[pierppasolini]

The Living End (1992) // dir. Gregg Araki

[pivovarovah]

“How could I know you fit my body like a glove? You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me.”

— Marguerite Duras, Hiroshima mon amour (via balphesian)

[oneinchbarrier]

[ganymedesrocks]

Louis B. Fratino, b. 1993, “Eye Contact”, 2019, courtesy l’Officiel Art

[feignedremote]

Donato Giancola, Do Androids Dream of Electric Sheep: The Lovers (detail), 2009

[89words]

“I don’t do anything with my life except romanticize and decay with indecision.”

— Allen Ginsberg - from The Book of Martyrdom and Artifice: First Journals and Poems: 1937-1952 

[weltenwellen]

Ryan Teitman, "Paperweight"

[phantomladyoverparis]

Rita and Dundi (1966), dir. Albie Thoms

[nobrashfestivity]

Michelangelo Antonioni, Red Desert, 1964

[artondoom]

TISHAN HSU

Thumb-Eye-Extended 2.0, 2020

Silkscreen ink, acrylic on linen

[funeral]

Susan Sontag, Reborn: Journals and Notebooks, 1947-1963

[liquial]

[deaths-praises]

UK punk fanzines from the late 70′s

[00v]

Les films rêvés (2010) dir. Eric Pauwels

[moonelk]

Colorful Layers of Sedimentary Rock (Valley of Fire, Nevada) by Sean Bagshaw.

[metamorphesque]

— James Baldwin, "Untitled"

[zegalba]

‘Hysteric’ No. 1 by Nobuhiko Kitamura (1991)