Kraft mac and cheese is made from cheeto dust. Pass it on
Mike Driver
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PUT YOUR BEARD IN MY MOUTH
Interview Vampire Daily

Origami Around
EXPECTATIONS
Show & Tell
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ojovivo
tumblr dot com
Fai_Ryy
art blog(derogatory)

titsay
🩵 avery cochrane 🩵
almost home

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
noise dept.
Game of Thrones Daily

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@becomeanastronaut
Kraft mac and cheese is made from cheeto dust. Pass it on
“Leviathan” Ark of the Apocalypse “They fought the fight of fights, the motliest band of savages to have ever sailed the high seas. It was a battle like no other, the very last of mankind, with only one mission in mind. Eat, Drink, F*ck and be Merry!! So the story goes. This sculpture has been the most time consuming and intricate piece I have completed to date. I am happy that she is finished and am really happy with the finished product.She stands 8ft tall on custom built display table 7 ½ ft in length and about 2 ½ ft wide.” - Jason Stieva
@hastings-hartbig
Victorian Houses
@hastings-hartbig
this is my favorite video in the entire world
@hastings-hartbig
Barney at Ox Hill, May 25th 2014
@hastings-hartbig
Abandoned Houses of God by Roman Robroek
Roman Robroek captures the beauty in abandoned chapels and churches. Each place tells it own story, revealing their unique architecture and secrets to the lens of Robroek.
Robroek is a 30-year-old urban-obsessed and award winning photographer, born and raised in the enchanting South of the Netherlands. He specializes in uniquely capturing interiors and exteriors of a variety of buildings, working with natural light only.
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#resist (at Tacoma, Washington)
Yea totally, but like...Not ALL the laws
Relics of the Cold War by Martin Roemers
The Cold War is over — yet signs of it still exist. For forty years the Iron Curtain divided the countries of Europe into East and West. The arms race was unleashed, nuclear fallout shelters were constructed, and everyone braced for the worst. Martin Roemers has spent ten years in search of the traces of this period, traveling through the countries of former enemies on both sides of the line. He explored and documented underground tunnels, abandoned system control centers, former barracks, rotting tanks, and destroyed monuments. His photographs, which are presented here with essays by H.J.A. Hofland and Nadine Barth, are a stark and moving document of this era of hostility, deterrence politics, and the arms race — and also serve as an appeal for future peace.
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its international cat day here >:^)
La Fábrica in Barcelona
In the words of the architect Ricardo Bofill:
We found enormous silos, a tall smoke snack, four kilometres of underground tunnels, machine rooms in good shape… This was in 1973 and it was our first encounter with the Cement Factory. This cement factory, dating from the first period of the industrialization of Catalonia, was not built at once or as a whole but was a series of additions as the various chains of production became necessary. The formal result was given, then, by a series of stratified elements, a process which is reminiscent of vernacular architecture, but applied to industry.
Keeping our eyes moving like a kaleidoscope, we already imagined future spaces and found out that the different visual and aesthetics trends that had developed since World War I coexisted here:
Surrealism in paradoxical stairs that lead to nowhere; the absurdity of certain elements hanging over voids; huge but useless spaces of weird proportions, but magical because of their tension and disproportion.
Abstraction in the pure volumes, which revealed themselves at times broken and raw.
Brutalism in the abrupt treatment and sculptural qualities of the materials.
Seduced by the contradictions and the ambiguity of the place, we quickly decided to retain the factory, and modifying its original brutality, sculpt it like a work of art. The result proves that form and function must be dissociated; in this case, the function did not create the form; instead, it has been shown that any space can be allocated whatever use the architect chooses, if he or she is sufficiently skilful.
“Presently I live and work here better than anywhere else. It is for me the only place where I can concentrate and associate ideas in the most abstract manner. I have the impression of living in a precinct, in a closed universe which protects me from the outside and everyday life. The Cement Factory is a place of work par excellence. Life goes on here in a continuous sequence, with very little difference between work and leisure. I have the impression of living in the same environment that propelled the Industrial Revolution in Catalonia.”
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Bibliothèque Nationale de France in Paris
The historical and structural studies, conducted by Bruno Gaudin Architectes to discover the issues specific to the structure, brought to light an extraordinary juxtaposition of spaces within the structure. The assessment also revealed the necessity of including multiple areas within the intervention to restore Bibliothèque Nationale de France to its use and splendor.
To launch the project for the rehabilitation of the Richelieu Quadrangle was therefore, to accept the challenges of a polymorphic building whose architectural strata required the elaboration of not one but several different projects: one aimed at the great scale of the site, one concerning distribution and reception; and multiple projects targeting the renovation of specific rooms, each having its individual issues and requirements. The team of Bruno Gaudin Architectes and Virginie Bréga developed different typologies of “weaves”, which set up a dialog between Architecture, History and Techniques. A vision that guided the necessary and profound changes the structure underwent.
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