Lauren Brincat, Salt Lines: Play It As It Sounds [performance instruments] 2015-16. Carriagworks (Biennale), Sydney, 2016. #sydneybiennale
EXPECTATIONS
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trying on a metaphor
Sweet Seals For You, Always
Jules of Nature
No title available

shark vs the universe
sheepfilms

Discoholic 🪩

Andulka
will byers stan first human second

izzy's playlists!

Origami Around
Sade Olutola
Noah Kahan
Claire Keane
Cosimo Galluzzi
we're not kids anymore.
Misplaced Lens Cap
RMH

seen from United States
seen from United States
seen from Bangladesh
seen from Cameroon
seen from Lebanon
seen from United States
seen from United States

seen from Poland

seen from Argentina
seen from Vietnam

seen from China

seen from China
seen from Sri Lanka

seen from Netherlands
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seen from Venezuela
seen from United States
seen from United States
seen from United States
seen from United States
@1029-0
Lauren Brincat, Salt Lines: Play It As It Sounds [performance instruments] 2015-16. Carriagworks (Biennale), Sydney, 2016. #sydneybiennale
^VES [sun], Sydney, 2016
Ellsworth Kelly, Barn Roof, Taconic, New York, 1974, Silver gelatin print, 27.9 x 35.6 cm, Collection of the artist, Photo © the artist.
Ellworth Kelly, Hangar Doorway, St. Barts, 1977, Silver gelatin print, 27.9 x 35.6 cm, Collection of the artist, Photo © the artist.
Ellsworth Kelly, Broken Window, Paris, 1978, Silver gelatin print, 27.9 x 35.6 cm, Collection of the artist, Photo © the artist.
Ellsworth Kelly, Potato Barn, Long Island II, 1968, Silver Gelatin print, 27.9 x 35.6 cm, Collection of the artist, Photo © the artist.
Photography - Mark Cawson
Photography - Mark Cawson
Photography - Mark Cawson
Photography - Mark Cawson
Photography - Mark Crawson
Photography - Mark Cawson
Photography - Mark Cawson
Photography - Mark Cawson
Sheep at the horizon (gootheotherway) [50], Blue Mountains, NSW, 2016.
Roof [Ref.], Sydney, 2016.
Hive, Sydney, 2016.