“She doesn’t relate to other people. She was always a lonely child.”
Amélie (2001) dir. Jean-Pierre Jeunet
almost home
NASA

Janaina Medeiros

PR's Tumblrdome
Not today Justin
Peter Solarz
Sade Olutola
art blog(derogatory)
occasionally subtle
Game of Thrones Daily
YOU ARE THE REASON

@theartofmadeline
RMH
No title available
styofa doing anything
hello vonnie
Keni
One Nice Bug Per Day

titsay

Discoholic 🪩

seen from Germany
seen from Peru

seen from Saudi Arabia

seen from Venezuela

seen from Portugal
seen from Türkiye

seen from United States

seen from Germany

seen from Ecuador

seen from Singapore

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@coollookingfilms
“She doesn’t relate to other people. She was always a lonely child.”
Amélie (2001) dir. Jean-Pierre Jeunet
1001 Nights (1998), dir. Mike Smith, art by Yoshitaka Amano
daisies (1966)
Formula of Love, 1984, Mark Zakharov
Something Wicked This Way Comes, 1983, Jack Clayton
There is evil out there, and I’m gonna kick its ass! (Idle Hands, 1999)
La Boum - Claude Pinoteau (1980)
Elvira Madigan (1967)
David Bowie as vampire John Blaylock in the 18th century in the 1983 film “The Hunger”, costume design by Milena Canonero (of course).
The Hunger (Tony Scott, 1983).
“My world, my rules.”
-The Cell (2000)
Yasmine Bleeth in Hey Babe! || 1980
no one asked lmao but i’m feeling this so here’s 9 movies that describe my aesthetic
eternal sunshine of the spotless mind (2004), moonrise kingdom (2012), whip it (2009), coraline (2009), suspiria (1977), practical magic (1998), clueless (1995), hocus pocus (1993), jurassic park (1993)
“Why’d you do it?”
“Cause I’m crazy.”
20th Century Women (2016) dir. Mike Mills
Women in films of Tarsem Singh including The Fall (2006), The Cell (2000), The Immortals (2011) and Mirror Mirror (2012)
Raw (2016) dir. Julia Ducournau
Punch-Drunk Love (2002) dir. Paul Thomas Anderson