Despite being the Japanese champion in Latin dance, Suzuki Shinya hesitates to step onto the world stage. Having had almost zero dance experience, playing him was an unprecedented challenge for Takeuchi Ryoma-san, who said, "It required tremendous resolve."
Takeuchi: I really wondered if I could overcome the high hurdle of ballroom dance by confronting it directly. It took some time to sort through my feelings and consider my body before I could come to a decision. Once I made up my mind, all I could do was give it my all. Since I had already been cast as Suzuki, it made me happy when it was decided that Machida-kun would play Sugiki. I thought this was a production we wouldn't be able to overcome unless both of us were truly prepared, but I felt that Machida-kun was a trustworthy person when we worked together in the past, so I was completely at ease. And it wasn't just him, but also Director Otomo and all of the teachers who taught us dance, shared an unspoken understanding even before filming began that, "Even if there are risks involved, let's challenge ourselves to embark on a journey that overcomes incredibly high hurdles," and I feel that this contributed to the success of this film.
When asked about his thoughts on trying out dancing, he had a smile on his face as he said, "……It felt like I had Latin blood running through my veins."
Takeuchi: Even though that was just a joke (laughs), when I read the original manga, I just had a feeling that I'd be playing Suzuki, and that intuition turned out to be correct. I was able to get through the dance scenes because I trusted my teachers 100%. To overcome such a short training period, one where it'd normally be difficult to even grasp the basics of competitive dance, it was necessary for me and my teachers to trust each other and take on the challenge together. Before we went into filming, I went to watch a ballroom dance competition and was overwhelmed by how incredibly cool it was, so it was really great that I ended up loving it. It's also become something very near and dear to me.
Takeuchi-san was also supported by the presence of his costars.
Takeuchi: My partner Doi Shiori-chan learned the dance quickly since she used to do ballet, all while I was right beside her, on the verge of tears and struggling through it (laughs). Including Machida-kun and his partner Ishii-san, we all practiced together every day during the filming period, so it felt like we were family. Dance conveys more than words ever could, and we became incredibly close during that short period of time. I think that great atmosphere really shined through in the film as well.
Takeuchi-san thinks that Suzuki and Sugiki were so intensely drawn to each other because they're unique individuals who understand each other very well.
Takeuchi: Those who stand on the world stage are on a certain level, where they possess a sense of conviction, authenticity, and artistic spirit, and because of that, I think that there are times when other people just don't understand them. Through these circumstances, Suzuki and Sugiki have a fateful encounter, teach each other to dance, and as they exchange energy by touching each other's bodies, they come to realize that the one standing in front of them accepts and understands them for who they truly are. That's why I think they felt compelled to open themselves up and take a chance. I believe that 10Dance is a film that beautifully portrays emotions that can't be put into words and things beyond human control, like the desires inherent in people, through the world of competitive dance. This film is filled with both Suzuki and Sugiki's energy and love, so I hope you'll enjoy it. And, I also hope that the competitive dances we took on, including Latin dance and standard dance, will become more widespread. Watching competitive ballroom dancing made me realize all over again that people live by relying on others. I believe it conveys that beautiful things are born in moments where people respect and help each other out, so I hope you'll watch it.
Machida Keita
Machida Keita-san plays Sugiki Shinya, the Japanese champion in the standard (ballroom dance) division and holder of the world's second best record. Despite having dance experience, he revealed that it took him a considerable amount of time before he decided to accept the role.
Machida: I have quite abit of passion when it comes to dance, and I seriously struggled over whether to accept the offer or not. Still, I've always wanted to work with Director Otomo, and I felt an incredible amount of energy coming from him when we met. And then, seeing Takeuchi-kun, who had zero dance experience, taking on the challenge inspired me to do it for myself too. Not only is Takeuchi-kun well built, but he's also very athletic, and is the kind of person who's always in a super good mood (laughs). My vision for the role kept expanding, and I was really looking forward to working together with him.
Filming the dance was as difficult as he had imagined.
Machida: Including 10Dance's original story, I've always enjoyed reading manga centered around ballroom dancing, such as "Welcome to the Ballroom." That's why I had my own impression of competitive dance, but once I had to face it, I realized it was something with a long history that also involved sport elements, so it's incredibly difficult. When I actually started dancing, I thought, "This is impossible." I had to become the dancer known as the "Emperor," someone who could perform on the world stage, within a three month training period. However, I thought I probably wouldn't take on the role of a dancer again after this production ended, so I tackled it with the intention of giving it my all. First, the standard dances I performed had fairly fixed forms in terms of footwork, movement, and technique. Also, unlike with Latin dance, where the two dancers are occasionally separated, you need to constantly stick close to your partner and dance in perfect time. Up until now, I've mostly danced alone to styles like hip hop, so in that regard too, it felt like the difficulty level was extremely high.
For his role as Sugiki, he says, "There are many parts of him that I can relate to, and he's an incredibly lovely character."
Machida: He's someone who has the tendency to seriously suppress himself, all while holding in the desire to free himself and do as he pleases. In his pursuit of perfection, you may find yourself understanding many aspects about him, including the pain of being at your breaking point, and that side of him that makes those around him feel nervous. It wasn't nearly as much as Sugiki, but during the time I was practicing as him, I think I was considerably on edge (laughs).
How did Machida-san analyze the reason why Suzuki and Sugiki were drawn to each other?
Machida: While there are aspects like their backgrounds and personalities that are completely different, there are also similarities between them, such as their intense passion and love for dance, underlying spirit, and being first class performers. Isn't it exactly because they possess contrasting qualities that they're drawn to each other? There's a scene where Sugiki tells Suzuki, "You're the one I admire," and I truly believe that he meant it. Watching how Suzuki lives freely and does as he pleases, Sugiki probably finds some salvation in it, as he's living life in a completely different direction from him. I believe that they both feel a deep connection for each other, where they're drawn to each other not only as dancers, but also as individuals. This film depicts a variety of elements such as dance and love, but I felt that the story, where the idea that encountering and interacting with someone who helps you grow allows you to discover your true self, was incredibly beautiful. It's necessary to maintain a proper sense of distance, but I also think it's a good thing to show respect and interact with others at a closer distance, like with hand shaking. When this production finally got underway, Takeuchi-kun shook hands with all of the cast members, which gave me a sense of reassurance, and the distance between us closed considerably. And, if those who watch this film think, "Ballroom dancing is cool," then nothing else would make me happier.
Machida Keita x Takeuchi Ryoma
In 10Dance, Takeuchi Ryoma-san and Machida Keita-san costar together for the first time in about eight years. We asked the pair, who deepened their bond by overcoming grueling dance rehearsals and filming sessions, about their memories from the shoot and what they find appealing about each other.
"Please tell us what Takeuchi-san finds appealing about Sugiki, and what Machida-san finds appealing about Suzuki."
Machida: Suzuki is the free and wild type. While he has a presence that shines like the sun itself, you can also see aspects of him suppressing his true self. That kind of gap is appealing, and I think it's something that only came through because Takeuchi-kun played the role.
Takeuchi: Sugiki is reflected in Machida-kun's personality. That being his thoughtful communication, and his meticulousness when it came to approaching dance and the production. I think that sense of tidiness that comes from those aspects is really reflected in Sugiki. What's more, when we danced together, I could feel the passion and energy hidden within him. That balance is sexy, and I think that must be what brought out Sugiki's charm.
Machida: There's a scene where Sugiki says Suzuki's lead is "unpleasant," but personally, I didn't find it unpleasant at all (laughs). His lead was surprisingly gentle and delicate.
Takeuchi: (laughs). On the flip side, the precision in Machida-kun's hold was powerful, and it made me feel like I was being dominated. Him being stronger than me is how it should be.
"Was there anything that left an impression on you from the time you spent on set?"
Takeuchi: We were constantly doing dance practices for long hours, and filming was just an extension of that, so even during the actual shoot, it still felt like we were in the middle of an intense practice. Suzuki and Sugiki are in competition with each other, but they're helping each other. That feeling was great.
Machida: We took on each and every film session fighting like hell, right? After we'd finish each dance, we received feedback from the teachers, where it felt like we were competing in a dance competition and being judged. Based on the outcome I'd think, "What should I do next?," and then dance again…over and over again. Still, every time we'd dance through the whole routine, our connection improved, and the things I understood kept increasing in an interesting way. I think it was similar to the film's story, where they both inspire each other and aim higher. At any rate, it was the first time I'd ever experienced sensing a "smell" while watching a preview screening.
Takeuchi: When I danced with Machida-kun, I could feel this incredibly strong energy emanating from us, so maybe that's what you perceived as a scent.
Machida: Still, Takeuchi-kun is truly amazing. I was shocked by his moves, as you would've never guessed that he had almost zero dance experience. Everyone on set was impressed with him too.
Takeuchi: No, no, isn't Machida-kun the amazing one? Right at the beginning, there's a scene where Sugiki moves slowly like he's doing Tai Chi at his dance school, but since I'm so restless, there's no way I could ever move like that (laughs).
"You also filmed at the holy land of ballroom dancing, that being in Blackpool, England."
Takeuchi: It was amazing, wasn't it? Just thinking about dancing in a place like that feels like a dream.
Machida: It's a place rich in history, with the floor stained in the dancers sweat and the creaking sounds they made. There was so much energy, that I felt like I was receiving it from the place itself. We practiced in Blackpool too, and we learned so many new things that our teachers told us, "You've improved significantly." It felt almost miraculous.
Takeuchi: We kept practicing and improving, but sometimes we'd hit a wall, and then there'd be that moment where we'd suddenly break through and make progress, right? Still, since we never knew when that breakthrough moment would come, there were times where we felt incredibly drained.
Machida: That was exactly it, like how after we arrived in Blackpool, Takeuchi-kun was feeling pretty overwhelmed and went for a run along the seashore, or so I heard (laughs).
Takeuchi: Right, right, right (laughs).
Machida: When someone showed me a video they had taken, he was running crazy fast. It made me think, "That's Suzuki!"
Takeuchi: I was still feeling abit nervous. On top of that, I had heard that Machida-kun had a pretty good grasp on things.
Machida: That was largely due to the fact that I was paired up with Nadiya-san, the dancer who plays Liana (Sugiki's former partner). She's a true professional who pulled me along, and I also felt like she opened up new opportunities for me.
Takeuchi: Watching the video of Machida-kun dancing at that time was truly wonderful. Because I had seen how he struggled in Tokyo, I truly felt happy for him. On the other hand, I felt pressured to break out of my slump, so I ended up running along the seashore (laughs). It was great that my breakthrough moment finally came on the final day.
"This issue features the special section on horoscopes titled "Love and Fate." Do you believe in fate?"
Machida: It exists, right?
Takeuchi: It does! Of course, there are times where I'll think it's fate…but then it turns out to be something else (laughs). I think it largely depends on how you look at it.
Machida: Thinking, "This is fate" can be alot more fun and beautiful.
Takeuchi: Still, I think it was totally fate that I got to work with Machida-kun on this film, you know?
int: P3 and P4 for ferrari during the weekend with reversed positions, there may have been some cold sweats on the wall, the battle was intense, how was it against lewis?
charles: personally i loved it! i’m sure fred didn’t love it and neither did the other members of the team who must have been stressed out during the race but honestly it was great to see a f1 car like this one during the race-… it’s still different in quali, talking with other drivers, we’re all in agreement that some adjustments need to be made for quali… but honestly i had a lot of fun during the race, whether in australia, yesterday during the sprint or today. today during the race, lewis was simply faster from start to finish. there were some laps where i was better but to be honest lewis was better this week-end so congratulations to him, i’m very happy for him for his podium, of course im disapppinted for me to be out of the podium but it’s like this. i’ll work to be better next time on this track.
int: you’re showing real sportsmanship like behavior to acknowledge this. is it important for the dynamic of the team to have lewis at your level, compared to last season where he struggled? how does it affect the team since it’s his first podium in red?
charles: since the beginning of the season, it’s clear that lewis is really really quick. he was also really quick last year but the cars were very different. it’s great to have both cars there, espcially with the new regs, you can really do something when you’re fighting: to have both lewis and myself in the fight against the mercedes consistently is positive. it’s great!
unofficial english translation (by fluff) (I apologize in advance if there's any errors, please let me know if there is!!
Please read here on kakaopage !!
And do not re-upload the webtoon illegally to other sites!
(next ep) EP 1
(note: using "-" notation for dialogue and ** for sfx, () for thought bubbles)
--
[A portion of the contents have been adapted based on the flow of the original work.]
Have you ever gotten really, really into something?
I don't mean simply,
"Oh, this is fun",
But something that leaves you with a deep, lasting impression..
(text inside brain: i'll buy it i'll buy it i'll buy it xN)
Something you've even spent time and money on.
To give an example...
I mean something you're willing to buy merch for.
<Darkness Exploration Records.>
It's an internet ghost story universe/setting that's been a viral hit sensation lately.
Why? It's a collaborative, open-source universe filled with various ghost stories, where people can create and contribute their own stories as they like.
At first it was only shared by students through word of mouth,
but now its popularity has exploded like crazy after getting picked up by the wetube(youtube) algorithm.
Filled with exploration records of a wide variety of supernatural phenomena referred to as "darknesses",
It now consists of hundreds of thousands of ghost stories.
It happens to be really fun...
-Hey, you. *clack*
-You sure are working hard, aren't you.
...to read at work.
As they say, doing anything other than work when you're at work is fun..
So just like that, I've gotten totally sucked into this universe,
to the point where I've even contributed my own original ghost stories.
And I've even ended up coming here...
to "That Place".
*vine boom*
*bam ba-ba bam!*
*ba-bam!*
(sign: WELCOME, EXPLORERS OF DARKNESS.
Prophecy of the End* (*종말예언: /Prophecy of the Apocalypse/forecast of the end/doomsday prophecy...)
Darkness Exploration Records(어둠탐사기록))
*bump*
-Ah! I'm sorry~
-Ah, what're u doing~ -.-
*loaded...*
-wow, he rly bought a lot
-Is he an actual dealer?
-it could be a present for his nephew/niece?
KSE: (It's all mine...)
KSE: (how did I end up getting in this deep?)
Is my everyday life at the company without even a drop of dopamine the problem ?
I didn't know at this point.
sign: Prophecy of the End: Darkness Exploration Records. START
That in my everyday life,
completely lacking that thing called dopamine--
*peng-glglglglgl... (spinning wheel sounds)*
sign: 1st Place Prize *tick*
--Something like this
would happen.
(id card: Daydream | Corp.
Field Exploration Team
Kim Soleum
employee)
-Do you like it? You're going to cherish it close to your heart, right?
-KSE: Yes.
-Liar. (/You're lying.)
(pixel text:)
you are now (you are now)
going to experience something new
we(/i) hope you like it
X
234 176 145 236 158 144 234
184 176 32 237 152 132 234
184 176 236 166 157 236 157
180 32 235 168 184 235 166
172 235 165 188 32 235 141
174 236 179 164 235 139 164 46
(*utf code for: "I was suddenly struck by a wave of dizziness")
So
Kim Soleum
you must now figure out who you are
(jumbled pixel text:)
clutch the bone thorns tightly tightly tightly (*repeated over and over)
from inside the dead body, some kind of– (?)
all objects/entities are not real (?)
i can’t breathe where are you going in the dark blue water
-The new recruits who have gathered here are exceptional talents who have pierced through a 145:1 acceptance rate!
Is this... a lecture hall?
(sign: new employee orientation)
KSE: (when did my outer clothes disappear...)
A host in an auditorium,
this atmosphere, these people...
No matter how you look at it,
it seems like a reception for new employees at a large corporation...
sign: new employee orientation
20XX(year) X(month), X(day)
place: main auditorium
sign: (...)Corporation Orientation
-KSE: ...Huh?
(pixel text:)
⚠️
WARNING
Before you access this site,
please read the following precautions.
1. In the site you have seen, you may encounter documents with violent and brutal descriptions, with shocking images and sound attached, so we advise caution for those suffering from heart issues, or the physically or mentally weak.
2. <Darkness Exploration Records(DER)> is recommended for those above 15 years of age. Those under the age of 15 are not permitted to view the following site.
3. As this is a community space with a universe built through the collaborative contribution of many people, you must uphold basic courtesy/respect at all times.
If you are re◾️dy?
--
(Title: Even if I fall into a Ghost Story, I still Gotta Go to Work
translation of the second post: one look says a thousand words: the face after fighting verstappen for an hour on the nordschleife (with paradise by coldplay playing in the bg)
