LOUISE BOURGEOIS, CELL (YOU BETTER GROW UP), 1993
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LOUISE BOURGEOIS, CELL (YOU BETTER GROW UP), 1993
Tim Garwood (British, b. 1984), On the rocks (Mermaid), 2017
Mario Schifano | Monochrome Blue
enamel on paper laid down on canvas 55 1/8 x 45 ¼in. (140 x 115cm.) executed in 1960
Svenja Deininger, Untitled, 2017
I don’t have a train of thought I have seven trains on 4 tracks that narrowly avoid each other when the paths cross and all the conductors are screaming
Pieter Vermeersch
Leonard Drew Photo Jon Gasca
Muriel Napoli
Amplitude
acrylic, watercolor, ink
david bowie in kyoto / japan, 1980
ir·i·des·cent
/irəˈdes(ə)nt/
adjective showing luminous colors that seem to change when seen from different angles.
Serpentine Pavilion 2015 designed by selgascano
🕊️(thank you!)
Harriet Lee Merrion
Joanna Newsom wrote & performed this piece when she was 17.
however imprecise and out of tune this is, it’s one of her prettiest melodies and you can hear how it is borne so purely and of a lonely mind, without the saturating influence of multi-piece orchestras/bands and sound mixers
Hans Arp | Variables Bild
felt and wood in Plexiglas executed in 1964 40 x 40 cm; 15 ¾ x 15 ¾ in.
A performance in the Maranathakerk, Deventer, Aldo and Hannie van Eyck, 1986-92
“I can barely conceive of a type of beauty in which there is no Melancholy.”
— Charles Baudelaire, The Flowers of Evil (via the-book-diaries)