Once upon a time, Deirdre made friends the old fashioned way: at school, at work, at concerts in Seattle played by bands she cared about more than she cared about most of her friends at the time. Music always meant more to her than most things, because music had the uncommon duality of concrete simplicity and abstract complexity to a degree than she attributed to absolutely nothing else.
A song about a girl could be written a million different times in a million different ways and it would still have been made by hands, lips, and lungs; the same things that brought life and destruction to everything humans had to touch. Even the most brilliant, complex songs about men who die alone in space could be broken down into a numbered set of notes and vowels.
Once upon a time, when Deirdre gave meaning to something, it was impossible to take it from her. If she found that sunflowers reminded her of rainy summer weekends in Germany, she would carry that with her for the rest of her life. Everything had meaning, whether it was the meaning people expected or something completely strange that came from left field. It came naturally to her to see the world as full of hope and potential.
These days, she found herself losing the meaning she once put into so many simple things like a darkness leeching the sunshine out of her.
This man, this extraterrestrial on his home planet, looked like he had found meaning in something and had it taken from him. She wouldāve sworn it had been in his eyes when he thanked her, his hands when he inhaled and failed and tried again, but she was as self-aware as she was helplessly prone to projecting her own feelings and fears on beautiful strangers.
Whether he was as lost as she was, he looked the way Deirdre felt and it reminded her of how she met her friends now; testing people with recklessness and keeping them for a few weeks or months if they passed. Eastcliff was full of people, as extravagant and as plain as people came, looking for an adventure and Deirdre got her fix by forgetting about her life and taking over someone elseās for the weekend. She knew his type, or so she thought. He looked like he was spending his weekends doing the same thing over and over, waiting for it to matter to him again.
āEveryone dies, Major Tom. Your namesake, the mousy girl from āLife on Mars,ā the lovers from āHeroes.ā Donāt let death stop you from enjoying a good song. Thatās more of a shame than actually dying,ā she mused easily, far too easily, as she took a cigarette and lit it quickly with her strangerās flame. Maybe she could matter to him.
Scarred lungs took in cigarette smoke like it was air and Deirdre returned the lighter to its rightful owner, but rather than turn away and smoke in the quiet like most smokers wouldāve, she decided she wasnāt done with him. āIād tell you that nothing matters, but Iād hate for you to think Iām a nihilist. Everything matters until it doesnāt. Seatbelts matter until you die wearing one. What cigarettes you smoked matters until youāre not here to smoke them anymore. So why spend so much of your life caring when you could be living? The two are almost entirely mutually exclusive if you do it right.ā
It was true that she fell in love with every person she met and her mind was already drafting a list of the things about this stranger, her newest tourist, that she could love if given the chance; that she would love about him until he lost interest like tourists do with all adventures.
Welcome to the Villa de la Collins, stranger. Enjoy your stay.Ā
āIām Deirdre,ā she said, holding out the hand not pressed to her lips as she dragged another rough breath into her lungs, white hair falling into her face without her bobby pin, which found itself rendered unusable on the ground with the safety from the Bic.Ā
Call her Deirdre, call her Marla Singer, call her Margo Roth Spiegelman, call her your guide on this sightseeing trip; the philosopher you follow to find meaning again.
Letās get started, shall we?