...And Aces, and Trans people, and everybody else, for that matter. (Blame @tildytwo for the title)
Science Fiction is going through a renaissance, and there has never been a better time to be a queer reader. You want casual diversity in fiction? We got it, to the point that it would honestly be overwhelming to describe all the ways that the subsequent books give people representation! Let’s just say that all of these automatically come with racial diversity as default (also keeping track of that is a headache, because these all take place in the future and people live on different planets).
Hope for the future is something we all need right now, and it is telling that in the science fiction coming out right now, the future is inclusive as hell (with uh, one exception, which has been tagged). Racism, homophobia, sexism, and transphobia are things of a dark, barbaric past. Transitioning, for those who want it, is easily managed with science, and different pronouns are taken in stride. Neurodiversity is often an asset, rather than a disability, and characters come in a wide variety of shapes and sizes. Humanity has spread out among the stars, with all of the amazing racial and cultural diversity that that implies. While none of these settings are utopias, no one is erased.
Becky Chambers - The Long Way to a Small Angry Planet and sequels (Queer lady protagonist)
Mur Lafferty - Six Wakes (Hispanic lady protagonist, diverse ensemble cast)
Ann Leckie - Ancillary Justice and the rest of the Imperial Radch series (look, if it’s an Ann Leckie book, messing around with gender is the default)
Tim Pratt - The Wrong Stars (Demisexual and bi lady protagonists - I think one is Korean, based on her surname?)
*Rivers Solomon - An Unkindness of Ghosts (Protagonist is a bisexual, autistic black woman) Gonna put a trigger warning on this one. Solomon is probably going to be our generation’s Octavia Butler, with all that entails. Major themes of racism, sexism, and transphobia.
R. E. Stearns - Barbary Station (Two queer lady protagonists, one of whom is black and the other is neurodiverse)
Martha Wells - The Murderbot Diaries (Protagonist is a sentient robot who is agender and asexual- and yes, they have plenty of emotions, this isn’t that kind of story)
BONUS ROUND- Books not set in the far future, but still a part of the SF renaissance: Sarah Gailey - River of Teeth, Mira Grant - Final Girls, Victor LaValle - The Ballad of Black Tom