Pedro De Kastro, “The Harp”, 1996 — Revisited Deathscape 2025
from ‘Death’ series
metal engraving on paper, etching
seen from China
seen from Russia
seen from United States
seen from United States

seen from United States
seen from Malaysia

seen from United States
seen from Thailand
seen from United States
seen from China
seen from China
seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from Uruguay
seen from Japan
seen from Ukraine
seen from China
seen from China
Pedro De Kastro, “The Harp”, 1996 — Revisited Deathscape 2025
from ‘Death’ series
metal engraving on paper, etching
One of the artists commissioned to create a new work for the 1939-40 World's Fair was the sculptor Augusta Savage. A leading member of the Harlem Renaissance, she was the only black woman to be so honored.
Her piece, intended to celebrate African-Americans’ contributions to music, showed a kneeling black man holding a bar of music and 12 black chorus singers representing strings on a harp, the sounding board of which was no less than the hand of God. She called it Lift Every Voice and Sing, a nod to a poem by her friend James Weldon Johnson that was later set to music and adopted as the black "national anthem" by the NAACP.
The work stood 16 feet tall and was made of plaster that had been lacquered to look like black basalt. She was paid $360 for it (around $8,000 in today's dollars) and it was placed in the courtyard of the Contemporary Arts Building, near one of the Fair’s gates. Fair officials renamed it The Harp, which Savage reportedly hated. Small metal replicas were sold as souvenirs, and images of it were reproduced on postcards.
When the Fair ended, Savage had no money to remove and store her sculpture, or to cast the large piece in bronze, as she had with other, smaller works. So, like all the other "temporary" artwork created for the Fair, it was destroyed by a bulldozer.
In 2017, a NY Times op-ed piece by the filmmaker Aviva Kempner proposed that a full-size replica of the sculpture be created and placed in front of the National Museum of African-American History & Culture in Washington. So far, there has been no movement towards carrying that idea out.
Photos: top and center, NYPL. Bottom, illustration from the book Harlem: Negro Metropolis (E.P. Dutton 1940) via The Wolfsonian–FIU.
Idk how anybody can hate mariachi. Beautiful voices, music that you can cry and dance to and what is undeniably the best outfits of any music genre. If mariachi has no fans I am dead.
...⟪INSTRUMENT OF DESTRUCTION⟫...
MEET THE HARP!
-- NAME: The Harp -- AGE: ...??? -- PRONOUNS: It/Its -- Living Weapon -- Cyborg
The Harp is a state of the art weapon, almost solely responsible for the military power that Requiem, its country (more of an empire), holds. It is feared, it is revered, and almost no one has ever seen it and lived to tell the tale. Other countries tell horror stories about it. Children sing rhymes about it. A hundred thousand different interpretations of its appearance are plastered on propaganda throughout the nation. But what exactly it is, how exactly it was made? That much has remained unknown.
For the time being, of course.
STORY MASTERLIST: TBA!!!
Tags for tagging purposes: @cepheusgalaxy
Harpy Grian doodle from Class lawl
Got anymore world building hc's? :3
I can't give more world Headcanons-
But I can give musical ones!!
So you know how in Epic: The Musical, everyone is assigned an instrument to play in the background of their singing?
Well- So does the cast of Legendary!
Instrument Associations below the cut!
I would love to just... even one time... have some kind of profound explanation for the parallels that are coming up during this Throne of Glass reread. Like what do I even do with this?
I haven't seen anyone draw this parallel between Elide's extra sensory bad vibes of the Stone Marshes in TOG and Nesta's vision in the Prison in ACOSF... but it's CERTAINLY there. (Edit: I fully believe some SJM scholar out there has not only found this, but drawn far superior conclusions lol & I encourage them to enlighten me please!!)
What does one do when "even Death itself bows to the 26th string" and Fae trying to claw their way through stone comes up in BOTH?! Asking for a friend.