Charlotte Andre @charlotte-andre - Tumblr Blog

LOCKDOWN ILLUSTRATIONS

Objects in the house, drawn during lockdown.

Drawings

REVISITES

Reference objects from the 40s, 50s and 60s. Opportunity to do some 3D training and practice, “revisite” of objects with wood marquetry research from one of my previous projects.

3D views

#design #productdesign #3d model #marquetry #revisite #product #wood #wooddesign #woodworking

BOIS PÉRENNE, 2019

Drawings for a collection of lamps made out of locally sourced wood.

Research.

BOIS PÉRENNE, 2019

Concept images and samples for a desk made out of locally sourced wood essences. Part of a project for Bois Pérenne, a french association aiming to add value to local ressources and responsibly sourced wood.

Research.

LE DÉCANTRITOIRE, 2019

Diploma project about the links between waste and territory, and how can those links turn into powerful tools to become more responsible.

Final views

LE DÉCANTRITOIRE, 2019

Diploma project about the links between waste and territory, and how can those links turn into powerful tools to become more responsible.

LE DÉCANTRITOIRE, 2019

Diploma project about the links between waste and territory, and how can those links turn into powerful tools to become more responsible.

Graphic design research, a small logo for the main object.

Scenography (parts) of my diploma presentation, 2019

going through the archive ... 2018

WASTE COMPOSITIONS

L’homotritus, la métabelle et le cryptosidu

Pictures of my design thesis, 2019

going through the archive ... 2018 / 2019

PUBLIC WASTE COLLECTION COMMUNICATION

flyers and posters

going through the archive ... 2016

CERAMIC WORKSHOP

“the bloom of a multitude”

going through the archive ... 2016

CARBOARD PENCIL CASE

going through the archives... 2017

NUTCRACKER

going through the archives ... 2016

how to build up a cloud / material try-outs and texture testing

sheet plastic, distorded, sanded, painted.

L’homotritus, la Métabelle et le Cryptosidu, petite aventure détritique.

La manière dont nous nommons nos choses indique notre considération et le sens que nous leur donnons. Et renommer ces choses, c'est vouloir leur donner un sens nouveau. Ce travail de déconstruction de notre vocabulaire péjoratif lié au déchet permet de proposer de nouvelles bases de perception de cette entité. Par un détachement des préfixes et suffixes des radicaux, il est possible de remplacer un préfixe négatif par un préfixe mélioratif, ou bien un préfixe dont le sens est opposé. Ce premier exercice de vocabulaire se poursuit dans le développement des nouvelles actions, des nouveaux gestes, mais aussi des nouveaux lieux et des nouveaux objets qui en découlent. Ce travail permet un point de bascule de la théorie vers la pratique, en somme, de la volonté vers la mise en place concrète.

Mon projet de diplôme vise à penser un modèle de société idéale dans lequel la présence du déchet sur le territoire est assumée. Par le biais de services, d'objets et d'outils, les citoyens accèdent à une vision responsable de leur environnement,où le déchet devient ressource et obtient une valeur de représentation de cette société vertueuse.

RESPONSIBILITY ORNAMENTS

Photography Workshop conducted by Anti Ahtiluoto from 4 to 8 February 2019

In my diploma thesis, I want to create a change in the perception of waste so it can be a part of an individual identity, a group identity or a territory identity. I want to show how responsible we are in the presence of waste in our environment. But we can act on it only if we act collectively, and this is an important part of my process.

For the concept image, I created a jewelry set which needs to be worn by three people. Our ornaments are objects we choose to wear because they represent us in a certain way, they are part of our identity. But waste also represents us and our habits, so how can this representation be a positive one ?

This image is built like a Renaissance portrait. With soft light and shadows, the black backdrop emphasizes the skin shades and colorfulness of the ornaments. The ornaments embody our responsibility regarding waste and our need to plan new collective actions to deal with its presence. The models enhance the collective aspect we need to recreate regarding waste, and their naked skin shows our intimate connection to the waste we produce. In the end, jewelry allowed me to create a beautiful set with pieces of waste in order to change our perception of such materials.

Trending Blogs

Recently Viewed Blogs

Charlotte Andre