By Andreas Knaub for Annabelle Magazine November 2023
RMH
dirt enthusiast

JBB: An Artblog!

Love Begins
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Product Placement
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Aqua Utopia|海の底で記憶を紡ぐ
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noise dept.
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸
Keni
KIROKAZE
Sade Olutola

Janaina Medeiros
Alisa U Zemlji Chuda

JVL
he wasn't even looking at me and he found me

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@elodieeye
By Andreas Knaub for Annabelle Magazine November 2023
Lilya 4-Ever dir. by Lukas Moodyssan
Eto Migriauli by Scarlett Casciello for Manifesto Magazine August 2022
Beau Carey - Verde Ranges, 2020
RUTH ASAWA
JAPÓN 1926 – SAN FRANCISCO 2013
Pollen count, Zhong Lin
Details : A Walk at Dusk, ca. 1830-35, Caspar David Friedrich
《今天》畫刊(Today Pictorial),1968
(via https://open.spotify.com/artist/1D2y2YAff7XfWsZH7ul6gJ?si=hwNXQOWzSbSHSatHmhHTHg)
check out my bands ep :)
// and
sternieboy.bandcamp.com
Jan De Maesschalck (Belgian, b. 1958), Untitled (Bunker), 2018. Acrylic on paper, 54.4 x 41.2 cm.
Language is what eases the pain of living with other people, language is what makes the wounds come open again. I have heard that anthropologists prize those moments when a word or bit of language opens like a keyhole into another person, a whole alien world roars past in some unassigned phrase. You remember Proust so appalled when Albertine lets fall “get her pot broken.” Or you hear a Berliner say “squat town”—and suddenly see sunset, winter, lovers cooking eggs in a grimy kitchen with the windows steaming up, river runs coldly by, little cats go clicking over the snow.
Anne Carson, Plainwater: Essays and Poetry (via merulae)
Zhang Xiaogang (Chinese, b. 1958), Amnesia and Memory: Sleep, 2006. Oil on canvas, 110 x 130 cm.
“I have never been able to understand people with consistent lives – people who, for example, grow up in a liberal Catholic household and stay that way; or who in junior high school are already laying down a record on which to run for president one day. Imagine having no discarded personalities, no vestigial selves, no visible ruptures with yourself, no gulf of self-forgetfulness, nothing that requires explanation, no alien version of yourself that requires humor and accommodation. What kind of life is that?”
— Michael Warner, “Tongues Untied” in Curiouser: On the Queerness of Children (216)
Swell, Petros Koublis
Shangri-la Cabin DRAA + Magdalena Besomi
Shangri-la Cabin is the first of a series of elevated mountain cabins designed to populate a tall native woodland. Trees dating various centuries can be found in the plot delimited by a 100-meters vertical basalt face and a stream.
This base is elevated 3 metres above ground where a light prefabricated SIP board system is installed. The system consists of a 212mm polystyrene core, a high level of insulation. In the interior of the cabin the circulation continues upwards with small level differences that categorise each space and nook; the air-lock entrance, the toilet, the room , the kitchenette and finally the sitting room at the end, with a massive glazing facing north just above the canopy.
Oscar Droege(German, 1898-1983)
via