CHAPTER 14
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@alyadjacent
CHAPTER 14
CHAPTER 13
COPYRIGHT INFRINGEMENT AND MMA ASSIGNMENT
CHAPTER 12
CHAPTER 11
CHPATER 10. BLOG POST
College and Campus Booking
CHAPTER 8 BLOG POST
Entrepreneurial Profile: Tay Yung
Tay Yung is a rapper, audio engineer, and co-CEO of LOT8 Productions located in Bakersfield, California.
***An interview was conducted via Google Meet, however audio was not recorded, so follow up conversation was required after.
>>> Link to video (no audio)
The following is a summary of the questions asked in convo for clarification and direct quotes of messages/answers sent by Tay Yung after the interview.
Being your own artist and running LOT8 Productions — how do those roles influences each other?
“Both roles influence each other hand in hand. At this stage of pursuing work full-time, it’s definitely a balancing act. Being an artist helps me understand what creators need from a studio space, and running LOT8
sharpens how I approach my own brand, marketing, and long-term strategy.
I follow what I call my 33% philosophy — dividing my focus into three core areas:
• 33% – My personal music development and releases (writing, recording, branding, rollout
strategy)
• 33% – Operating and building LOT8 Productions (branding, partnerships, marketing, growth)
• 33% – Servicing the creative community as a recording engineer (sessions, client development,
helping artists shape their sound)
That structure keeps me intentional and prevents one area from completely overshadowing the
others.”
2. You seem very self-sufficient creatively. Was that intentional from the start, or learned out of necessity?
“The intention was always to become self-sufficient, but the skills were definitely learned out of necessity.
As an independent artist, you quickly realize how many moving parts go into building a career: recording, mixing, visuals, branding, marketing, distribution, and content strategy. At some point, it becomes smarter to invest in learning a skill than constantly paying for it.
So I chose to become resourceful. That decision shaped everything — from engineering to production management to branding. Self-sufficiency wasn’t just a preference; it became the path forward.”
3. What problem were you trying to solve with LOT8 Productions?
“The simplest answer: we needed a place to create in our own backyard.As a recording artist and with my partner and co-CEO being a photographer/videographer, we
constantly found ourselves driving hours just to access quality creative spaces and community. We knew we weren’t the only ones facing that problem in Bakersfield and Central California.
So we built the solution.
Now LOT8 is a 4,000 sq. ft. creative playground designed to house both audio and visual production. It’s affordable, versatile, and built for creators who don’t want to leave their city just to bring their ideas to life.”
4. If I’m a singer/musician who is looking to release music, what should they understand before booking studio time?
“First — don’t hesitate. Early and consistent exposure to professional recording environments helps shape an artist’s development.
That said, preparation is everything.
Before booking studio time:
• Have a clear concept in mind
• Bring beats selected or ready
• Have lyrics written or at least structured
• Know the direction you want to take
Studio time is an investment. The more prepared you are, the smoother the session will go — and the more value you’ll get out of every minute. Preparation is half the battle.”
5. What separates artists who are ready to record professionally from those who aren’t?
“I don’t believe there’s a strict line that separates “ready” from “not ready.” It’s more of a mindset.
Recording professionally is a personal investment. The artist has to be mentally prepared to take their craft seriously.
If I had to point to one marker, it would be consistency. Artists who aren’t regularly writing, practicing, or engaging with their music tend to struggle more in professional sessions.
Overall, I believe in early and often exposure. Being in professional environments helps shape discipline, confidence, and performance. Sometimes the growth happens because you stepped into the room, not before.”
https://docs.google.com/spreadsheets/d/175-mphiWFNtvo_mtfRxa2-2GgBZbq56TNHT6ks-jFCc/edit?usp=sharing
MOODBOARD : alyadjacent
Explore a hand-picked collection of Pins about ALY ADJACENT on Pinterest.
ARTIST VISION BOARD: experimental, gritty, distorted, love, self-esteem, intimate, sexuality, slice-of-life, controlled, hypnotic, addiction, nostalgic, for introverts, mechanical, ADHD, acceptance?, societal pressure, obsession, cinematic,melancholy
BIO:
With a voice disciplined in classical training, it also carries the feelings of burden and desire for self-discovery, Ahyoung plans on a sound that is both technically extensive but raw and honest. Combining classical and jazz practice with a profound love and influenced for genres like indie-rock, shoegaze and electronica, she is instinctually drawn to colorful and imperfect expression over refined, fine-tuned product. Her music seeks to explore themes of human worth beyond beauty and productivity, questions the human condition and one's purpose in life.
Ahyoung believes that some people experience the world with more intensity, and that doesn’t make them unstable. Grounding yourself is a skill that takes practice, not perfection. She preaches the message that love should be intentional and deeply felt, not convenient. Feeling deeply is not a flaw.
“Alternative grunge that comes off cinematic like Radiohead meets a sensual indie-rock artist like Julia Wolf and controlled power vocals and musicality like Willow.”
10 ARTISTS
*no particular order
Deftones
Radiohead
SE SO NEON
Amy Winehouse
Gorillaz
Lana Del Rey
WILLOW
Portishead
Florence + The Machine
Mitski
15 CITIES (MOST TO LEAST FAN DENSITY)
Los Angeles, CA
London, UK
New York City, NY
Toronto, Canada
Chicago, IL
Berlin, Germany
São Paulo, Brazil
Mexico City, Mexico
Seattle, WA
Paris, France
Barcelona, Spain
Melbourne, Australia
Boston, MA
Atlanta, GA
Austin, TX
Target Audience Before Recording
ch. 3 post.
* are mostly early college-aged to early 30s, living through eras of transition with identity discovery, figuring out adulthood, balancing new and ending relationships
* are of all genders, queer-friendly, and emotionally intelligent listeners who tend to think about life and identity in depth
* are attracted to music that feels nostalgic, yearning in nature, even for experiences that haven’t been lived
* listen to music while driving, especially late-night, goes to live shows and values those kinds experiences
* tends to discover music through searching independently, preferring albums and EPs
* enjoys listening to artists like Björk, Mid-Air Thief, Kaytranada, Imogen Heap, and Radiohead
* listens to genres the stretch from indie, alternative, electronic, funk, rock and grunge, no targeted or specific genre, there’s no point of being confined
* inclined to listen to music that feels perplexing, layered, or instrumentally unique, conveying emotion or messages that don’t have a language for it yet
* values quality recordings but lives for the storytelling and emotions in live sound
10 songs
1. LOVE AND FEAR - Xdinary Heroes : I love the melody of this song and how it works with the beats and guitar. There’s something so satisfying about the way it progresses. It feels really musically detailed, which is why all the climaxes hit so hard I feel. The electric guitar is one of my favorite sounds. I love the edge this band brings while still giving solid vocals. The choir/harmonized singing parts are also so glorious and amazing
2. Idioteque - Radiohead : The beat repeating is so hypnotic and punchy, in a gritty almost unsettling way. I really like it. Thom Yorke’s vocal has this rawness to it and it sounds almost pleading, I love that artistic choice. The beats feel fragmented and mechanic in a sense. I think it does a good job at making the beat have life and tell story to it, vocals only supporting it.
3. Swimmer - tricot : Love the intro guitar melody, so vibey and dreamy, subtle groove to it. Her voice is so effortlessly floaty but powerful when it needs to be. The melodies and instruments and climaxes are all lowkey, but mesh so well together and form together to sound so passionate while maintaining the simplicity of the instrument utilized.
4. Alone - Miso : I love Miso’s voice so much, purely the sounds of her voice with the simplicity yet grooviness of her instrumentals are always something I can picture myself putting out and pulling off well. Her voices blends in so seamlessly to her instrumental production.
5. asphyxia - Cö shu Ne : The buildup and the piano solo before the beat drops into the beautiful chaos of instruments. The vocals coming in with a very delicate tone and building up to the emotional chorus. Her voice goes delicate and the contrast is so nice. Crazy production, good use of instruments, everything I’m looking for.
6. Why? - Mid-Air Thief : Researching, I’ve been told this genre is being called folktronica. This sounds like music you would create in your head, it like if someone made a background music to processing of the brain, it’s so neat to me in that. All the sounds feel so layered but not distorted that I lost track of the heart of the song. This song sounds like adventuring in a video game and I love that electronic sound, it works so well.
7. Change (In the House of Flies) - Deftones : I can just really appreciate the visuals and atmosphere I think song evokes. The vocals are almost restrained sounding but still just as impactful in the part if feels it should, it happens all the time in music but I love the demonstration of it in this song. It’s hypnotizing.
8. Everlong - Foo Fighters : I dig the beat and drums in this song, it’s the heart and pulse of this song. It has this way of feeling like there’s a momentum that builds and increases and there’s no way of stopping it. Feels like rushing and buildup of emotion through the combination of kind of open ended lyrics and a controlled beat.
9. Feather - Little Dragon : Dreamy shoegazy song, Not even the typical in it’s genre that I listen to, I like heavier and melancholy mood usually. This one feels light, bright and airy. Vocals are so floaty and pretty. The soft synths or beat is really the highlight of this song, it’s bouncy and stimulating as it goes on throughout listening. This one feels really cohesive and catchy too out of this list
10. BULLETS - KAYTRANADA, Little Dragon : The production on this song is incredible. The semi-distorted vocals are so fitting for the layers it has, feels like the vocal reside inside the production. Listening to this so is so satisfying in the technicalities of it and how the beats transforms and resolves. The vibe it oozes is confidence and sensuality.
ch. 2 post.
1. CREATIVE/MUSIC RELATED
* Musician / Vocalist
* Performer (Live Vocals)
* Lead Vocalist (Solo and Collaborative)
* Demo Vocalist for Songwriters or Producers
* Private Voice Instructor (Children/Beginner)
* Recording Artist
* Musical Theatre Actress
NON-MUSIC RELATED
* Barista
* Bartender
* Make-up Artist
* Tattoo Artist
* Stylist
* Fashion Designer
* SFX Artist
* Accountant
* Secretary
* Manager
* Recruiter
* Model
* Social Media Influencer
2.
Graphic Designer: A mutual friend who is a Graphic designer, named Chi. + Art or design students at BC.
Recording Engineer: Production studio I know in Bakersfield called LOT8 productions
Videographer: LOT8 Productions does video shoots
Photographer: LOT8 Productions looks for models and product shoots or open game.
Web Developer: Online platforms such as Squarespace or Wix, I’m using Tumblr, but more customizable would be like Canva or the above mentioned.
1. When I am singing or performing music that I really connect with, I feel most like myself, it sort of provides a framework to the way I think and experience things. Music is one of the realms where feelings that would otherwise seem overwhelming, embarrassing or hard to express are freely demonstrated and come off more “natural”. Although I tend to be quite self-critical and tend to overanalyze as a means of practicing and improvement, singing also acts as a safe space where I am reminded as I progress that its perfectly fine to feel and express emotions in the way I see it. Performing and the idea of doing it regularly makes me feel that I would be exercising control over something that is personal and deserved, and sharing what I usually figure out privately makes it feel purposeful.
Although attention is not what personally drives me, I would find it very rewarding to change people through music. I've lived believing that music is a remind of the people who devote themselves to their passion and seek creativity, and by choosing it, I would have a chance to leave something indefinite by my own voice. Despite the fear and self-doubt, truly I persist because growth in my potential in music seems impossible to give up, I don't want to have any regrets.
2. To make it in music, it would mean finding a safe middle place where I can comfortably sustain myself, yet still create, perform, and work in a way that feels fulfilling and important. My main ambitions don't lie in fame or superstardom, however, I would not be able to help and notice the impacts of visibility and reach as it would show the results of consistency and capabilities as a musician for my art to resonate in others. Validating it.
Making it would mean being free to concentrate mainly on singing and performing, and also being able to work together with other musicians, like-minded, to produce original work that would not otherwise be possible without those interactions. I envision a career that involves being in the recording studio, performing live, and creatively providing at various environments, if I taught, I'd want to teach kids about the voice, one-on-one, with those specifics. I don't think I'd feel satisfied being designated to a singular role at the moment, which I think is good.. for music. To summarize it, I'd feel like I'd made it if I created a career that's sustainable and adaptable, where my efforts kept progressing and show through, my visions have space to develop, and one where I didn't regret not realizing my full potential.
3. In 1 year, I want to consistently work on improving my skills as a vocalists and performance confidence by practicing my solo skills and collaborating with other musicians regularly. I would like to be rehearsing with instrumentalists, live sound in small and medium venues at least once or twice a semester, and singing for other people or group's projects where I can. I'd like be in a band as one of their vocalists. I'd also like to hone in on some simple recording and production techniques in order to feel more as home in a studio environment.
5 years down the line, I can envision myself being an active lead vocalist and collabing in fixed group or supporting in various projects. I want to see myself listed on record work, whether it be demos or joint releases, and to have developed a better idea of what "my sound" is, where I feel most connected when performing. By this point, I would like to be establishing a presence by performing live and creative collaborations, as well as acquiring paid or semi-pro music opportunities.
I would like to be able to sustain myself in 10 years mainly through working in the music sphere, through performance, recording vocals, and contributing to creative projects. I would love to have several sources of income through music, maybe with a minor non-music job, which would help minimize risk for unstable situations. At this stage, my success would be equated to a steady steam of work, creativity and confidence in my voice to continue long-term development, while avoided all-around burn out.
I hope that in 26 years, music will continue to be both useful and relevant in my life instead of something I only used to do to pass time. I want to have remained flexible to the ever evolving industry, still playing and working together with my people in new and different ways, and made music evolve with me. Making it at this point would imply that I did not regret not fulling pursuing what I potentially could, I did not hide my voice, and I did not shy away because I simply committed on what I decided to do.