends, hence the censoring 😂
I am IN LOVE with the art and the font.
It GLOWS IN THE DARK!!!
I put so much love and effort into this fic, I’m still so proud of it, and there’s something about seeing it bound, seeing the actual thickness of it and the number of pages, that is so rewarding and satisfying — I keep getting choked up holding it.
A charity bind for @dr-girlfriend, and coincidentally a fic I adore, which is a lovely bit of fortuitousness.
Finished on the 20th of October, according to my binding journal, but only reached the lovely Dr. G today! I was so delighted when she reached out and asked if I would consider binding a copy of this fic for her — it’s a longtime favourite of mine, and it was a fun work to typeset. I wanted to lean into the setting as far as I could without tipping over into outright cheesiness, and while I don’t know that I fully succeeded, it was fun to try.
The foiling on this was a pain, mostly because I wasn’t very clever how I went about it - the sheets of heat-transfer foil I was using weren’t big enough to cover the whole design, and I when I tried to use the cricut, it didn’t take where I used tape to cover the join in strips of foil. Stencil vinyl, my beloved for foiling, also didn’t work as the design was too big to place on the foil without buckling.
I ended up cutting templates out of sticker card and using those on top of the foil, and used a heated pen tool into the crevices of the stencil. It’s still not 100% but it’s better than previous attempts.
My favourite thing is probably the endpapers — the gold touches in them are really shimmery in person, if not in photos. I also used it to line the slipcase I made, which was a last-minute addition made when I was panicking that the cover was a little too floppy for this book. (The cover ended up firming up compin the press, and the case apparently got a little damaged in transport and is protecting nothing 😅, but I still think it’s a fun touch.)
Ages ago now, @kangofu-cb reached out about having a copy of A Heart Worth Loving bound, and I was so excited to work on this for her. So excited that I sent it off with taking any photos of the finished book, in fact, and had to sheepishly ask for some after it arrived. Luckily she was super accommodating, ty lovely! (If you haven’t read the fic, check it out, it’s really beautiful.)
I don’t want to say that this bind was cursed, but it was absolutely the most challenging bind to date. Everything that could go wrong, went wrong, from the typeset to casing in. I guess it was inevitable that I’d case in upside down eventually, but I was gutted to lose the first endpapers, a wooden-floor effect paper with gold highlights that I’d found specially for this project; I ended up ‘saving’ half of them so there’s an unusual double-endpaper thing going on. But this marbled paper is also quite classy I think.
The cover was a pain as well; I wanted to reflect the apartment that’s the setting for most of the fic, but I did not know what I was doing with HTV so attempt one came out incredibly wonkily. Luckily, I already knew I wanted a copy for myself.
The thing I like best about the author copy is the envelope in the back, which has a little booklet with all the fic’s art. I used Sea Lemon’s accordion pocket tutorial, kindly recommended in the Renegade Bindery discord, and the construction was far simpler than I worried it would be. Next time I’d adjust the spine and hinge gaps more to accommodate the enclosure, as it was bulkier than anticipated, but as a way of including art I think it’s not bad.
It’s always nice being approached by an author instead of having to go to them, which I get very nervous about, and CB was delightful to collaborate with on design questions, so even with the construction issues this was a fantastic project and I’m so happy to have been able to work on it.
A tête-bêche quarto of two Hannibal fics by emungere, bound for @springkitten, which were exactly the right length to make this a satisfyingly chunky little book to hold.
I have to confess I'm only passing familiar with Hannibal, so I had to take a wild stab at the vibes (as Hannibal does at people, perhaps?), but they assure me that these were acceptable.
This was my first time typesetting from start to finish in Affinity Publisher, and I'm now at that stage where it's not so frustrating to use that I can't appreciate how powerful a tool it is, which is great.
I also trialled a new method of hot foiling, using a handheld foil pen with a plotter-cut vinyl stencil. I'm really pleased with the results here, which is largely due to the faux-leather bookcloth (also a first for me). It took the foiling beautifully, as well as taking creases nicely and generally being very fun to work with.
Another wee book for Wisteria_daydreams, this time a fic I wrote for her birthday this year. Again this was a fully paper-bound copy, with an HTV title. I need to start a list of fonts that behave at this scale; this one came out well but didn’t love being heated. I was pleased to find a scrap of this purple paper left over from another bind, as well as the purple, glittery HTV, as that’s the giftee’s favourite colour.
I also made myself a tiny copy, but the papers are reversed on mind (white cover/purple spine).
My favourite part of this bind was the typeset. The fic concerns the D/s relationship between an alpha and an omega, and the climatic scene involves shibari as a method of communication and connection, as well as a way to start handling past trauma. I loved bringing the rope theme into the layout of the book. If I’d had more time, I would have liked to include it on the cover as well, but it was more important to finish this in time to gift it in person.
À tête-bêche binding of can’t start a fire without a spark by veryrach (that’s me) and this gun’s for hire by @bittercape, a fic and its sequel that demanded being bound together. They’re also bound as tiny books because bits expressed a desire to put one in their mouth - I don’t know if this has yet been attempted.
I bound two copies of this typeset, one for me and one for bits. Their copy is bound in the leftover paper I had from the endpapers of another fic of theirs I bound a few months ago. I like the geometric pattern and the colour scheme, but I wish I’d figured out better titling; the red is nice and shiny but the cutout didn’t come out as I’d hoped.
My own copy is bound in a plain black cloth cover with silver writing, but I may redo that as I feel it wants something a little more visually interesting; we’ll see.
I also made a little slipcase for bittercape’s copy, because I have been wanting to try and make one for ages, and this little book wanted protecting in the post. I designed the case in Affinity Photo and cut it on the Cricut - I didn’t work out the measurements as precisely as I would have liked, but it was *just* close not to need redoing, I think. There’s a smidge too much wiggle room, but it’s functional:
The wonderful @there-must-be-a-lock is running a fanworks-of-fanworks event right now, and I was lucky enough for @kangofu-cb to let me bind her fic Third Wheel as my entry. This is the fic that got me shipping Winterhawkhood, and I'm just inordinantly fond of it, so I was delighted to get a chance to play with it for a moment.
At 10k, it's just the right length for a little quarto binding. It's also a very hot fic about threesomes and roleplay, which makes it a lot of fun to read, but a little bit tricky to design a cover for. I played with a few ideas before settling on this very simple three-line motif, in chameleonic HTV, which wraps around the whole book. It's my first time trying a bigger design like this, and I'm not mad about the result.
What I am a little mad about is messing up the HTV on one of the copies; up until this point, this was the nicer copy and was going to go to the author, but this relegated it to my copy.
The main difference between the two copies is the inside title pages. My printer coped poorly with the bold line motif, so I went over it with metallic paint, and there's a slight variation in the silvers I used, as well as how neat I managed to be (I used a ruler and everything, I'm just clumsy. A lesson learned).
They also have slightly different colours on the covers. It's really hard to capture in a photo, but they both change colour depending on the angle they're held at, blue-to-purple or blue-to-green. (Obligatory pic of the books being prepped for pressing because it makes me laugh every time.)
The point of the fanworks-of-fanworks event is to show appreciation for creators of fanworks, just as they do for the source material(s) that inspire their fics and art, their playlists and podfics and fanvids and cosplays. I think it's a beautiful idea for an event, and I hope this little book shows some of the love I have for this fic, and the wider fandom community.
I bound my first tiny book last week, a very small copy of Sweet Dreams (Are Made of This) by @tsttoain, and I am a convert. I love the cute size, I love that fucking up only costs one (1) sheet of A4, and I love turning a project around in a single evening. Seriously. 4-5 hours, including typesetting, and that’s with me pausing to figure out each set as I went. Amazing. It is a *revelation.*
Not only was this my first tiny book, this was also the author’s first foray into this ship and into writing smut; I really like the symmetry of trying something new in my binding when she was trying something new in her writing. I bound two copies, one for the author and one to keep.
I am always grateful to the @renegadepub discord community for their support, but they really came through this time as I gave myself a crash course in tiny typesetting and binding and turned this around in just a few hours.
With the exception of the pages, both copies are made entirely of scraps from previous projects, and I am delighted at how they’re both a new and complete object in their own right, and simultaneously one that carries with it the ghosts of other books books I’ve bound to date.
