Sade Olutola
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trying on a metaphor
Game of Thrones Daily
ojovivo

Origami Around

roma★
Today's Document
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blake kathryn
Noah Kahan
cherry valley forever
Not today Justin
Misplaced Lens Cap

ellievsbear
No title available

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DEAR READER
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❣ Chile in a Photography ❣
seen from Kazakhstan

seen from Hong Kong SAR China
seen from United States
seen from Malaysia

seen from United States
seen from South Africa
seen from South Africa

seen from Egypt
seen from South Africa
seen from Algeria

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from Kazakhstan

seen from United Kingdom
@draokgroup-blog
Synecdoche New York, C.Kaufmann
Capriccio all' italiana. P.Pasolini
Isola Borromea, Lago Maggiore
Giorgio Guidi, Skull 2011,
installation view @ VIR viafarini-in-residence, Milano IT
Marta Pierobon, Quarantottometriquadri
2011
installation’s view @ A Palazzo Gallery, Brescia, IT
Vanité by Karine Jollet
graphias:
Paul Richer, 1913
nycartscene:
”Krypta” by collaborative group DRAOK Soloway Gallery, 348 South 4th St., Brooklyn, NY Sat & Sun 12-5p, Subway: L to Lorimer 347-776-1023
Feb 26 - Mar 30 Giorgio Guidi and Marta Pierobon formed Draok in 2010 to work collaboratively on shared interests including architecture, perception and social systems. Both Guidi and Peirobon have long been fascinated by the secretive and hidden: crypts, cults, ghosts and memories. Italian cities are built on the foundations of previous settlements—Etruscan, Roman and medieval—producing a stratification of civilizations. New buildings rise on the ruins of the old, burying earlier structures in rubble and debris. In Italian Catholicism there is a long tradition of covering and hiding the past; it is deeply embedded in the hierarchy of the church. Beneath the modern city lies the still present and living past and its treasures, relics, and corpses.