In my previous two posts (here and here), I outlined some of the tenets of creative non-fiction writing and provided some tips on how to translate those gobbits of wisdom into a real live, in-the-flesh, super-fantastic personal statement.
But I’ve saved the best for last.
Mmm. Wait, sorry. I got distracted for a second.
Now that you’ve got some tools in your college essay toolbox, here are some exercises to help get you started with the actual writing of the thing.
Exercise 1: The Thirty Random Facts List
This brainstorming exercise is pretty much what it sounds like, but let me give you an example of what I mean by “random.” I don’t mean it in the sense of: “that grilled cheese gif is totally random.” (Although it is.)
I do mean it in this sense:
"I once poured soapy water all over the kitchen floor so I could make an ice rink in my house" (from a student who used to be a competitive ice skater)
"I don’t like to match my socks" (from a student whose essay ended up talking a lot about the importance of diversity in her life)
"I like to imagine I’m shooting orcs and trolls during archery practice" (from a student who loves The Lord of the Rings and is a competitive archer. Duh)
A: The point is to fish out some of the more unique and interesting details in your life that might be useful as you craft your story. Most of your random facts probably won’t make the final cut of your essay-movie, but the one or two that do will likely add a lot of color and “pop” to it.
Q: How do I know which details to use in my essay?
A: Use the ones that show a specific quality or value that you are developing in your story (for the “ice rink” student above, the qualities that her anecdote evokes are imagination, ingenuity, and independence; for the “socks” student, the values are an appreciation for diversity and offbeat creativity).
Even if you don’t use the details you list, they serve the very important purpose of highlighting particular qualities and values, not to mention quirks, that you most likely will be developing in your essay.
Exercise 2: Your “Lifeline”
This brainstorming exercise is essentially a timeline of your life, your lifeline. Maybe you’ve seen those biographical timelines that sometimes appear in the back of anthologies of a particular author’s works? No? Just me?
Well, nevermind. Yours can follow a simple pattern, like this:
Start with your birth, but fill in the rest of the timeline with meaningful memories or significant events, like “moved to the US from China” or “broke my ankle playing soccer.” Most of the timeline should cluster around your middle school and high school years, since that’s when meaningful things start to happen with more frequency (or at least that’s the way it feels, right?), but also because your essay will be telescoping in on those four or five years much more closely and extensively than on your childhood years.
The end result might look something like this:
OK, it doesn’t have to be this epic, but why not let it all hang out? The boring old template I shared above is way less interesting and absorbing than this wonderland of liveliness and color. Get into the spirit of the thing and make it a project. At the very least, your essay should evoke this kind of vibrancy and drama, so think of this exercise as the “map,” or even the “screenplay,” of your essay-movie.
Exercise 3: The Values Diptych
What the heck is a diptych?! Aside from being one of my favorite words (it just barely misses sounding like an expletive, i.e. “don’t be such a diptych!”), it was originally a painting or tablet in two hinged pieces representing related scenes, often religious or ritual in nature, like so:
Your diptych will take this principle and break it down to its essence. Take a sheet of paper and draw a line down the middle. At the top of the left column, write “What I’ve done.” At the top of the right column, write “Qualities / values I possess.” Now, start filling in the space in each column. The activities and interests on the left should map onto the qualities and values on the right. Draw lines connecting the activity with the value/quality, and you now have an image of how the things you do speak of the person your are. Simple as that.
A: The point is to visualize the way your activities and accomplishments and passions and hobbies manifest your values and characteristics, your personality.
What you do + why you do it = who you are.
Your essay, your personal statement, should be a word-picture of the person who is you. Many schools, like the UC, don’t interview applicants, and many of those that do offer only alumni interviews, which are conducted not by admissions counselors but rather by graduates of the institution. These alums will report back to the admissions committee, but the fact remains:
Your essay is your best chance to present yourself as a three-dimensional, flesh-and-blood, coherent, interesting, vibrant, curious, intelligent individual.
The Values Diptych is a great way to start to see how the pieces of your life, outside and inside, on campus and off campus, fit together like complex, many-sided puzzle pieces.
Exercise 4: Desert Island Objects List
If you were banished to a desert island, what would you bring with you that keeps you connected to home? What objects, ideas, memories, experiences are more than mere objects, ideas, etc., because they carry with them feelings of significance and familiarity and comfort and happiness? Because they represent who you are?
I would bring my 1975 Gibson Les Paul Custom electric guitar, not only because it reminds me of the years I spent as a musician in my teens and twenties, but also because it connects me to my dad, whose passion for 60s soul and R&B, and music in general, infected me at a very young age and set me on a path that would shape who I am today. I taught myself to play listening to old Albert King blues records and joined my first band when I was 15. I’ve been writing songs ever since. Obvi, it’s got both real and symbolic meaning for me.
I’d also include a little yearbook photograph of my wife when she was in tenth grade. I didn’t know her then, but I like to look at it and imagine what it would have been like if I did. The pic is also kind of goofy, like most high school photos, and makes me laugh and reminds me of how warm and loving and adorable she is, so I keep it in my wallet and look at it whenever I need a mental hug.
I’d also put my memory of traveling cross country with my family when I was 11. It was the most epicly awesome trip ever. We ate a ton of great food (ribs in Memphis! fried ravioli in St. Louis! roadside burgers in Flagstaff!) and I got to see so much of the country. It’s one of my favorite memories, and represents how close I am with my family, how traveling and food and music and sing-alongs have defined who we are as unit for my whole life. It also represents the fact that most of most vivid memories are tied to meals I’ve eaten.
Whether or not any of these “objects” ends up in your essay, getting them down on the page and reflecting on what they mean to you and why they mean that to you will inevitably help you discover the building blocks of your story.