Ambrose Color. This font uses Ambrose Pixel as a template and features the same design as Softstruct.
taylor price
YOU ARE THE REASON
🪼

Discoholic 🪩

@theartofmadeline
Keni
d e v o n
$LAYYYTER
AnasAbdin
we're not kids anymore.
tumblr dot com
"I'm Dorothy Gale from Kansas"
cherry valley forever

tannertan36
TVSTRANGERTHINGS

shark vs the universe

JBB: An Artblog!
h
Show & Tell

祝日 / Permanent Vacation
seen from United Kingdom

seen from United Kingdom

seen from United States
seen from United Kingdom

seen from Germany
seen from Japan
seen from United States

seen from United States
seen from United States

seen from Germany

seen from South Korea
seen from Türkiye
seen from United States

seen from Germany
seen from Netherlands
seen from United States

seen from Spain
seen from Germany
seen from Ireland
seen from Australia
@frodo7
Ambrose Color. This font uses Ambrose Pixel as a template and features the same design as Softstruct.
Softstruct is a cheerful display font that captures the tactile charm of children’s construction toys. Designed on a pixel grid, it uses rounded letterforms that resemble foam or rubber pieces, each perforated with uniform circular “studs” that echo toy bricks or pegboards. Though rooted in pixel structure, the glyphs are softened with subtle curves and shading, giving them a squishy, almost rubbery appearance.
Character set
My new stencil serif face, Fonticello. Capitals only.
Elspeth v2, a traditional slab serif. Quote: Life of Brian movie (1979) by Monty Python. Extended Latin character set.
Fat LCD Font: my second entry to Numbers Comp at Fontstruct. Top: Samsung Galaxy watch face. Bottom: the same watch face with always-on display.
Solace in Geometry. My new colour font was made with Fontstruct earlier this year.
Avensys Inline.
Escher's Woven Fabric. Eighteen patterns for infinite tiling. This work is based on M.C. Escher's woven ribbon motifs, 1938, 1942. He's made wooden stamps for the basic motifs and rotated and combined them to create fantastic woven fabric patterns.
Frunze Stencil. A book mockup with a theoretical title of Leo Tolstoy's classic work War and Peace. It says Special Military Operations and Peace. Since the Russian authorities are in total denial about what's going on in Ukraine, they banned the use of such words as war and invasion, I imagined how that book would have looked like in a 2022 Russian edition.
Abruzzo DS (dotted serif): text sample and character set.
Sierpinski Black Initials
Erebor: my new layer font on Fontstruct.
Tennesine Slab: my second entry to the 2022 Fontstruct competiton, HeavyComp.
Cyrillic set completed 06DEC2023.
Gildor Grotesk: my new fat sans serif.
Screenshot from Fontstruct: a full brick overshoot both at the top and bottom of rounded glyphs.
Character set: Capitals only
Lux Aeterna: Dotted Sans Serif. Latin sample and character set. Latin text: Titus Livius, Periochae Librorum A. U. C. 1b.1 (excerpt).
Neldoreth Chromatic 01 / 02: two layered fonts with 3D effect.
Playing with Squares