Paul Thomas Anderson has sat down for a revealing, personal two-hour interview with Marc Maron to discuss his life and career.
Listen here in full.
Sweet Seals For You, Always
Cosmic Funnies
RMH
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year

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The Bowery Presents
TMBGareOK. The Official They Might Be Giants tumblr
sheepfilms

Kiana Khansmith
noise dept.

Product Placement
Misplaced Lens Cap
occasionally subtle

izzy's playlists!

if i look back, i am lost
untitled
KIROKAZE
"I'm Dorothy Gale from Kansas"

oozey mess
seen from Türkiye

seen from United States
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seen from United States
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seen from United Kingdom

seen from Spain

seen from Austria

seen from Malaysia
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seen from United States
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@filmshrimp
Paul Thomas Anderson has sat down for a revealing, personal two-hour interview with Marc Maron to discuss his life and career.
Listen here in full.
Happy Together (1997)
Barton Fink | Joel Coen / Ethan Coen | 1991
Boogie Nights (1997/Paul Thomas Anderson)
I don't know whether I should order something from Criterion for Christmas but it's so so tempting.
Reels of footage from Orson Welles’ final, unfinished film (soon to be completed) The Other Side of the Wind (2015) [x]
After Hours (dir. Martin Scorsese — 1985
Steve McQueen and Michael Fassbender during the filming of Shame
On the Set of True Detective
You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it.
The Tale of the Princess Kaguya - Directed by Isao Takahata
Akira Kurosawa and Chishu Ryu on the set of Dreams.
Cinematographers You Should Know: 2/∞
Bradford Young (7/6/1977 - )
"I’ve always said that I find film lighting technology to be a bit obtrusive in creating a space where actors and the directors can work in real harmony. Especially for collaborators who are working under tough monetary constraints, one has to be very strategic and very liberated about how one uses light. I think it’s a DP’s duty to help create a space where all can stay invested emotionally. As a cinematographer, I’m intrigued by the idea of lighting space and letting bodies fluctuate, and oscillate through that light."
Known For: Ain’t Them Bodies Saints, A Most Violent Year, Selma
Edward Norton on the set of “Birdman”, photographed by Emmanuel Lubezki
Billy Wilder (Left), directing Tony Curtis in a scene from ”Some Like It Hot”, 1959.