From “Every Hand Against Him!” in Journey into Mystery #110, November, 1964. Stan Lee script, Jack Kirby pencils, Chic Stone inks, Stan Goldberg (?) colors, Artie Simek letters.
Info from Grand Comics Database

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From “Every Hand Against Him!” in Journey into Mystery #110, November, 1964. Stan Lee script, Jack Kirby pencils, Chic Stone inks, Stan Goldberg (?) colors, Artie Simek letters.
Info from Grand Comics Database
all I'm saying is numbers: blocked, locks: changed, their shit: on the sidewalk. reader needs to dump them and disappear from their lives and make the suffer. i want tears of blood, I want them scratching at reader's door!!!
hell yeah!!! my kind of part 2, they’re gonna regret things
"A mind is a terrible thing to waste" is a renowned, historic slogan coined by Arthur Fletcher in 1972 for the UNCF (United Negro College Fund). It emphasizes the importance of investing in education for, specifically, Black students, advocating that young people are a precious resource and that intellectual potential should never be squandered.
i don't like what i'm already seeing in fandom of ygnya being portrayed as this perfectly warm soft motherly type. she is clearly fucked up and evil not only upon becoming a sacrifice by her own people but from seeing that flock be slaughtered regardless. to the point that they want to destroy the world entirely with their hatred. that's an abusive mother.
MHA: Endeavour is denied forgiveness - and that’s kind of the point (for me atleast, lol).
Endeavour’s easily one of the most controversial characters in the MHA world and while his character isn’t particularly likeable - his arc on the other hand, was gold. MHA plays in the grey spaces between good and bad a lot, and refuses the easy answers. With Endeavour, all his sins have been in the name of ambition - marrying his wife for her quirk, creating his children as means to an end, abusing/neglecting his family to serve his own goals all of those things sit squarely beyond the boundaries of redemption. There's no argument to be made otherwise, and the story doesn't try to make one. But here's what makes his arc genuinely compelling: when the consequences finally catch up to him, Endeavour actually gets it. And what’s more, he doesn’t expect to be rewarded for his remorse with redemption. He simply offers atonement to his family, allowing them to dictate the terms of it entirely and understands that he has forfeited his right to make demands. And that scratched an itch I didn’t know I had because it's something we rarely get to see in real life. Yes, Endeavour is a deeply flawed character. Yes, he has damaged people around him in permanent ways. And yes, there is nothing he can do to make up for it. But the character of Endeavour does not let that deter him; his remorse is so real that he considers the pursuit of unattainable atonement to be worthwhile. He subverts the label of a one dimensionally ‘evil’ character and fights to stay in the grey, even if the white is denied to him forever.
But sorry was just a cheap, dirty little word. It presupposed an orderly world. It presupposed that it was ever possible to make up for what had come before.
Brandon Taylor, from The Late Americans
You think forgiveness is a thing that will ever exist between us, Creed?
(Wolverine: Revenge #4)