Ajok Madel Revue Magazine #17 ph. Hödur Ingason
"I'm Dorothy Gale from Kansas"
Cosmic Funnies
No title available
almost home

izzy's playlists!
trying on a metaphor

Love Begins
2025 on Tumblr: Trends That Defined the Year
Stranger Things
d e v o n

Kiana Khansmith
YOU ARE THE REASON
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.

No title available
I'd rather be in outer space 🛸

seen from United Kingdom
seen from United States
seen from United States
seen from Indonesia
seen from Italy
seen from Italy
seen from Australia

seen from United States
seen from United States
seen from United States

seen from Saudi Arabia

seen from United States

seen from Germany
seen from Argentina

seen from Brazil
seen from United States
seen from Brazil

seen from United States
seen from United States
seen from United States
@bysouuuu
Ajok Madel Revue Magazine #17 ph. Hödur Ingason
Xingzi Gu
“You’re a slut and a whore for the algorithm. I couldn’t do it anymore. You can never feed it enough. You start out making art, and hoping that the door will open. You’re looking for that viral moment so it opens up the door and you can do the thing full time. But you start to compromise just to get the door to open: guessing what it wants, debasing yourself, alienating yourself. Until you’re not even in service to your art anymore. You’re in service to the algorithm. Deep down every artist just wants to be seen. Everyone does. And that’s how it controls you. The algorithm makes you behave in a certain way, create in a certain way, in exchange for being seen. And if something can change what you do, it can change who you are. And I didn’t sign up for that. I didn’t sign up to become a content creator. Art was supposed to be a way for me to be in search of, in service to, in community with. It was my ministry. Art was supposed to be my ministry.”
Nobuyoshi Akari: Arakiss (2021)
Ava Gardner on the set of The Great Sinner, 1949
Junya Watanabe: Spring/Summer 2003
Braids by Hawa via Sara Mathiasson
Margiela Scans
Pino Tovaglia: La regola che corregge l'emozione ピノ・トヴァーリア
Outside Noise (Ted Fendt, 2021)
©conkerart
Darfur, Sudan
domus 375 febbraio 1961