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Where is my son?!
Current ship? Wolfgang and the rocket launcher.
Max Riemelt
Weezer - Buddy Holly - Blue Album
  â YâKNOW thatâs actually a goddamn great idea. â Maybe Roman should practice more of Hughâs habits. Heâd be up to date on a lot of shit he could avoid - especially car jams, which the kingpin always ran into. Quite honestly, Rourke is just thankful Hugh got out scott-free.Â
â Youâre a hero, Hubie. Maybe I should just get ahold of you when I got some shit needs sorting. â
  âYou know me, brother.â He raises his stolen drink in silent cheer at his own escape, though of course he knows his penalty for the noise is to lay low for a while. âIâm always up for the job.â
And up for the money. Especially if he wanted to keep the roof over his head. . . despite how cold his âhomeâ had been recently.
  Actually, on second thought. . . âYou got anything quiet? Just enough to make rent?â
 HEâS up in mere seconds; the sound of his door slamming straight into his wall jerks him upright, muscles rigid with sudden anger. Through cracked eyelids does he make the shape of his brother, Hugh. His expression is enough to warrant fear. Hard fingers press into his sockets before Rourke shoves himself up, his aching legs nearly giving out.Â
   â The fuck are you going on about, asshole? Fuckinâ sleeping and.. âÂ
  The sound of his voice cracks, the abrupt motion catching his attention. He draws himself in to the phoneâs screen, then quickly draws himself back out, fear obvious. Quietly at first and it begins as a low growl, Roman practically forces a roar from his chest and bursts at the other male. Heâs terrified and stuck in the unfortunate space of the unknown. What the hell was Lily thinking? How the FUCK could this happen?Â
   â Hugh, you need to tell me WHERE the FUCK she is â WHY the FUCK sheâs      there â NOW. âÂ
  And instantly, the kingpin is set in motion.
While the other begins to comprehend the situation, Hugh paces the width that the walls allow. Caged, his head is spinning--trying desperately to figure out where they couldâve taken her. His hands ache for a weapon, for a  k i l l , for some kind of action that could begin to right this mess heâs thrown them all into.
Because he knows itâs his fault. He recognizes that laugh. They sent the footage to him for a reason.
  Itâs a trap. But he would jump into it headfirst if it meant saving Lily.
Blue eyes snap to meet the otherâs when he rounds on him. The boy squares up, forces his jaw to stay firm, and gets ready to take whatever repercussion Romanâs about to throw at him.
   âItâs my fault,â he speaks, unflinching, even as the confession d r i p s  from    his mouth. âI donât know where sheâs at. But I know how these assholes    work. Their job is me, not her.â
Why donât you just⊠tell him something he wants to hear?
Tell him⊠I donât know, just a little lie that will make him relax and then weâll figure it out.
Source:Â threatdynamics