quick art study
DEAR READER

Discoholic đȘ©
Alisa U Zemlji Chuda
cherry valley forever
taylor price
styofa doing anything
Mike Driver
Keni

Kiana Khansmith
Three Goblin Art

ç„æ„ / Permanent Vacation
PUT YOUR BEARD IN MY MOUTH
Not today Justin
will byers stan first human second

ellievsbear
YOU ARE THE REASON

JVL
tumblr dot com
Sweet Seals For You, Always

â
seen from United States

seen from T1
seen from United Kingdom
seen from United States

seen from Argentina
seen from Argentina
seen from Argentina
seen from Argentina
seen from TĂŒrkiye
seen from TĂŒrkiye

seen from United States

seen from TĂŒrkiye

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@chriskrystart
quick art study
âIt is fine if, at times, the original starting point of a full-length feature film is the image of a girl tilting her head to the side.
From within the confusion of your mind, you start to capture the hazy figure of what you want to express. And then you start to draw. It doesnât matter if the story isnât yet complete. The story will follow. Later still the characters take shape. You draw a picture that establishes the underlying tone for a specific world. Of course, what you have drawn will not be your final product. At times, your work may be rejected entirely. When I mentioned earlier that you must have the will to go to any length, this is what I meant. When you draw that first picture, it is only the beginning of an immense journey. This is the start of the preparation stage of the film.
What kind of world, serious or comedic; what degree of distortion; what setting; what climate; what content; what period; whether there is one sun or three; what kinds of characters will appear; what is the main themeâŠ? The answers to all of these questions gradually become clearer as you continue to draw. Donât just follow a ready-made story. Rather, consider a possible development in the story, or whether a particular kind of character can be added. Make the tree trunk thicker, spread its branches further â or go to the tips of the small branches (this could be the starting point of the idea), and on to the leaves beyond as the branches grow and grow.
Draw many pictures, as many as you can. Eventually a world is created. To create one world means to discard other inconsistent or clashing worlds. If something is very important to you, you can keep it carefully stored in your heart for use at another time. Those who have experienced an outpouring of an amazing number of pictures from inside themselves can feel it. They feel that the fragment of a picture they envisioned, the other trunk of a story that was thrown out while piecing together a narrative, the memory of pining for a girl, the knowledge about a subject gained as they delved deeply into a hobby â all of these play a role and become entwined into one thick strand. The scattered material within you has found its direction and started to flow.
- Hayao Miyazaki, Starting Point: 1979-1996.