#sarah barton

[antlersaint]

we need to talk more about dianna in bare. sarah barton i love you my loser lesbian

[yameoto]

need to hear your thoughts on bare (2015) / dianna in that cause that movie was ass but sarah was so cute and literally a pathetic wet cat i need her

my roman empire is that dianna initially wanted the role of pepper. what i wouldn’t have given to have dianna agron play sleazy drug dealer hobo dyke. but sarah. god sweet!smalltown!sarah. need to be the one to corrupt her sweet silly silken angelface.

thinking about fucking her in the backseat of her boyfriend’s car. only in town for a day and you’ve got this pretty blonde wrapped around your finger. wrapped around your fingers. making her squirt all over the backseat so juicy the acids gonna stain the leather. listening to her gorgeous, breathy croons and airy moans of “fuck!” that sound more like puffs of air against your cheek. adorable. you know for sure this girl hasn’t had an orgasm not by her hand almost ever. has probably never so much as had a couple beers. smoked a lil shitty za that’s half lavender n half dirt from how backwater this town is. need to show her the real city. with real people. need to show her real sex, with her legs slung up over the car seats so you have full view of your fingers pumping in and out of her glistening cunt. all spread out and pulsing in the open, humid air. mouth hot, obscene wet noises squelching in the car, windows steaming up as your tongue swirls n you’re sucking on her clit. pushing three fingers in, even deeper. do all smalltown girls sound this melodic when they cum? do they all jerk their limbs like a skittering foal with their blonde locks sticking in beautiful curls around their sweat-sheened forehead? god. god. and it’s only when her back snaps and her mouth opens to cry out your name that she realises she doesn’t even know it.

[carouselise]

I wanna write for more of Dianna Agron's characters but the only popular ones are Quinn....or Ali if we're stretching it....

[mr600]

[mr600]

[mr600]

[mr600]

[curlycurlmedia]

(via Lee McQueen: Crafting Subtle Elegance Amidst Savile Row's Legacy)

In the world of men's fashion, a rich heritage often takes a backseat, overshadowed by the grandeur of women's collections on the catwalk. After the passing of Alexander McQueen, Sarah Burton paid homage with a collection inspired by historical English costumes, yet the electrifying desire to shock had waned. McQueen's defiance against commercialism, boldly stating, "It's always been the same. Nothing affects me," still resonates. He believed in blending high and low, evident in McQ, the enduring diffusion line. But imagine how a designer fiercely opposed to establishment norms would react to the hyper-commercialization of his menswear and brand, which even designed Kate Middleton's iconic wedding dress. In his lifetime, McQueen, a Scot who felt his homeland had been figuratively violated by England, rejected a formal invitation from the Queen of England. It's a classic case of "You either die a hero or live long enough to see yourself become the villain."