Marco Kane Braunschweiler @braunschweiler - Tumblr Blog

This is a Sunset in Reverse, 2018, 16pp, Edition of 50

the darker it is the better you see, 2018, two-way mirrored plexiglas, dried common camellia, wine glass, sunflower seeds, 12 pennies. Organized by David Horvitz at Galerie Morille, Los Angeles. Permanent exhibition.

A New Horizon, Slowly, Coming Into View / To the Late Risers That Still Get the Worm / Sunset in Reverse

2018, 4k video Thanks to Lindsay August-Salazar.

MONKEY ACT ONE Human Resources September 20-24 , 2017

MONKEY is a docufantasy, told through shadows, about two people growing close, and two people falling apart. You could say it’s an epic, a buddy movie, a family drama, or, indubitably, a downright freakfest. It takes place in Los Angeles on Christmas day, and the narrative is from the pages of Ulysses. The project at Human Resources was an exhibition of the first act of this winding, Homeric tale which chronicles the long, tender journey from loneliness to solitude.

MONKEY includes Jheanelle Brown, Nicholas Zhu, Jonny Garciamons, Femi Adeyemi and Brandon Bloom. Influences and quotations include Junot Diaz, Moodymann, Paolo Maganoli, Fran Ross, Susan Sontag, Ibn al-Haytham, Dj Funk, Colin Self, Robin James, Jace Clayton, Arthur Jafa, bell hooks, and others. Camera 2 is Nicholas Zhu. Moodymann handles the leitmotif, and Kelman Duran tracks feature prominently.

MONKEY Test Screening The Barn

A test screening of the first act of Monkey at The Barn, run by Julie Niemi and Lola Kramer in upstate New York. The evening was a conversation on the video guided by a reader with excerpts from Claudia Rankine, John Biln, Fran Ross, Paolo Magagnoli, Junot Díaz, Arthur Jafa, Ann Lauterbach, T. J. Demos and John Harwood.

2017, 2017, 38pp, Edition of 100

Images on forgetting. Documentation of a series of silver gelatin photocopies.

Martine Syms and Marco Kane Braunschweiler, I’m a reader not a philosopher, 2016, UV curable print on Plexiglas with aluminum frame and screws, dimensions variable Martine Syms and Marco Kane Braunschweiler see the amphitheater at the southern end of the Seattle Waterfront Park as a stage set for a tableau inspired by the famous, and probably apocryphal, Treaty of Point Elliott speech attributed to Chief Si’ahl. A photograph of Syms’s father, a survey engineer, takes the role of speaker, framed by landscape photographs taken during the artist’s travels along the West Coast of North America. –Curator, Eric Fredericksen

Martine Syms and Marco Kane Braunschweiler, I’m a reader not a philosopher, 2016, UV curable print on Plexiglas with aluminum frame and screws, dimensions variable

The Architectural Digest 2, 2016, 16pp, Edition of 100 A set of textures from The Architectural Digest in the 1960s. (sold out)

The Architectural Digest 1, 2015, 16pp, Edition of 100 A set of textures from The Architectural Digest in the 1960s. (sold out)

One Wilshire to Ocean Avenue, 2015, HD video, dimensions variable It’s a trip down Wilshire from the origin point (One Wilshire at 624 S. Grand) to the Ocean at sunset. Soundtrack from Jamma D.

One Wilshire, Los Angeles 1, 2015, HD video, dimensions variable A missive to the physical internet I never knew existed.

Additional archival footage courtesy of The Center for Land Use Interpretation. Audio includes PHORK's “Looking For Raveland”. Special thanks to Steve Kado, Martine Syms, Alex Tyson, Karly Wildenhaus and Worldstar.

An Interlude, LaserJet print, 2015, 17″ x 11″

Print commissioned by Wendy’s Subway and Aeromoto for A+WS

James Baldwin #6, UV curable print on Plexiglas, gridwall panel, zip ties, 2014, 72” x 24” x 1”

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