[emransohel]

A feel of touching

[emransohel]

Amid covid-19

Usually, as visual art practitioners before this pandemic period, we all tried to represent personal social and cultural crises. Where industrialization keep us in their black hand, and there was a big part to keep distance between nature and humans. Made us concentrate on the materialistic world. Now, this historical pandemic has already made us facing a completely unknown situation since…

View On WordPress

[emransohel]

In this expression I tried to collaborate with natural power, depending on the relevance to create my expected visual within my own body where the very inner feelings will execute through my involvement and attachment with the time, natural power, control, and inability of control. I inspired by political, cultural, and social behavior that dominate one’s feelings in our existing social system. Here I want to portray visual depiction of those as a metaphoric way. Where I emphasize through real-life performative acts in any locations and that mill with life.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Sunburn 01 In this expression I tried to collaborate with natural power, depending on the relevance to create my expected visual within my own body where the very inner feelings will execute through my involvement and attachment with the time, natural power, control, and inability of control.

[emransohel]

Nature=OR Human

Day by day almost every natural space become manmade space by deforestation, without any hesitation we human murder every river one by one. we stern for making own space and getting material by the distraction of ecological balance. As a result, the visual world changes continuously by creating spaces between spaces using lines and lines. In this collaborative three installations, we just tried to represent those transformations in a site-specific way by using available and metaphoric material, we also use some material for direct representation and consciously tried to create a question about the educational process by installing one installation into school ground, and rest of the two installations

was in front of two abandoned Forest Beat Office. In another way, our main focus was on how shapes, spaces, materials, and forms dominate one’s feelings in this mechanical postmodern era.

Collaboration by

shubho o saha &

emran sohel

Nature=OR Human Nature=OR Human Day by day almost every natural space become manmade space by deforestation, without any hesitation we human murder every river one by one.

[emransohel]

NON VEG>> Live Performance/ Live act, Venue- Dhaka University, Year- 2015. Usually, we know those as vegetarian who avoid fish or meat on their diet, And non-vegetarian, who doesn’t bother.

[emransohel]

Collaborative live act by Emran Sohel and Sanjid Mahmud

In to this collaborative live performance/live act we tried to show where some pictures of ongoing political turbulence of the world is focused. Dead body is a necessary element to run and succeed the infernal power-play. Now the playing field (earth) is being made as a graveyard. World is becoming a bloody place by discarding humanity. Here we tried to show some metaphoric act through peeling potato and eat raw meat with sauce. Which we can see into our society as well as the world, some mentally disorder people are become blood-thirsty carnivorous and we general people with some powerful people are not reacting/doing anything. So here we act like as an deride and blood-thirsty carnivorous.

এই দৈত্ব লাইভ পারফরমেন্স / লাইভ এক্ট এর মাধ্যমে প্রতিক্রিয়ার উৎস তালাশে বিশ্বের সমকালীন অস্তিরতার কিছু চিত্র আমাদের চোখে পড়ে যার প্রত্যক্ষ বা পরোক্ষ ভুক্তভোগী আমরা সাধারন মানুষরা। ক্ষমতা এবং স্বার্থকেন্দ্রিক আন্দোলনকে জোরদার এবং তা সফল করার জন্য পৈশাচিকভাবে মনুষ্য লাশ আজ অপরিহার্য। যার দারা পৃথিবীকে করে তোলা হচ্ছে শ্মশান বা মৃত্যুপুরী। মনুষ্যত্ববোধকে দলিত করে রক্তাক্ত হয়ে উঠছে পৃথিবীর চারপাশ। যেখানে রূপক ভাবে কিছু ক্রিয়া কলাপের মাধ্যমে বর্তমান সমাজের সর্বপরি বিশ্বের কিছু মস্তিষ্ক বিকৃত মানুষ রূপী হায়নার পুরদস্তুর মাংসাশী রক্তালোলুপ হয়ে উঠা এবং সমাজের কিছু ক্ষমতাবান মানুষ সহ আমরা সাধারন মানুষের প্রতিক্রিয়াহীনতা কে উপস্থাপন করার চেষ্টা করেছি। যেখানে সানজিদ মাহমুদ আলু ছোলা দ্বারা এবং আমি (ইমরান সোহেল) সস দিয়ে কাঁচা মাংস খাওয়ার মাধ্যমে দ্বৈতভাবে সমাজের সর্বপরি বিশ্বের মানবজাতির মানসিক বিকারগ্রস্থতার একটি দৃশ্যগত উপস্থাপন তুলেধরার চেষ্টা করেছি, যেখানে বিভীষিকাময়, ভয়ানক, লোমহর্ষক এবং উপহাসমূলক উপস্থাপনের সম্মিলন লক্ষ্য করা যায়।

p.c Rasel Chowdhury

Festive>> Collaborative Live act by Sanjid Mahmud and Emran Sohel>> Date 6th July 2016>>Venue- TSC Dhaka University. Collaborative live act by Emran Sohel and Sanjid Mahmud In to this collaborative live performance/live act we tried to show where some pictures of ongoing political turbulence of the world is focused.

[emransohel]

“emergency of the entity” Live act / live performance – part 2 By Emran Sohel and Sanjid Mahmud 23 September 2016, FRIDAY AT 06:00 PM Venue – start from Zero point (poltan Dhaka) photo – Rupam Roy constantly one by one born lots of subjects and objects than needed to think about that existence and in extremes. 

[emransohel]

Nothing is real Real is nothing. In the conversation between real and surreal, where do we stand? Are we slaves of truth or reality? Are we trying meaninglessly and ridiculously to deny truth and reality? Are we just flowing with time? Let’s ponder for a minute. Are we just harming the world and manipulating others with our power play? “Nothing is real. Real is nothing” is our way of bringing our six senses together and making it visual for all. at Bhaktapur Durbar square and The Taragaon Museum. special thanks to Bhushan Duwal. #nothing_is_real #collaboration #performanceart #Kathmandu #Nepal

Nothing is real-Real is nothing Nothing is real Real is nothing. In the conversation between real and surreal, where do we stand?

[emransohel]

  In the heat of the moon, the brain’s illusion keeps the movement of the lifeless objects,

Body’s change its position by momentarily, in the Chader Haat.

Where the silver wrapped window (inclusive) of the dream shade in Bijtala,

Nearby some stairs show a piece of sky in the reflection of water, and the corpse of flowers beside the golden object.

Consciously, unconsciously; neighbors cultivate moons in the Haat.

Come on! Let’s measure some pieces of the world today. “

………………………………………………………..

Here in the midst of neighbors, I tried to create a poetic space/area, where the viewers can gain experience by their own journeys. Even though the abstract metaphoric presentation is essential here. Where construction areas itself plays an important role by the change of the everyday visual world, for that reason as much I gave priority to creating art object, even more than that I tried to create a composition between manmade space and natural space. Where each and every one of us changes

the view of the visual world.

Poem of seven lines In the heat of the moon, the brain's illusion keeps the movement of the lifeless objects,

[emransohel]

“Announced and Unannounced” Collaboration with local street canvasser into Performance art week 2016, organized by Bengal Foundation. Curated by Mhabubur Rahman which was Live at 2016 30th december>>> Photo courtesy- Bengal Foundation.

[emransohel]

#Performance#liveact#collaboration#localstreetcanvasser#emransohel#2016#dhaka#bangladesh #Announced and Unannounced Collaboration with local street canvasser>>> Performance art week 2016>>>Bengal Foundation>>> Curated by Mhabubur Rahman>>> Live was 2016 30th december>>> Photo courtesy- Bengal Foundation>>> https://www.instagram.com/p/ByYQikVlWTz/?igshid=19tlax7zr8fe3

[emransohel]

View this post on Instagram

#random#emransohel#dhaka#bangladesh https://www.instagram.com/p/BySXEMQFAA3/?igshid=1oj0p1st2t2l7

[emransohel]

>Red> >Lots of slice red< Innumerable rock shells and flesh slabs are moving through the road with lots of abandoned objects- big or small. Does anyone get bothered or do they make any sense to anybody of whether they are moving critters or only static matters? The wind never ends up and never will. Souls are so frowsy here, and fates are so red! Though there are garbage's, the moving flesh slabs running over the road are making the fetor more unsavory indeed. Here red becomes more red, as the aggressive metaphor of disheveled, totalitarian brains. Almost in every sphere of our political, social and cultural milieus such horrendous scenes are familiar. The world is becoming a bloody place by the act of discarding and swallowing our own humanity. Consciously or unconsciously, we are conveying the delusion of this atrocity on our portraiture and expressions. Red, is the imagination of extremeness here. To depict the scar, being lenient to my subconscious feelings of red I tried to create some surreal images of uneven shapes as a process of my conscious construction, where the expression derives from my circumstantial impacts and personal experiences.

[emransohel]

View this post on Instagram

#Verticallines#shakingvertical#verticalsound#random#lines#mobileedit#mobilevedio#emransohel#dhaka#bangladesh https://www.instagram.com/p/Bwf56stlLuV/?igshid=1qvsdfibgewan

[emransohel]

Collaboration.. 'Dhaka Live Art Biennale D'LAB' 2019, February - 04 Photo - Ishtiaque Ahmed Foisal #performance_art #Live_act #public_art #street_performance #DhakaLiveArtBiennale2019 #Bangladesh #emransohel #syedmuhammadzakir https://www.instagram.com/p/BtejFlSHSoN/?utm_source=ig_tumblr_share&igshid=7e4vrv3rcxbw

[emransohel]

#18thasianartbiennalebangladesh#colaboration#syedmuhammadzakir#emransohel#performancesuffocation#nonentitywithfact#dhaka#bangladeshshilpokolaacademy https://www.instagram.com/p/Bs1CTmpnCwA/?utm_source=ig_tumblr_share&igshid=101ghthcyy3nz

[emransohel]

#18thasianartbiennalebangladesh#colaboration#syedmuhammadzakir#emransohel#performancesuffocation#nonentitywithfact#dhaka#bangladeshshilpokolaacademy https://www.instagram.com/p/Bs1Cb_oHneo/?utm_source=ig_tumblr_share&igshid=151dozky7yfq6