Minoru Nomata — Light Structures XI (acrylic on canvas, 2007)
seen from Saudi Arabia

seen from Brazil
seen from Saudi Arabia
seen from United Kingdom
seen from Philippines
seen from China

seen from Armenia
seen from Saudi Arabia
seen from France

seen from United States
seen from Saudi Arabia
seen from China

seen from United States
seen from Ukraine
seen from Philippines
seen from China
seen from Armenia

seen from China
seen from China
seen from Germany
Minoru Nomata — Light Structures XI (acrylic on canvas, 2007)
"Far Sights-7" by Minoru Nomata, 2009. Conté crayon, charcoal & pastel on paper. Japanese artist born 1955.
Man Ray, Chacun sa chimère, 1932 VS Superstudio, Un viaggio da A a B, 1969
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VITA, MORTE E MIRACOLI DELL’ARCHITETTURA
EXHIBITION CATALOGUE PUBLISHED FOR THE “S-SPACE MONDIAL FESTIVAL N.1” IN FLORENCE
09-11 NOVEMBER 1971
by minimaforms
Revue Das - Retroprospectiviste : ON STOCK !
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Smiljan Radic not only is one of the great contemporary architects but also, and that’s what surprise me, an avid collector of architectural drawings. One of his collection’s focal points is the radical (theoretical) architecture of the 1950s to 1970s by the likes of Archigram, Superstudio, Haus Rucker-Co and also non-architects like Asger Jorn, Constant Nieuwenhuys or Guy Debord. A selection of 177 utopian designs on paper from Radic’s collection is presented in the present little book: „Cloud `68 - Paper Voice“, published by GTA Verlag earlier this year. Modeled after Aby Warburg’s Mnemosyne Atlas the entries are organized along 33 panels that juxtapose positions from these avant-garde years and allow for insightful and surprising comparisons. In addition Hans-Ulrich Obrist interviewed some of the protagonists who in turn provide first-hand insights into this exciting period when both architects and artist sought to revolutionize architecture and bring about fundamental changes in design and context of architecture. „Cloud `68“ is a real treasure trove that contains rarely seen architectural fantasies which demonstrate the inventiveness of these decades while at the same time providing stimuli for rethinking the present.