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I have really enjoyed researching and demonstrating this skill, and I’m now thinking about being a Location Manager in the future.

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Finish
I have really enjoyed researching and demonstrating this skill, and I’m now thinking about being a Location Manager in the future.
Demonstration Video
Due to my role of being a location manager has now been completed. I’m now able to complete my demonstration video.
Shoot Day!
Today we filmed Ryan’s Advance Skill and it went very well! I made sure that everything was set us as agreed with the owner. An example was to make sure the driveway was clear, which was completed. Once I had completed all the checks, my role was just to make sure everything runs smoothly and to time, as I had to make sure we were offset by the agreed time. We did just about manage to finish on time, but, it was really tight for timing. At the end of the shoot, as a location manager, I had to make sure everything was back to how it was left. The only thing I needed to do was to mop the floor as we had a spillage in the kitchen area, and get rid of all the food in the kitchen, but apart from that everything was back to normal! Ryan was very happy with how the shoot went too!
Greenwich Council
Sadly, Greenwich was unable to give me an interview. However, they did direct me to the Greenwich Film Department website, which gave me all the information I needed to know.
If I was requesting a permit from the Greenwich Council, it could take up to 2 weeks and I would need to provide Greenwich Film unit with a copy of the production (Film Greenwich, 2017). However, due to meeting the criteria of:
- Having a crew less of 5 people (we will only have 3 members of crew filming on the public road)
- Using a handheld camera and a sensible sized tripod (We used SF7 and a Miller 55 tripod which are both small)
- Do not require a road or path closure
- Not disrupting members of the public (We are planning to work with the public so we don’t disturb them)
Due to meeting these requirements we did not need to require a filming permit, which is lucky for us (Film Greenwich, 2017). However, in the future, I will remember to make sure that I check out the requirements, if we film again in Greenwich, just in case I do need to receive a permit from them.
Reference:
Film Greenwich (2017) Student Filming Guide. Available at: http://www.filmgreenwich.com/Filming-guides/Student-filming-guide (Accessed: 13 November 2017).
Daniel Watson - Event Officer
I also got an interview with Brighton and Hove City Event Officer for the council, Daniel Watson, who’s filming process is slightly different to Richmond.
This is what I discovered:
What does your role as an Event Officer do in terms of filming permission?
My role is events orientated so it means I look after the events in the city that are on public land. We book the client in and sort out any of the negotiation for prices etc. The bread and butter of my job is the filming part, so that comes with people that want to film on public land. They will ring me up in the events department, and say we want to film such and such on public land and then I overlook the process of booking them in, giving them permission and taking money off them. We don’t do as much in terms of finding places for them to film if we can help we will. If they have a specific thing that they want to do or a specific shot that they want, we will advise them to the best of our ability. But obviously, because we are not solely focused on that, we don’t have a database of locations or that.
If I’m a producer and I want to film on seafront how do I go about getting permission?
So if you are on the beach, you would either give me an email or a phone call, and you say you want to do this on the beach, on this day, we would have a chat about what you want to do, how many crew etc. Then I would ask them to fill out a film application form, ask them to send that in with their risk assessment and public liability form. Any concerns I may have I would give them a ring and talk them through with them, to see if we can find a round any problems. Or anything that is going to affect our business and so forth. If everything is ok, we will sign it off and send them an invoice. We generally let them get on with the filming, and we don’t get too involved so, we don’t go and check on them very often, but we will from time to time. Simple as that generally.
Some of the crew you have will be really big, do you have to block off a certain area that the public may use? For example the beach.
In term of the public beach, it just depends on where they want to film really. Generally, they stay away from the busier areas, if they do want to film in the busier area we just talk about it, and see what is possible. It all just depends on what they are doing and how long. If it’s on the main busy stretch of the beach, we will say can you do it on a Wednesday morning, or a day in the week which is going to be less busy and less impact, compared to the weekend during summer. If it is a big film production, they will be in the city for a week or two so we can pick or choose what days to do where generally, it’s a bit of give and take on both parts. We do try and be as flexible as we can in the city because we do like to have filming in the city.
If they wanted to film on a public road with shops on, how would you get that confirmed?
Again it all depends on what they are doing if it’s just a small crew and they are walking through following someone with a camera that is generally fine, and I will give them permission to do so, as long as they are not affecting any of the businesses in that area. If it is likely to affect the business in the area and then we ask for them to go and consult with the business themselves, and see how they feel about it. They come back to us and we mediate between them all, we act like we are the middleman. If it affects the traders, then we may go with and talk to the shops' traders, and say we want to do this and how do you feel about it etc. Generally, if it’s a large production company with a large budget, it helps move it along quicker as they normally give the traders some money. If not it’s all down to negotiation, people aren’t happy then we will find them somewhere else.
How do film crew go out filming in someone house and on the street within Brighton, if they are a big crew such as a TV Drama?
Let’s start with if they wish to film in a house or block of flats owned by the council. They would, first of all, contact me, who we would then put in touch with our housing department. Since it's on Housing land, they would give permissions for filming to take place. But before they do, they would consider what the film crew want to do, and the likely impact upon residents. They may also consult any resident associations during this period as well. If everything is ok, a fee would then be agreed between the crew and council, and the council may also ask the film crew to make a contribution to the residents association. Resident associations would use the money for the upkeep of the flats, such as planting outside etc. This is of course, as well as paying the person who’s house they are using.
For filming on the street, it is a similar process but this would come to myself. We would discuss what they want to do and where. we would then consider if the filming is likely to impact upon any residents or businesses. If it is, then we would either ask them to consult with the businesses and residents, or letter drop them. The letter would include details about the shoot, location, times etc and who they can contact at all times during the shoot – including a telephone number. We may also arrange a site visit with the film crew to make sure we are happy with the proposal. If everything is ok, I would ask them to complete the attached filming application form and submit it to us with all relevant documents including insurance and risk assessments.
If they crew require road closures, then I would also discuss this with them. Often this can lead to a) Businesses being effected B) residents parking closed off C) residents being effected in general.
Before agreeing with the closure we would take into consideration everything above, as well as how much money the crew is offering. If we are happy that disruption can be kept to a minimum, such as offering residents parking elsewhere close by, then I would put them in touch with our Highways team to apply for the road closure.
If it is a private house/ property, then we generally do not get involved.
Also, do you have a price list of what you charge to filming crew or just it depends on each production?
You will find the price list on the filming application form. Sometimes though, we can negotiate higher fees, depending on what they want to do.
Reference:
Watson, D. (2017) ‘How does your role help with film crews in your area?’. Interviewed by Esme Simcox for Advanced Skill Assignment, 12 November.
Brighton Vs Richmond
From having both an interview with Richmond and Brighton Council, I have learnt that each council within Britain have their own policies. Therefore I need to make sure that when I’m filming in a new area of the UK, which I have never been before, I check the local councils filming policies.
Furthermore, I have also learnt that some council can supply you with locations that have already been agreed prior that we can film in, in this case, Richmond offers this to Location Managers (Lewis, 2017). But on the other hand, Brighton didn’t offer it to me (Watson, 2017). For anyone who is wanting to film in Brighton, they would need to go and sort it out themselves and then contact the Brighton Council so they are aware of the situation.
I have also discovered that both councils ask for the same paperwork such as risk assessment, insurance and a BS7909, which is a safety generator (Lewis, 2017). All these documents are necessary to public safety and the crew safety within the area.
I’m very grateful to both Sue and Daniel for giving me their time to answer my questions! They were both extremely helpful!
Reference:
Lewis, S. (2017) ‘Role as a Film Officer for Richmond’. Interviewed by Esme Simcox for Advance Skill Assignment, 11 November.
Watson, D. (2017) ‘How does your role help with film crews in your area?’. Interviewed by Esme Simcox for Advanced Skill Assignment, 12 November.
Sue Lewis - Richmond Film Officer
Sue Lewis, Filming Officer for London Borough of Richmond Upon Thames, got back to me saying she is happy to answer a few of the questions. I phoned her today and this was what was said:
What does your role entail as a Richmond Filming Officer?
What we do is we are the first port of call for all location manager and production managers, who want to come and film in the borough. So whether they want to film on streets, or in private location or a council location, we will organise the filming for them, and that includes parking, road closures, traffic restrictions, removing street furniture and if needed turning on and off street lights. We also need to make sure we see a resistant letter. When they come and film here, they need to produce a resistant letter which has to go out 7 days before. So we are the facilitator for filming and we actively encourage them to come to the borough to film. So we get a resident letter out to everybody and that is the responsibility of the location manager to do that. Then nitty-gritty things like if they take any resident parking and then we do ask they pay for local residents to park somewhere else. Obviously, we ask them to apply online on our website, with all the information of the filming.
In terms of how the property get online to the location library (on their website) do you go round and take the photos, and then work out an agreement with the location, what’s the process of it?
What we do is, we actively go out and look round the borough but, also have resident in the borough that comes to us, who have looked at the website, and seen that we do promote private properties. So, we go to all the big business and ask them if they are film friendly and if they want to film companies to come to their property. We will then issue a contract to them so we can promote them to location managers.
Once a location manager and producer have decided on the location, what are the next steps?
Sometimes they don’t know what they want, but sometimes they come to us and say we are looking for so, it could be a Georgian property so we aim them to the areas that have lots of Georgian properties or they might want a Victorian toilet or french looking chateaux, say for instance, and we know we do have one here at York House. So what happens is, we tell them about it, they come along, they have a recce by themselves, and take some photos, they go away and show the photos to their producer or director. If they like what they see, they will come back to the property and show the director around. If the director is happy and then they have a technical reece, which we attend. Then they decide on lighting, parking and everything needed for the shot. Where they want the camera etc. and then we work with them. Say for example it’s a council property, we will work with all the departments to make sure everything was working smoothly. Eventually, we will issue them with a contract and from them, we need risk assessments, a site-specific risk assessment, a BS7909 which is a safety generator, while you are on the site. If it’s students we ask to see a script and approval from their tutor, to prove they are a student.
In terms of on the day, when they are arriving on set, what is your involvement the crew?
Location Manager would be first on set from very early hours. The location manager will have a unit manager who works with them to bring in all the essential trucks that come with that. Normally, TV drama brings around 7 trucks, so we have to accommodate them somewhere. However, sometimes we will need to limit the amount, but there is always a generator and a lighting truck, as they are the most important. The location manager will put them where we have agreed. From our point of view, we will go down and check everyone is happy as a council. We get the complaints, and we are the ones that try and resolve them. Most complaints are due to the inconvenience that a filming crew have created in the council such as parking for an instant.
What’s the end process of your job?
Yeah, we then have a reinstatement. If it’s a council property, we will come and check everything is back to normal. It’s always the location manager job at the end of the day to check everything and to ensure everything has been done.
Reference:
Lewis, S. (2017) ‘Role as a Film Officer for Richmond’. Interviewed by Esme Simcox for Advance Skill Assignment, 11 November.
Technical Recce
Ryan and I went and visited the property today for the Location Recce. Ryan was happy that there was enough space for all the lights in which he was bringing and that there were no noises that would affect the sound. However, it was decided that he wanted the driveway to be clear, so as the job as a location manager I spoke to the student and they agreed to move their car. During the meeting, we discussed with the owner on confirmation of timings, which they were happy with. The next step after this would be the day of the shoot!
Council Permission
I realised today that due to filming on a public road in Greenwich borough, I might have to receive permission to do so, even though it’s a student project. This made me think of the process that a location manager has to go through in order to obtain permission, for filming particular sights. I decided that I would contact Greenwich but, also, City of London, Brighton and Richmond’s film departments, as I have family living there and know the area well. I wanted to ask them a few questions in regards to learning about the work they do, the process of helping to get permission and finding locations in their borough.
Figure 1: Email sent to film deparments
Figures -
Figure 1: Simcox, E. (2017) Email to Film Richmond, 10 November.
Property 5
I went and had a look at property 5 which is another property on Tunnel Avenue.
Figure 1: Garden (2017a)
Figure 2: Stairs (2017b)
Figure 3: Main Bedroom (2017c)
Figure 4: Driveway (2017d)
Figure 5: Location Recce (2017a)
Figure 6: Location Recce page 2 (2017b)
Figures:
Figure 1: Storrar, S. (2017a) Garden [Screenshot]. Accessed: 9 November 2017.
Figure 2: Storrar, S. (2017b) Stairs [Screenshot]. Accessed: 9 November 2017.
Figure 3: Storrar, S. (2017c) Bedroom [Screenshot]. Accessed: 9 November 2017.
Figure 4: Storrar, S. (2017d) Stairs [Screenshot]. Accessed: 9 November 2017.
Figure 5: Simcox, E. (2017a) Location Recce [Screenshot]
Figure 6: Simcox, E. (2017b) Location Recce page 2 [Screenshot]
Decision
Today I had a meeting with Ryan and the decision was made to go with Property 5 which is located on Tunnel Avenue. The next step was to bring Ryan along for a technical recce to make sure everything was in place for the day of the shoot. The technical Recce will be tomorrow.
Property 4
Today I saw Property 4, which is located Olympian Way.
Figure 1: Bedroom (2017a)
Figure 2: Hallway (2017b)
Figure 3: Kitchen (2017c)
Figure 4: Front of building (2017d)
Figure 5: Location Recce for Olympian Way (2017e)
Figure 6: Location Recce for Olympian Way page 2 (2017f)
Figures:
Figure 1: Simcox, E. (2017a) Bedroom [Photograph]
Figure 2: Simcox, E. (2017b) Hallway [Photograph]
Figure 3: Simcox, E. (2017c) Kitchen [Photograph]
Figure 4: Simcox, E (2017d) Front of Building [Photograph]
Figure 5: Simcox, E (2017e) Location Recce for Olympian Way [Screenshot]
Figure 6: Simcox, E (2017f) Location Recce for Olympian Way page 2 [Screenshot]
Property 3
Today I went and saw Property 3 which is based on Hazeldon Road.
Figure 1: Bedroom 1 (2017a)
Figure 2: Bedroom 2 (2017b)
Figure 3: Stairs (2017c)
Figure 4: Hallway (2017d)
Figure 5: Location Recce for Hazeldon Road (2017e)
Figure 6: Location Recce for Hazeldon Road page 2 (2017f)
Figures:
Figure 1: Simcox, E. (2017a) Bedroom 1 [Screenshot]
Figure 2: Simcox, E. (2017b) Bedroom 2 [Screenshot]
Figure 3: Simcox, E. (2017c) Stairs [Screenshot]
Figure 4: Simcox, E. (2017d) Hallway [Screenshot]
Figure 5: Simcox, E. (2017e) Location Recce for Hazeldon Road [Screenshot]
Figure 6: Simcox, E. (2017f) Location Recce for Hazeldon Raod Page 2 [Screenshot]
Property 2
Following on from Property 1, later that afternoon I went and saw Property 2 at Tunnel Avenue.
Figure 1: Bedroom (2017a)
Figure 2: Lounge (2017b)
Figure 3: Garden (2017c)
Figure 4: Kitchen (2017d)
Figure 5: Location Recce for Tunnel Avenue (2017e)
Figures:
Figure 1: Simcox, E. (2017a) Bedroom [Photograph]
Figure 2: Simcox, E. (2017b) Lounge [Photograph]
Figure 3: Simcox, E. (2017c) Garden [Photograph]
Figure 4: Simcox, E. (2017d) Kitchen [Photograph]
Figure 5: Simcox, E. (2017e) Location Recce for Tunnel Avenue [Screenshot]
Property 1
Today I went to my first location recce of one of the houses in which we could use for our film.
Figure 1: Steps to front door (2017a)
Figure 2: Lounge (2017b)
Figure 3: Bedroom (2017c)
Figure 4: Carpark (2017d)
Figure 5: Location Recce for Charlton Village (2017e)
Figure 6: Location Recce for Charlton Village page 2 (2017f)
Figures:
Figure 1: Simcox, E. (2017a) Steps to front door [Photograph]
Figure 2: Simcox, E. (2017b) Lounge [Photograph]
Figure 3: Simcox, E. (2017c) Bedroom [Photograph]
Figure 4: Simcox, E. (2017d) Carpark [Photograph]
Figure 5: Simcox, E. (2017e) Location Recce for Charlton Village [Screenshot]
Figure 6: Simcox, E. (2017f) Location Recce for Charlton Village page 2 [Screenshot]
Script
Here is the script Ryan gave me, which has all the location that I will need to find, and the description of what is happening in that location.
I decided to highlight and annotate the script of my initial thoughts in regards to that location, that I should make myself aware of when at each location.
I realised there are only 2 main locations that I will be looking for which is the exterior (driveway) and the interior (the bedroom). However, there were a few additional locations, firstly they need stairs in the house, as the character of Nancy runs up and down the stairs. Secondly, a dark hallway where Nancy answer’s the phone. Therefore, I need to regard them as a feature of the location I’m looking for.
To make sure I wasn’t going too far out with my location searching, I went on to google maps and printed off a map of Greenwich area. I decided to do a circle of 3-mile radius (black line) around our equipment pick up location (red dot) and then within the radius to highlight the area that was in Greenwich (pink area). By creating this it has given me an area in which I can focus when finding a location. I can now begin the process of looking for a location!