WEKE by @namsaleuba | My interest in traditional West African religious practices is based on my dual heritage, from a Guinean mother and a Swiss father. Growing up, I was exposed to the animist belief system of my mother’s family in Guinea, which was in stark contrast to my upbringing in Switzerland. These practices served as a vital point of connection to my ancestral roots, and a part of my family that I was fragmentally connected to. At the same time, the practices were exotic, stemming from an ideology that sits in contrast to Western belief systems. I have always been characterized as the other, whether I am too “African” to be European or too “European” to be African. In this unique positioning, I am interested in the politics of the gaze — who is looking, who is being looked at, and the medium of which this looking occurs. Since the invention of photography, the camera has been a determining instrument for the construction and consolidation of the Western gaze. Colonial photography in the nineteenth century formed a visual imaginary of the dark continent and the exotic other, with a fetishistic interest in different bodies and customs. The inherent philosophy of photography is itself a Western concept, the notion that all can be proved and verified by direct visual sight. | #afrobougee #benin #story #rituals #namsaleuba #series #voodoo #humans #vodun #cosmology #beinspired #becreative #nouveaunoir