Alia Shawkat as Alexander Hamilton in Drunk History
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Alia Shawkat as Alexander Hamilton in Drunk History
AĂŻssa MaĂŻga
MARGOTOFRPH PRESENTS A MASTERLIST: CATEGORISED FACECLAIM DIRECTORIES
So I guess part two is going to be FC Directories. I have sorted them out as best as I can, I may have missed a lot of them and I apologise for that, but I am confident I got a good portion of the ones that are floating around.
 I am enjoying doing these masterlists so as usually please do not hesitate to drop your own suggestions for my next ones.
If there are any links that have expired or do not work. Please contact me.
GENERAL FACE CLAIM DIRECTORIES:
#01: Faceclaim Directory by angeldustmt
#02: Faceclaim Directory by rphelper
#03: Faceclaim Directory by mapleofrph
#04: Faceclaim Directory by lazyresources
#05: Faceclaim Directory by evansyhelp
#06: Faceclaim Directory by rphdegrassi
#07: Faceclaim Directory by fyrpdiversity
#08: Faceclaim Directory by herorps
#09: Faceclaim Directory by thaliarps
#010: Faceclaim Directory by satzuofrph
#011: Faceclaim Directory by nymphadcratonks
#012: Faceclaim Directory by ofscifiresources
#013: Faceclaim Directory by nphofrph
#014: Faceclaim Directory by poynterhelps
#015: Faceclaim Directory by oitnbhelps
#016: Faceclaim Directory by roleplaytipsandadvice
#017: Faceclaim Directory by filmgeekrps
#018: Faceclaim Directory by peterpanouatrph
#019: Faceclaim Directory by kpophunts
#020: Faceclaim Directory by lessofthetworph
#021: Faceclaim Directory by parrillaofrph
#022: Faceclaim Directory by roryrps
#023: Faceclaim Directory by kbunburyhelps
#024: Faceclaim Directory by thefoolworks
#025: Faceclaim Directory by leehelps
#026: Faceclaim Directory by persephonerps
CULTURAL FACECLAIM DIRECTORIES
#01: Vietnamese FC Directory by rielrps
#02: Hispanic/Latinx FC Directory by natatrps4ever
#03: POC Faceclaim Directory by fcdiversity
#04: Diverse FC Directory by astridrps
#05: Japanese FC Directory by blueshelp
#06: Diverse Resources FC Directory by thehumbleroleplayer
#07: Indigenous FC Directory by olivaraofrph
#08: Vietnamese FC Directory by vietfaceclaims
#09: POC Faceclaim Directory by scottmccallswrites
#010: Asian Faceclaim Directory by jrpicons
GENDERED FACECLAIM DIRECTORIES:
#01: Transgender/Non Binary FC Directory by cjrpt
#02: Non Binary/Transgender FC Directory by casshelps
#03: Diverse Gender FC Directory by frankunderwoodhelps
MISCELLANOUS/UNSORTED FACECLAIM DIRECTORIES
#01: Disabled FC Directory by juliaroleplays
#02: Plus Size and Plus-Esque FC Directory by crybaby-rph
#03: Coloured Hair Directory by krph
#04: Period FC Directory by sonamhelps
#05: Children FC Directory by childfc
#06: Underused Musicians by johnohrpsÂ
#07: Broadway FC Directory by broadwayfacesdirectory
#08: Models FC Directory by flcurishandblctts
#09: Historical FC Directory by draconicwrites
#010: Underused FC Directory by anicawrites
Euphemia Balfour | 49 | Ex-Housewife
this skin is not your skin. this face is not your face, although it looks just like you (at least, as close as they could make it). perhaps your mind is the last part of you left untouched, and itâs telling you one thing â run.
Someone had to take the fall, and it wasnât going to be you. You had too much at stake â without your job, without your connections, how would you afford your addictions? And without your addictions, how would you cope in this filthy, neon-scorched city?
Donât be a rat, they told you.
Itâs you or her, the director said.
Her, of course. An easy choice in the moment, while you were still high, buzzed off the morningâs Coke and a Coffee (two shots of rum â the daily routine).
The burning in your throat gets easier the more drinks you take. Betrayal isnât like that. Itâs easy at first (you never expected it to be so easy), but becomes bitter, sour on the tip of your tongue and you canât get the taste out despite how many shots you throw back.
You get a new partner. You donât tell them what happened, but they heard. Cops talk. You tell them youâll do it again if you have to.
You donât see her, your old partner who you gutted and left to die, for a year. When you do, the taste on your tongue becomes vomit in your throat, bile, chunks, a bit out your nose, metaphorically speaking. Later that night, the vomit is literal.
Someone had to take the fall, and youâre starting to think you made the wrong choice.
hmu if youâre interested in making Havanaâs ex-partner (investigative personnel) who she fucked over ;)))
Studio Ghibli Sentence Meme
âNow I have something I want to protect. Itâs you.â
âIâm not afraid to die!â
âYou cannot change fate. However, you can rise to meet it, if you so choose.â
âThey say that the best blaze brightest when circumstances are at their worst.â
âFear and anger only make it grow faster.â
âI think I can handle it.â
âHereâs another curse for you - may all your bacon burn.â
âDonât worry! Stay right where you are, Iâm coming to get you! Youâre gonna be fine, I wonât let him hurt you.â
âI need something of yours. How âbout your eyes?â
âWe gotta get out of here! Weâre gonna get in trouble!â
âYou, you sabotaged me! Look! Look at what youâve done to my hair! Look!â
âNo more killing. It has to stop!â
âYou sound ghastly, like some 90-year-old woman.â
âGuys, donât take that food! Weâre gonna get in trouble!â
âFight âem! Câmon!â
âSmile so we can make a good impression.â
âWe each need to find our own inspiration. Sometimes itâs not easyâ
âI finally get a bouquet and itâs a goodbye present. Thatâs depressing.â
âLife is suffering. It is hard. The world is cursed. But still, you find reasons to keep living.â
âSorry, it looks like youâre involved.â
âOh, my baby! Are you all right? Are you emotionally traumatized?â
âNow Iâm trying to look inside myself and find out how I did it.â
âLeave before it gets dark.â
âOnce you do something, you never forget. Even if you canât remember.â
âCut off a wolfâs head and it still has the power to bite.â
âItâs all so familiar yet I know Iâve never been here before. I feel so at home.â
âNow Iâm trying to look inside myself and find out how I did it.â
âI suggest you surrender. There is no ship coming to rescue you.â
âI had no idea that my rage could drive me to kill.â
âThese days, there are angry ghosts all around us - dead from wars, sickness, starvation - and nobody cares.âÂ
âA heartâs a heavy burden.â
âPlease! You must stop!â
âWell, well, well⌠hello kitty.â âYou canât be busy - youâre five!â
âSo you say youâre under a curse? So what? Soâs the whole damn world.â
â I have really had enough of your incredible stupidity.â
âLamebrain! They made an escape! Now step on it!â
âI didnât want them to kill you.â
âItâs fun to move to a new place. Itâs an adventure.â
âWelcome the rich man, heâs hard for you to miss. His butt keeps getting bigger, so thereâs plenty there to kiss!â
âYou shouldnât be here! Get out!â
âHe said Mom was ugly, now go get him!â
âKill him and youâll be famous.â
âIâve seen him do this once before when a girl dumped him.â
âS/Heâs alive. There goes that dream.â
âThat was the night I died.â
âIâd rather be a pig than a fascist.â
âYou donât remember your name?â
âDonât be afraid, I just want to help you.â
âPoor kids. Iâll really miss them.â
âI donât fight for honor. I fight for a paycheck.â
â No, No, No! Donât do this! Help! Help! Crazy lady with the shovel!â
âShe was once quite beautiful, so I decided to pursue her, then I realized she wasnât, so then, as usual, I ran away.â
âYouâre in love. Donât deny it, youâve been sighing all dayâ
âShe never woke up again.â
âYou blubber heads! Iâm not runninâ a luxury cruise! Now get to work!â
âWhy does everything thatâs good for you have to taste so bad?â
âWhatever you donât want me to clean, better hide it now!â
âThis is our little secret. You tell anyone and Iâll rip your mouth off.â
âI give up. I see no point in living if I canât be beautiful.â
âIf I lose my magic, that means Iâve lost absolutely everything.â
â Itâs⌠youâre scaring me. I have this weird feeling youâre going to leave. â
âThereâs a demon inside you.â
âDonât get alarmed but Iâm being followed. Act normal.â
âDonât worry, Iâve got four-wheel drive.â
âThis is what hatred looks like! This is what it does when it catches hold of you! Itâs eating me alive, and very soon it will kill me!â
âSmooth. Very smooth. You definitely know how to make a good first impression.â
âEveryone fears their own mortality.â
âPlay with me or Iâll break your arm!â
âI gotta get out of this place. Someday Iâm getting on that train.â
âWait give us a minute! This is clearly harassment.â
âWhy do fireflies have to die so soon?â
âThere you are, sweetheart. Sorry Iâm late. I was looking everywhere for you.âÂ
âWhen youâre going to kill a god, let someone else do your dirty work.â
âWhy did you stop me from killing her?â
âWhen I saw you, I just wanted to find a way to protect you.âÂ
âOne thing you can always count on is that hearts change.â
âTell me while youâre still alive!â
âThis is a tomb for the both of us.â
âIf nobody comes in, Iâm gonna have to eat pancakes forever and be fat, fat, fat! And what am I supposed to do about that?â
âEven if you were a woman, youâd still be an idiot!â
âWhat do you say we give âem a little demonstration of how fast we can run, huh?â
âHAM!â
Medusa. â Carol Ann Duffy
How desperate I became. To erase. To unmake my mouth, my pulse. / To unlive.
after the accident, her husband replaced the majority of her body with bionics. only it wasnât an accident. and now here she is, alive. again. this time, craving a little revenge.
Established Relationship AUs
I see a lot of these posts with AUs for ships where they are just getting together, but not many for already established relationships, so here you go! Enjoy :)
â˘Our AC is out and itâs the middle of the summer AU
â˘We decided it would be fun to go camping and now itâs raining and we canât figure out how to set up the tent AU
â˘Weâve been celebrating our wedding anniversary on the wrong day for the past nine years AU
â˘You had a business trip and I missed you so much that I kind of tore up the house in your absence like a dog with separation anxiety⌠sorry? AU
â˘Itâs 2 am but youâre craving cake and weâre both up anyway so letâs bake in our underwear AU
â˘I know you havenât had the best experience with cats in the past but look at its face please please can we keep it? AU
â˘I beat you at Mario Kart and now Iâve been banished to the couch for the night AU
â˘You found me crying on the kitchen floor in the middle of the night surrounded by a shattered jelly jar AU
â˘I surprised you with tickets to see our favorite band⌠WHAT DO YOU MEAN YOU SURPRISED ME WITH TICKETS TO SEE THEM TOO? AU
â˘What do you mean you dropped my signed copy of Harry Potter in the bathtub AU
â˘Our families came over for Thanksgiving and we decided to watch Lord of the Rings but you and I kept quoting it and everyone else got so fed up that they left AU
â˘IF YOU USE UP ALL THE HOT WATER ONE MORE TIME IM GOING TO BAN YOU TO THE COUCH FOR A MONTH AU
â˘We spent all our money for the week on one of those inflatable bounce houses and now we canât afford to eat AU
â˘Weâre moving in together⌠Now what are we going to do with all of these duplicate copies of books, movies, video games, etc. that we have AU
â˘Weâre watching Toy Story 3 and we canât stop crying AU
â˘Weâre arguing over who shot first (it was definitely Han) AU
â˘I came home to a Nerf gun on the front porch and a note that says âHere is your weapon. I have one too. Good luck. xoâ AU
Writing Advice: by Chuck Palahniuk In six seconds, youâll hate me. But in six months, youâll be a better writer. From this point forwardâat least for the next half yearâyou may not use âthoughtâ verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use. The list should also include: Loves and Hates. And it should include: Is and Has, but weâll get to those later. Until some time around Christmas, you canât write: Kenny wondered if Monica didnât like him going out at nightâŚâ Instead, youâll have to Un-pack that to something like: âThe mornings after Kenny had stayed out, beyond the last bus, until heâd had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, sheâd only put her own cup of coffee in the microwave. Never his.â Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it. Instead of saying: âAdam knew Gwen liked him.â Youâll have to say: âBetween classes, Gwen had always leaned on his locker when heâd go to open it. Sheâs roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.â In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling. Typically, writers use these âthoughtâ verbs at the beginning of a paragraph (In this form, you can call them âThesis Statementsâ and Iâll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them. For example: âBrenda knew sheâd never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, sheâd promised to water the plants for her neighborâŚâ Do you see how the opening âthesis statementâ steals the thunder of what follows? Donât do it. If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline. Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating. Donât tell your reader: âLisa hated Tom.â Instead, make your case like a lawyer in court, detail by detail. Present each piece of evidence. For example: âDuring roll call, in the breath after the teacher said Tomâs name, in that moment before he could answer, right then, Lisa would whisper-shout âButt Wipe,â just as Tom was saying, âHereâ.â One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering. For example: Waiting for the bus, Mark started to worry about how long the trip would takeâŚâ A better break-down might be: âThe schedule said the bus would come by at noon, but Markâs watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and heâd pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accidentâŚâ A character alone must lapse into fantasy or memory, but even then you canât use âthoughtâ verbs or any of their abstract relatives. Oh, and you can just forget about using the verbs forget and remember. No more transitions such as: âWanda remembered how Nelson used to brush her hair.â Instead: âBack in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.â Again, Un-pack. Donât take short-cuts. Better yet, get your character with another character, fast. Get them together and get the action started. Let their actions and words show their thoughts. Youâstay out of their heads. And while youâre avoiding âthoughtâ verbs, be very wary about using the bland verbs âisâ and âhave.â For example: âAnnâs eyes are blue.â âAnn has blue eyes.â Versus: âAnn coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiledâŚâ Instead of bland âisâ and âhasâ statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it. And forever after, once youâve learned to Un-pack your characters, youâll hate the lazy writer who settles for: âJim sat beside the telephone, wondering why Amanda didnât call.â Please. For now, hate me all you want, but donât use thought verbs. After Christmas, go crazy, but Iâd bet money you wonât. (âŚ) For this monthâs homework, pick through your writing and circle every âthoughtâ verb. Then, find some way to eliminate it. Kill it by Un-packing it. Then, pick through some published fiction and do the same thing. Be ruthless. âMarty imagined fish, jumping in the moonlightâŚâ âNancy recalled the way the wine tastedâŚâ âLarry knew he was a dead manâŚâ Find them. After that, find a way to re-write them. Make them stronger.
(via 1000wordseveryday)
I need to go back to school.
(via cordeliagablewrites)inspiration
(via thescienceofobsession)
CHARACTER FACIAL EXPRESSIONS (WRITING REFERENCE)
EYES/BROWS
his eyes widened
her eyes went round
her eyelids drooped
his eyes narrowed
his eyes lit up
his eyes darted
he squinted
she blinked
her eyes twinkled
his eyes gleamed
her eyes sparkled
his eyes flashed
his eyes glinted
his eyes burned withâŚ
her eyes blazed withâŚ
her eyes sparked withâŚ
her eyes flickered withâŚ
_____ glowed in his eyes
the corners of his eyes crinkled
she rolled her eyes
he looked heavenward
she glanced up to the ceiling
she winked
tears filled her eyes
his eyes welled up
her eyes swam with tears
his eyes flooded with tears
her eyes were wet
his eyes glistened
tears shimmered in her eyes
tears shone in his eyes
her eyes were glossy
he was fighting back tears
tears ran down her cheeks
his eyes closed
she squeezed her eyes shut
he shut his eyes
his lashes fluttered
she batted her lashes
his brows knitted
her forehead creased
his forehead furrowed
her forehead puckered
a line appeared between her brows
his brows drew together
her brows snapped together
his eyebrows rose
she raised a brow
he lifted an eyebrow
his eyebrows waggled
she gave him a once-over
he sized her up
her eyes bored into him
she took in the sight ofâŚ
he glared
she peered
he gazed
she glanced
he stared
she scrutinized
he studied
she gaped
he observed
she surveyed
he gawked
he leered
his pupils (were) dilated
her pupils were huge
his pupils flared
NOSE
her nose crinkled
his nose wrinkled
she sneered
his nostrils flared
she stuck her nose in the air
he sniffed
she sniffled
MOUTH
she smiled
he smirked
she grinned
he simpered
she beamed
her mouth curved into a smile
the corners of his mouth turned up
the corner of her mouth quirked up
a corner of his mouth lifted
his mouth twitched
he gave a half-smile
she gave a lopsided grin
his mouth twisted
he plastered a smile on his face
she forced a smile
he faked a smile
her smile faded
his smile slipped
he pursed his lips
she pouted
his mouth snapped shut
her mouth set in a hard line
he pressed his lips together
she bit her lip
he drew his lower lip between his teeth
she nibbled on her bottom lip
he chewed on his bottom lip
his jaw set
her jaw clenched
his jaw tightened
a muscle in her jaw twitched
he ground his jaw
he snarled/his lips drew back in a snarl
her mouth fell open
his jaw dropped
her jaw went slack
he gritted his teeth
she gnashed her teeth
her lower lip trembled
his lower lip quivered
SKIN
she paled
he blanched
she went white
the color drained out of his face
his face reddened
her cheeks turned pink
his face flushed
she blushed
he turned red
she turned scarlet
he turned crimson
a flush crept up her face
WHOLE FACE, ETC.
he screwed up his face
she scrunched up her face
he grimaced
she winced
she gave him a dirty look
he frowned
she scowled
he glowered
her whole face lit up
she brightened
his face went blank
her face contorted
his face twisted
her expression closed up
his expression dulled
her expression hardened
she went poker-faced
a vein popped out in his neck
awe transformed his face
fear crossed her face
sadness clouded his features
terror overtook his face
recognition dawned on her face
SOURCE
HAVANA ĂLVAREZ â 48 â CROOKED COP (investigative personnel)
consider the following: crooked cop gina torres